Understanding the undeniable power of voice, the global filmmaking and sound engineering communities are rallying around Safe&Sound Ukraine initiative to provide encrypted walkie-talkies and satellite phones for Ukrainians in disaster zones cut off from communication. The urgently needed devices will help coordinate medical, evacuation, and defense needs.
A rising star in the industry, Soya Soo has worked on many high-profile films as an audio engineer at Remote Control Productions, Hans Zimmer’s Santa Monica-based studio, including projects like The Lion King and Dark Phoenix. Today, as an assistant studio engineer, Soo is busy recording and mixing for various film scores including the Apple+ series See.
One Union Recording Studios, which bills itself as the largest independent recording facility in the Bay Area, has hired senior audio engineer Dan Jensen. Jensen brings more than 15 years of experience as a sound mixer, editor, and designer, primarily on national and regional advertising.
Goldcrest Post provided post-production services for three films screening at this year’s Sundance Film Festival. They include Academy Award–nominee Ramin Bahrani’s documentary 2nd Chance, Tia Lessin and Emma Pildes’ documentary The Janes and director Ricky D’Ambrose’s narrative film The Cathedral. The 2022 Sundance Film Festival takes place as a fully virtual event January 20-30.
As Dolby Atmos continues to become a dominant force in the audio industry, studios like Melbourne-based Red Road Immersive are pushing the boundaries with sound design, bringing unparalleled audio experiences to listeners. Red Road owner Angus Davidson has been in the music business for four decades. He recently handled the sound on Little Tornadoes, a feature film that premiered at the 2021 Melbourne International Film Festival.
Scoring mixer Rich Aitken, founder and owner of Nimrod Studios, has been one of the industry’s most respected sound production professionals for nearly 25 years. Today, whether at home or on the road at studios like Abbey Road and The Empire, Aitken manages a wide array of recordings, works with composers, and provides sonically engaging mixes to bring out the best in a musical piece for film, television, or gaming.
Climate activists from around the world call for urgent action to combat climate change in a powerful public service announcement for The Climate Reality Project. 11 Dollar Bill produced and provided editorial, graphics design and post-production services for the piece, which features personal statements from activists from London, New York, Sydney, the tiny Indian state of Sikkim and dozens of other locations.
Sound editorial and mixing for Ghostbusters: Afterlife was based at Sony Pictures Post Production Services where a veteran crew led by supervising sound editor/re-recording mixer Will Files, supervising sound editor Perry Robertson and re-recording mixer Mark Paterson faced the formidable challenge of following in the footsteps of a legend. Released in 1984, the original Ghostbusters is among the most beloved comedies of all time and elements of the film, including many of its signature sounds, are etched in the minds of movie fans around the globe.
Pace Pictures provided editorial and post-production services for For the Love of Money, the new crime drama from executive producer Melvin Childs, director Leslie Small and Freestyle Releasing, about a single mother who takes desperate action to save her teenage daughter from gangsters threatening her life. Pace’s Heath Ryan edited the film, which draws audiences into a murky world of crime, violence, and unlimited cash, and explores the morality of doing whatever it takes to protect the ones you love.
For 15 years, Vaudeville Sound Group has been serving London as a premier global post-production house for TV, film, broadcast, gaming and documentary work. First opened in 2006, the company has expanded to locations in Los Angeles (circa 2013) and Vancouver (circa 2020), and recently completed its 35th sound studio. Today, Vaudeville has more than 60 creatives in various departments, including sound design and dialogue editing, as well as automated dialogue replacement and mixing.