Mixing Sound

Sometimes Size Really Does Matter

Wed, 11/11/2020 - 10:19 -- Nick Dager

When Gene Martin, owner of Audio Department and Sound Guy Solutions, was presented with a technical nightmare for a commercial client in the early days of COVID, his sound mixer gears started turning. With scenes being shot in separate areas around the U.S., Martin had to juggle as many as 10 different drop kit audio packages at a time. As he was on-location with the main crew in California, he also had to account for remote workflows as well as social distancing protocols.

She Dies Tomorrow Filmmakers Discuss the Film at NAB Show New York

Thu, 10/15/2020 - 09:12 -- Nick Dager

The creative team behind Neon’s She Dies Tomorrow will participate in a panel discussion on October 23 during NAB Show New York’s online conference. The session, which will explore the use of sound and picture finishing to create suspense and emotional tension in feature films, will be available on the main stage channel.

A Biting Score

Thu, 10/08/2020 - 09:26 -- Nick Dager

Set in modern-day Brisbane, Australia, Bite Club follows a young werewolf, Adron, on his search for his missing brother in a world where supernatural beings hide in the shadows. Tapped as composer, producer and sound designer for the film, Dana James Presson knew he wanted to create an explosive theatrical presentation.

Éclair Versioning & Accessibility Expands in France, Spain

Wed, 10/07/2020 - 10:18 -- Nick Dager

Undeterred by this year’s COVID-19 health challenges, Éclair Versioning & Accessibility has added a new state-of-the-art recording room to the Vanves’ facility as part of a wider reorganization of its Parisian studios, which included changes and upgrades to a number of its recording studios. The company has also opened a new dubbing facility in Barcelona.

Bulletproof Sound

Mon, 09/14/2020 - 09:46 -- Nick Dager

Simon Hill, senior dubbing mixer at Halo Post in London, has worked on some of the biggest dramas for television and streaming outlets. Included among these is Bulletproof, which airs on Sky One in the UK and CW in the U.S., as well as the British film, Ghost Stories. With audiences craving more and more content, post houses must turn out projects at increasing speeds.

Mixing Sound for Multiple Platforms

Mon, 08/31/2020 - 08:27 -- Nick Dager

For more than three decades, Warner Bros. re-recording mixer Jonathan Wales has created audio magic for numerous feature films, documentaries and television shows. Two recent projects were the Warner Bros. movie Doctor Sleep and the Netflix series 13 Reasons Why. As content creation and technical specifications change, Wales finds himself having to adapt to newer audio compliance standards across a variety of platforms.

Second Chances Rare in Documentary Sound

Tue, 08/25/2020 - 10:37 -- Nick Dager

Production sound mixer Ben Nimkin has worked on a long list of compelling documentaries including Fyre Fraud; Rest in Power: The Trayvon Martin Story; States of Undress; Gaycation and more. With a specialty for investigative documentaries, Nimkin is no stranger to capturing highly emotional conversations and working in extreme environments. Experience has taught him – sometimes the hard way – that in documentary work you usually have just one chance to get the sound right.

Speed Crucial in Audio Post

Thu, 08/13/2020 - 11:32 -- Nick Dager

Recording, editing, mixing and mastering engineer Ayako Yamauchi has found that turnaround speed is crucial to many of her film and television projects. Having won multiple awards for her audio post-production work, Yamauchi’s credits are filled with some of the world’s leading video games. Included among these are Uncharted: The Lost Legacy, God of War and Sekiro: The Shadow Dies Twice.

The Sound of Fear

Tue, 08/04/2020 - 09:54 -- Nick Dager

Called “one of the most prescient films of the decade,” She Dies Tomorrow from Neon and writer/director Amy Seimetz, centers on a woman who believes she is about to die from a mysterious illness that is also highly contagious. The psychological thriller, which recently went through sound and picture finishing at Goldcrest Post in New York, delves into universal feelings of anxiety and dread through a story that blends horror, humor, drama and the surreal. Seimetz used sound to convey the feeling of fear.

Pages

Subscribe to Mixing Sound