Though the numbers are certainly on an upward trend, it’s still rare to find women in professional audio, especially one as prominent as Sara Glaser, CAS. Having gotten her start in the industry in college as a recording engineer nearly 20 years ago, Glaser’s major successes can be found in her work as a production sound mixer for feature films and episodic television. Some of her most recent credits include Westworld, Grey’s Anatomy, Feud: Bette and Joan and the Netflix feature film, Rim of the World.
Discovery Network’s Journey to the Future, produced by Storied Media, is a documentary focused on the behind-the-scenes lead-up to America’s historic SpaceX Falcon 9 launch. Several packages were also produced for use throughout the live broadcasts. Among the professionals who worked tirelessly on these projects was re-recording mixer Michael Phillips Keeley, CAS, who helped create the soundscape.
When Chicago-based Periscope Post & Audio launched its Hollywood facility last year, it was targeting Southern California’s boom in film and television production. But the building that houses Periscope, previously occupied by another full service post house, needed a serious upgrade. Enter sound studio specialist Kaiser Comm Construction. Today the 22,000-square-foot facility offers complete sound and picture finishing resources tailored to meet today’s highest standards, especially among streaming services like Netflix and Amazon, which often require shows delivered in high dynamic range with immersive Dolby Atmos soundtracks.
STMPD Recording Studios in Amsterdam recently completed an extensive three-year renovation, bringing its total number of studios to eight, including a 135 square-meter Dolby Atmos Premier Studio. With just nine Dolby Atmos Premier studios in the world, and only two others in Europe, STMPD recording studios joins a very exclusive club.
Nugen Audio has released the latest version of its Halo Downmix, which now increases the compatibility of the software allowing for greater flexibility and collaboration across a broad spectrum of project types. Nugen has also broadened the plug-in’s channel count support to address less common output formats. With this update, Halo Downmix is capable of downmixing from 7.1 and 5.1 to any of the following configurations: 7.0, 6.1, 6.0, 5.1, 5.0 and 4.0, as well as LCR and stereo. With the optional 3D extension, downmixing from 7.1.2 is also supported.
As one of the industry’s most respected audiophiles, award-winning re-recording mixer, sound editor and sound designer Ruy Garcia is passionate about using only the best audio equipment for his craft. Among his most recent credits was the surround mix for the Netflix release of 2019’s Midsommar.
In response to the rapidly changing needs of the industry, Nugen Audio has launched a digital initiative to support the audio and production community through the COVID pandemic. Aptly dubbed Staying Home, Staying Creative, the program is aimed at promoting collaboration and creativity in a time of social distancing. Included among Nugen’s efforts are a variety of videos, interviews and articles that will inspire new artistic approaches for post-production workflows. The company is also providing temporary replacement licenses for any users who do not have access to their in-office workstations.
Even as the COVID-19 pandemic has curtailed production activity in much of Hollywood, Vortechs, an independent supplier of post-production technology, is implementing novel solutions to help its clients stay on track with motion picture and television projects. Vortechs-supplied projects, now working remotely, include the upcoming Warner Bros. features Suicide Squad 2 and In the Heights, directed by John Chu and edited by Myron Kerstein.
To help sound editors, mixers and other post-production professionals, who suddenly find themselves working from home, Ambidio is making its immersive sound technology, Ambidio Looking Glass, available for free. Sound pros can use it as a monitoring tool for theatrical and television projects requiring immersive sound.
Ana Monte, lead sound designer and Daniel Deboy, lead sound engineer founded Delta Soundworks in Heidelberg, Germany in 2016. The company is a 3D/immersive audio post-production facility with projects that span across installations, virtual reality, 360-degree films and gaming, as well as feature films, documentaries, TV shows and commercials. Their team consists of a highly skilled and creative group of production sound mixers, recording engineers, sound designers, Foley artists, composers and music producers. Digital Cinema Report recently spoke with Monte and Deboy about their business and some very interesting projects.