Cameras

Shipsides Named President of Arri Rental North America Camera

Thu, 04/02/2020 - 08:34 -- Nick Dager

Arri Rental has announced that Andy Shipsides will assume the role of president of Arri Rental North America Camera on May 1. Peter Crithary will transition from president of Arri Rental, North America to lead the marketing function for Arri Inc. in the newly created role of vice president of marketing and market development for the Americas. Shipsides will work alongside Carly Barber, the president of Arri Rental US Lighting, and will be responsible for overseeing camera rental operations in North America.

Bloodshot: The Illusion of Choice

Mon, 03/23/2020 - 11:29 -- Nick Dager

In a cinematic universe expanding with superheroes, the creative challenge for filmmakers is to set newcomers apart from the crowd. The task was doubly important for Bloodshot, the first installment of a new franchise that Sony Pictures plans for characters of comic-book publisher Valiant Entertainment. The studio assigned responsibility to Dave Wilson, an established video game cinematic and trailer director for Blur Studio but first-time feature director, who in turn worked alongside cinematographer Jacques Jouffret, whose credits as a camera operator include Deepwater Horizon and Transformers: The Last Knight, and as a DP include The Purge and Mile 22.

Making it GLOW

Mon, 02/17/2020 - 10:42 -- Nick Dager

The Netflix series GLOW, which launched its 10-episode third season in August 2019, brings the Gorgeous Ladies of Wrestling to Las Vegas and the fictitious Fan-Tan Hotel and Casino. The production captures the personal and professional lives of a group of women who perform for a wrestling organization that started in Los Angeles but now find themselves in glitzy Las Vegas during the 1980s. Cinematographer Chris Teague met with show creators, executive producers and episode writers Liz Flahive and Carly Mensch to pitch his ideas for the new look of GLOW for its new Las Vegas setting, which is where they realized that everyone was on the same page.

Star Trek Gets a New Look

Tue, 01/28/2020 - 17:10 -- Nick Dager

Star Trek: Picard, the highly anticipated streaming series from CBS All Access, relied on two complete sets of Cooke Optics Anamorphic/I Special Flair lenses to tell the story. The follow-up series to Star Trek: The Next Generation, and centers on Captain Jean-Luc Picard (Sir Patrick Stewart) in the next chapter of his life. Director of photography Philip Lanyon’s goal was to give this new series a big movie adventure epic saga feel — while keeping fans in a familiar visual world.

Facing the Challenge of Giant Screen Close-Ups

Tue, 01/14/2020 - 10:53 -- Nick Dager

Cinematographer Peter Chang has completed his latest film, Cuba, which won the Best Documentary award at the 34th Annual Fort Lauderdale International Film Festival and has begun releasing to museums, educational institutions and other giant screen and IMAX venues. In a break from giant screen tradition, his film features close-ups. To accomplish that, he turned to Cooke lenses.

Black Christmas Re-Imagines ‘70s Horror Classic

Tue, 12/17/2019 - 11:37 -- Nick Dager

As Hawthorne College winds down for the Christmas holidays, a black-masked stalker begins killing sorority sisters one by one. Produced by Jason Blum (Halloween, Get Out) for Blumhouse Productions, Black Christmas is a re-imagining of the 1974 cult classic for the 21st century audience. The horror film was directed and co-written by Sophia Takal (Always Shine). Although Takal was a fan of the original film, she wanted to bring attention to contemporary women’s rights issues, in particular the Me-Too movement

Recreating the Sounds of ‘60s Harlem

Mon, 12/16/2019 - 12:43 -- Nick Dager

The riveting crime drama Godfather of Harlem has earned critical praise and popular success for its unflinching portrait of 1960s Harlem under the sway of competing criminal gangs. A big part of the show’s uncanny realism derives from its soundtrack, edited and mixed at Goldcrest Post, which blends the idiosyncratic dialogue of Italian and African-American mobsters with meticulously-detailed New York City soundscapes and an absorbing blend of period and contemporary music.

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