Red Digital Cinema has released the new V-Raptor [X] 8K VV and V-Raptor XL [X] 8K VV cameras with Red Global Vision. Featuring the acclaimed low-light performance, dynamic range, resolutions, high frame rates and form factor of its V-Raptor predecessor, the V-Raptor [X] introduces Red Global Vision, which includes an all new 8K VV global shutter sensor, enabling innovative features including Extended Highlights and Phantom Track. Additionally, the V-Raptor [X] and V-Raptor XL [X] systems offer increased exposure times, a further optimized optical cavity and improved audio performance.
The Society of Camera Operators has announced the nominees for the Camera Operator of the Year awards for the Film and Television categories. Honorees will be awarded live and in-person at the Directors Guild of America in Hollywood on February 24 during the annual Society of Camera Operators Lifetime Achievement Awards.
Sphere Entertainment today revealed new details on its work with STMicroelectronics, a global semiconductor leader serving customers across the spectrum of electronics applications, to create the world’s largest image sensor for Sphere’s Big Sky camera system. Big Sky is the groundbreaking, ultra-high-resolution camera system being used to capture content for Sphere, the next-generation entertainment medium in Las Vegas.
Cinematographer Jerry Henry’s Emmy nomination for the sixth and final episode (Justice) of the Hulu Original TV Mini-docuseries The 1619 Project is just one of three Primetime Creative Arts Emmy nominations – including Outstanding Documentary or Nonfiction Series as well as Outstanding Picture Editing for a Nonfiction Program for the same episode (Adriana Pacheco, Jesse Allain-Marcus and Ephraim Kirkwood) – for the TV adaption of The 1619 Project created by Pulitzer Prize-winning journalist Nikole Hannah-Jones and the New York Times Magazine released by Hulu in January and February of 2023.
Writer-director Le Chau was born in Vietnam, moved to the United States when she was 22, and graduated from the UCLA School of Theater, Film and Television in 2023. Her short film Doldrums tells the story of a Vietnam War veteran’s experience in two time periods: in the midst of combat and in his modern-day civilian life.
Typically, when a series wants to change its look from its first season to its second, there’s a prime consideration that the cinematographer has to take into account: What do you take from the first season and what do you do new for the second? That was where cinematographer Eric Branco found himself with having to set the look for the second season of the Max series Rap Sh!t. Fortunately, he had watched season 1 and loved it, so when his agent called to see if he was interested in changing up the look for season 2, he was all for it.
Canon has announced a variety of firmware updates for key models in its Cinema EOS line of cameras. All firmware updates will be available to customers for free download in early December.
Leo is the third film in the Lokesh Cinematic Universe. Inspired by the A History of Violence graphic novel series, director Lokesh Kanagaraj’s Tamil-language action thriller follows family man Parthi who resides in Northwestern India where he owns a coffee shop and helps the local forest ranger rescue animals. His attempts to keep a low profile fall short after he saves the townsfolk from a wild spotted hyena and makes national news. An army of crazed and dangerous gangsters begin to hunt Parthi, obsessed with their belief that he is in fact Leo, a master criminal and son of their kingpin Antony Das. Parthi must fight to protect his family and convince them of his innocence.
As befits a drama about a sophisticated culinary critic it is the fresh palette of colorful and appetizing images that first meets the eye. But filmmakers Gastón Duprat and Mariano Cohn wanted to make Nada a series of postcards from the city of Buenos Aires. “Naturally we wanted to make the food look good, but their first call was to show Buenos Aires as a modern, romantic and beautiful city,” said cinematographer Alejo Maglio, ADF. “In my mind I wanted to make a portrait of the city, of the characters and of the dishes.”
By the time last year when cinematographers Greig Fraser and Oren Soffer were signed to work on the feature film The Creator, director Gareth Edwards had already spent more than a year doing test shoots and location scouting. Edwards said he used that time as the opportunity to envision the look of the film. He went to Vietnam, Cambodia, Japan, Indonesia, Thailand, and Nepal. He said, “Our whole plan was just to go to the greatest locations in the world, because the cost of a flight is way less than the cost of building a set.” Considering the budget of just over $86 million, the filmmakers utilized guerrilla filmmaking methods by having very few crew members and natural lighting on set for select on-location scenes, and limited sound recording. I recently spoke via email with Soffer to learn more about how The Creator was shot.