While Major League Baseball fans won’t be going to the ballpark this year, Bud Light is bringing a bit of the ballpark to them. A new broadcast and social advertising campaign, produced by Story and directed by Ron Lazzeretti for FCB, Chicago, pays tribute to one of baseball’s most revered characters: the beer man.
With normal production not an option during the pandemic, at the request of advertising agency The Marketing Arm, the Chicago creative company The Colonie remotely edited, color graded and finished a live-action commercial for State Farm insurance. Its team rallied, pulling volumes of stock shots, user generated content in conjunction with Catch & Release and even augmented footage by filming their own families at home in scenarios that have become the new norm.
Jordan Levy, veteran commercial director of photography, shot FCA U.S.’s new The Summer of Jeep campaign starring Jeremy Renner, with Cooke Anamorphic/i lenses. The campaign was directed by Levy’s friend and long-time collaborator Jeff Tomsic, with whom he has worked for a decade. It began airing in the States on July 10.
Two visual effects-heavy commercial spots for Disney highlighting the latest Star Wars toys and merchandise benefited from play to the firing of children’s imagination: Choose Your Path focuses on The Last Jedi merchandise, featuring three children playing in an attic bedroom; a boy puts down a Kylo Ren toy, which then comes to life to fight Lego starships, while two of the children duck as a ship speeds past them on the red salt flats of Crait – which then seamlessly turn back into the bedroom with a classic Star Wars wipe. Galaxy Of Adventures features the original Star Wars trilogy and Solo: A Star Wars Story, with more children playing in an attic room, interacting with the toys and merchandise in a series of tableaux reminiscent of scenes from the films.
Death is not a good guy, he’ll take your soul for all eternity, but even he’s shocked by the kind of stuff that some satellite and phone companies pull on their customers. A new campaign conceived by independent creative marketing agency Something Different for Charter Communications to promote their Spectrum brand casts the black-cloaked merchant of death and other familiar demons, monsters and villains as regular Joes fed up with the really nasty evil practices at their telecommunications providers.
Screenvision Media has formed a dedicated automotive category team in response to interest in the company’s services from the automotive industry. Screenvision Media’s Tracy Kain will lead the team, bringing 14 years of experience at the company and a wealth of automotive sales knowledge to her new role.
The Colonie recently teamed with Burrell Communications to provide editorial, VFX and design services for I Do, a commercial introducing the 2017 Toyota Corolla. The commercial opens with a young woman behind the wheel of her Toyota. She arrives at a city park and her friends help her yarn bomb the surroundings – from hand-knitted tree trunk covers to a slipcover for a loveseat and a garbage pail cozy in the likeness of whimsical character.
Screenvision Media’s in-house creative content studio, 40 Foot Solutions, collected more than 30 creative awards throughout the 2016 awards season –including one Golden Trailer and 11 Telly Awards – in recognition of various branded content segments.
Executive producers Joe Piccirillo and Beth Pearson have launched Yard Dog TV, a production company and creative incubator focused on producing impactful, innovative advertising content. Based in Los Angeles, the company debuts with a roster of six directors, Tom De Cerchio, Mark Dektor, Ron Hamad, Vic Huber, Alexander Paul and Joe Windsor-Williams, and plans to pursue creative opportunities across the United States and internationally.
A mouth-watering new advertising campaign from AKA NYC promotes next year’s premiere of Charlie and the Chocolate Factory, the new musical as bringing a special excitement to New York City. In the first of three teaser spots breaking online this week, the show’s arrival in Manhattan is heralded by a thick bank of purple clouds that spreads over the city, and the appearance of a mysterious figure in white spats and a purple coat. Rolling out over the next several weeks, additional spots depict a city increasingly electrified by Wonka magic. The campaign’s climactic ad is a visual effects tour de force as the eccentric candy maker works his magic on some of New York’s most familiar landmarks…with spectacularly sweet results.