Editorial and post-production finishing for the eight-episode, first season of the hit Starz series P-Valley was centered in New York as several Post New York Alliance member companies helped bring the fictional small town of Chucalissa, Mississippi vibrantly to life. New York City facilities Goldcrest Post, Harbor and Technicolor PostWorks each played a role in the project, as did Foley specialist Alchemy Post Sound and VFX studio The Molecule.
The creative team behind Neon’s She Dies Tomorrow will participate in a panel discussion on October 23 during NAB Show New York’s online conference. The session, which will explore the use of sound and picture finishing to create suspense and emotional tension in feature films, will be available on the main stage channel.
Director Angel Manuel Soto's powerful award-winning coming of age drama, Charm City Kings won the U.S. Dramatic Special Jury Prize for Ensemble Acting at this year's Sundance Film Festival. Inspired by the dirt-bike culture revealed in the documentary 12 O'Clock Boys, the film is the story of Mouse (Jahi Di'Allo Winston), a boy who desperately wants to join an infamous clique of bikers that rules the inner-city streets of West Baltimore. It centers on the 14-year old's emotional struggle between a strait and narrow path and the thrill and fast money of a biker's world filled with violence.
The Society of Motion Picture and Television Engineers Hollywood section will feature Emmy-nominated visual effects producer Brooke Noska in the next edition of its webinar series Career Advice: Ask a Hollywood Expert. Noska will reveal how she got her start, discuss her work on such shows as Ratched, American Horror Story and The Orville, and offer advice to aspiring industry professionals eager to follow in her footsteps.
Rising Sun Pictures is teaming with the University of South Australia and We Made a Thing Studios to provide film and television students with practical, hands-on experience in entertainment media production—and an opportunity to see their work on the big screen at next month’s Adelaide Film Festival.
Industrial Light & Magic has announced the next phase of its global expansion plan for the company’s virtual production and StageCraft LED volume services. This expansion of services is tied to a proactive initiative for increasing diversity in the industry by combining ILM’s growth in this innovative methodology with a global trainee program geared for underrepresented VFX talent.
Rising Sun Pictures served as a principal visual effects provider for The Eight Hundred, the epic war film from director Guan Hu and Huayi Brothers Media and Haining Seventh Image Movie & Media Company. To date, the film has already earned more than $200 million in Chinese theatres alone. The film centers on the true story of the 1937 Battle of Shanghai where a Chinese battalion mounted a determined defense of the Sihang Warehouse from the invasion of the Japanese army. Working in collaboration with BangBang Pictures, Beijing, and overall VFX supervisor RSP’s Tim Crosbie, RSP contributed scores of richly detailed, seamless visual effects to support the film’s riveting combat scenes, all set around a massive warehouse complex near the city center.
VFX Legion, a remote boutique-style global company, has announced the opening of a full-scale division in British Columbia. An early proponent of the virtualization of visual effects, industry veteran James David Hattin launched the company in 2013, introducing a groundbreaking collaborative work-from-home business model almost a decade before COVID-19 made social distancing essential. Headquartered in Los Angeles, the company’s new Kelowna-based division takes its road-tested remote visual effect services to the next level.
With film and television production starting to resume, visual effects companies in New York State are gearing up to capitalize on a projected boom in demand. Eager to get back to work but wanting to do so safely, producers are expected to rely more on virtual production and other visual effects techniques to reduce the need for travel, locations shoots and crowd scenes.
The White Wall has been called one of the most exciting scripted television series to come out of Scandinavia in recent years with its unique storyline, high production value and superb cast. It was primarily shot in a remote village in northern Finland and set in the present time with science fiction elements. The story was based on an unusual white wall discovered deep underground at a mining site of one of the world’s largest nuclear waste depositories.