Goldcrest Post recently performed a feat of post-production magic for one of the most unusual film releases of the year. Grizzly II: The Revenge, a thriller about a giant bear that attacks fans at a rock concert, was shot in 1983 by the late Hungarian director André Szöts. Starring Steve Inwood, and including appearances by George Clooney, Laura Dern, Louise Fletcher and Charlie Sheen, the film was intended to be a sequel to Grizzly, a modestly budgeted independent film that became the top grossing independent film of all time upon its release in 1976, but it was left unfinished. That changed late last year when executive producer Suzanne C. Nagy retrieved the nearly 40-year-old original elements from storage and sought Goldcrest’s help in getting the film ready for its long-delayed release.
The Women’s Film Preservation Fund of New York Women in Film & Television call for submissions for its film preservation grants for the 2020 cycle is still open but time is running out. The extended deadline is May 1.
At this year’s Association of Moving Image Archivists annual conference, a special Keystone award — only the second one bestowed in the organization’s 30-year history — was presented to Martin Scorsese's The Film Foundation for 30 years of exceptional work in the area of preservation.
To celebrate the 30th anniversary of the organization, four keynote speakers have been named for this year’s annual conference of the Association of Moving Images Archivists, which will be held online November 17-20.
The Association of Moving Image Archivists will present four awards during its annual conference this week, which is being held online November 17-20. The awards will be presented to the individuals and organizations that have demonstrated exceptional work in the areas of preservation.
The Association of Moving Image Archivists has launched the AMIA Diversity and Inclusion Fellowship Program a new initiative designed to expand career opportunities, advance learning objectives and guide professionals from groups that have been traditionally underrepresented in the field of audiovisual archiving and preservation.
Ymagis Group has completed the sale of its Éclair Classics subsidiary to L’Image Retrouvée, a subsidiary of the Italian company L’Immagine Ritrovata. The company emphasized that this agreement has no impact on the rest of the Éclair business.
The Ymagis Group announced today that it has signed a binding letter of intent with L’Image Retrouvée SAS, a subsidiary of the Italian company L’Immagine Ritrovata, with the purpose of successfully implementing a continuation plan for its French subsidiary Eclair Cinéma SAS, currently in receivership.
After more than a century, the highly acclaimed 1915 silent thriller Filibus has been fully restored and will be screened at the Eye Filmmuseum in Amsterdam, which is hosting the 10th Women and the Silent Screen Conference this May 25–29. Not only has the museum done a loving restoration of the film but, in the process, they also answered a question that surrounded the movie and added to its success: what was the name of the actress who played Filibus?
Éclair today announced that its Éclair Preservation initiative, which is dedicated to the secure conservation and management of digital and analog media for the film & television sectors, is in accordance with France’s new National Centre for Cinema and the Moving Image (CNC) bylaws. In effect since January 1, the regulation related to feature film production funding requires all recent and upcoming productions applying for financial support from the organization to subscribe to CST-compliant (RT 043) conservation contracts to safeguard the media’s long-term viability.