The Hollywood Professional Association has announced the 2021 class of HPA Young Entertainment Professionals. The YEP program was developed by HPA Women in Post and is overseen by the YEP steering committee, led by co-chairs Kari Grubin and Loren Nielsen.
Production & Post-Production
Fugitive Dreams, based on the play by Caridad Svich, is an allegorical road movie touching on themes of homelessness, mental health and addiction, as two lost souls embark across a dreamscape America. Their darkly strange journey confronts them with their traumatic pasts, and bonds them in compassion and love. For cinematographer Peter Simonite, ASC, CSC lensing the film meant needing a vintage look — but a look that was also consistent between lenses.
The Flight Attendant, the Max original series from WarnerMedia Entertainment for the new HBO Max streaming service in the U.S., tells the story of how an entire life can change in one night. Flight attendant Cassandra “Cassie” Bowden (Kaley Cuoco, The Big Bang Theory) wakes up in the wrong hotel, in the wrong bed, with a dead man — and no idea what happened.
The Colorist Mixer, previously held in conjunction with NAB Show in the spring and IBC in the fall, will occur this year on December 12 as an exclusively online event. Organized by the Colorist Society International and the International Colorist Academy, the event will include keynote speakers, technical demonstrations, networking opportunities, giveaways and other events carrying on around the clock and around the globe.
Rising Sun Pictures has won the 2020 Australian Academy of Cinema and Television Arts Award for Best Visual Effects or Animation for its work on the Chinese World War II epic The Eight Hundred. The Adelaide-based studio helped to recreate the 1937 Battle of Shanghai, where a small Chinese army mounted a determined defense against a larger invading army. Directed by Guan Hu and produced by Haining Seventh Image Movie & Media Co Ltd, The Eight Hundred is among the most successful Chinese movies ever made, and the highest grossing film globally for 2020, having earned $446 million (RMB 3.02 billion) in total box office.
Cinematographer Akis Konstantakopoulos, GSC, mixed natural lighting and handheld camera work to bring a natural and informal dimension to The Chosen, a multi-season TV show charting the life of Jesus Christ. “If you normally find Bible projects boring or unrelatable, like I do, this will feel different. And I like to think that the look of it has contributed to it being such an international hit,” said Konstantakopoulos.
Today, 10 founding companies and 50 forming companies have announced their collaboration to create the entertainment industry's first association focused specifically on entertainment globalization. The Entertainment Globalization Association has been formed to create a closer connection to the creative community to better facilitate the retelling of their stories for global audiences. Globalization is defined as dubbing, subtitling, and audio description services, which allow content to be consumed in languages other than the original version. The founding companies of the association are Audiomaster Candiani, Deluxe, Hiventy, Iyuno Media Group, Keywords Studios, Plint, SDI Media, Visual Data Media Services, VSI, and Zoo Digital.
At this year’s Association of Moving Image Archivists annual conference, a special Keystone award — only the second one bestowed in the organization’s 30-year history — was presented to Martin Scorsese's The Film Foundation for 30 years of exceptional work in the area of preservation.
Sony Electronics today officially announced the FX6 model ILME-FX6V camera, the latest addition to Sony’s cinema line, which also includes the Venice and FX9 cameras. This newest camera delivers a coveted filmic look cultivated from extensive experience in digital cinema production, as well as enhanced operability thanks to an innovative body design, extensive durability and intuitive customizability
Signs of life for the movie industry have just been spotted on Mars. A group of veteran Hollywood filmmakers have announced plans for Gods of Mars, a feature-length sci-fi epic, to be produced through a blend of revolutionary virtual production technology and special effects techniques from the original Star Wars era. Providing a possible blueprint for filmmaking’s future, the hybrid technique allows productions to move quickly, and at a fraction of the cost of today’s $200-plus million studio blockbusters.