Following the worldwide success of its 2019 debut, the second season of Hierro recently premiered on Movistar + in Spain. Created by brothers Pepe and Jorge Coira, Hierro follows the story of investigating magistrate Candela Montes who is transferred to El Hierro, the most remote of the Canary Islands. When planning the second season, cinematographer Jose Luis Bernal, who shot season one, was very clear that he wanted to go a step further with the look of the show, to get to something different, while ensuring the soul of the story was untouched.
Production & Post-Production
At its March virtual meeting, SMPTE Hollywood will introduce media technologies to TikTok, the short-form social video app where memes (and stars) are born. A panel of experts will explain how TikTok became a worldwide phenomenon with more than a billion active monthly users, and how the 15- to 60-second videos it hosts reach audiences far greater than any cable or streaming service with much less investment in infrastructure and execution.
Fans eagerly awaiting this month’s release of Zack Snyder’s Justice League on HBO Max get intriguing insight into its characters’ backstories and hints at what’s to come through an exhilarating new teaser created by the design studio yU+co.
Nagra has been selected by U.S.-based Eventive, a leading platform in virtual cinema, to use Nagra’s forensic watermarking and multi-digital rights management tools to protect every film on its virtual screening platform.
Stephan Schenk has been named Arri’s general manager global sales and solutions. In his new role he has taken over responsibility for the worldwide sales and service of Arri’s hardware products as well as the company’s solutions business. This newly created position aims to combine and align the sales and service activities across all Arri product groups and expand the systems business across all markets. He reports directly to executive board member Markus Zeiler.
The American Society of Cinematographers has announced its nominees for feature film, documentary and television cinematography, representing the organization’s picks for the most compelling visual filmmaking over the past 14 months. Winners will be named during the 35th ASC Outstanding Achievement Awards on April 18. The virtual ceremony will be live streamed via American Society of Cinematographers Facebook page at 12:30 pm PDT from the historic ASC Clubhouse in Hollywood.
Abu Dhabi-based production company Genomedia Studios has agreed to take over management and ownership of twofour54’s post-production facility, in a strategic move that reflects twofour54’s role in supporting the growth of its partners and the growth of the media and entertainment industry as a whole.
Allison Casey is the owner and senior mixer of Gramercy Post in New York City. She first began working there as an intern in 2008, when she was just 22. While she later switched to freelancing, she continued to keep a close relationship with the company and its founder, Joe Mendelson. Toward the end of 2012, Mendelson decided to retire from sound and sell Gramercy to her. She says that since he’d been able to train her from the ground up and knew they had similarly intense work ethics, she thinks he knew his studio would be in good hands. In the wake of this week’s celebration of International Women’s Day, I spoke with Casey about her career, about how far women and other minority groups have advanced in production and post-production, and how far they have to go to reach full equality in the industry.
Managing director Cara Sheppard has announced that Tomasz Witkowski has been named director of technology & engineering of Twickenham Film Studios, which is operated by Time+Space Studios. She said the addition of Witkowski will enable the studios to completely rethink and fully evolve their technology and innovation offering, overseeing and developing a next level technology pipeline and creating bespoke technical services for their clients.
MTI Film in Hollywood is expanding its Remote Data Center, boosting capacity and adding new, cloud-based services, as editing teams increasingly embrace remote work, not merely as a stopgap measure during the pandemic, but as the new and more efficient paradigm for post-production. MTI Film CEO Larry Chernoff says that editors who began working remotely out of necessity are now doing so by choice. “Editors like the practical benefits of being able to work from home or other remote sites,” he said. “The pandemic was the catalyst, but remote work is quickly becoming the preferred choice for editing because it improves productivity and flexibility, and it enhances lifestyles. Based on the experience thus far, we believe the future will be a hybrid of remote and on-premises operations supported by universal connectivity.”