The European Audiovisual Observatory, part of the Council of Europe in Strasbourg, has completed a mapping exercise to provide a comprehensive picture of the rules defining the nationality of an audiovisual work in Europe. This landmark study was undertaken at the request of the European Commission in collaboration with a group of national experts.
Production & Post-Production
PBTEU of Sofia, Bulgaria has released SubtitleNext Version 5.6, which offers a new centralized Smart Text Assist feature that the company says significantly speeds up and simplifies the entire text-altering process. It combines all of the text-altering tools in one place so that they can be easily accessed. This provides a reliable and consistent framework for busy subtitlers to achieve fast results.
MetaMedia, Velocity and Pixelogic have formed MVP, a partnership between the three companies to deliver streamlined workflows and reduced cost in relation to the creation and delivery of content direct to theatres around the world. Harnessing the combined capabilities of each partner, MVP aims to improve how digital cinema packages, key delivery messages and cinema advertising are produced and distributed over managed internet connections directly to exhibitors’ screens and dynamic digital lobby displays.
When Timur Civan was called upon to shoot a music video for the title track of Lush Life by the New York City-based band, Orion, he took his cue from the pop rock tune and decided to have fun with it. Dubbed “bouncy music for bouncy people,” its reggae vibe brings to mind lilting palm trees, rainbows, warm sunny colors, and sweet, simpler times. It’s no surprise TikTok fans are having a ball with it.
Axle ai has launched a new Pro option for its axle ai 2020 software that supports Avid’s Media Composer professional editing software. With the new axle ai 2020 Pro module, Avid editors now have the capability of accessing both native Avid media and a wide range of other media remotely, through any standard web browser.
The American Society of Cinematographers board of governors has elected a new slate of officers, elevating Stephen Lighthill to president of the organization. The board also voted in vice presidents Amy Vincent, Bill Bennett, and John Simmons; treasurer Levie Isaacks; secretary Gregg Heschong; and sergeant-at-arms David Darby.
The Directors Guild of America recently completed a total renovation of its flagship motion picture exhibition space at the prestigious DGA Theatre in Los Angeles. Guided by a guild committee of six leading filmmakers, the renewal project has moved the 600-seat theatre to the forefront of cinema technology with the installation of custom-built Dolby Vision laser projection and a Dolby Atmos immersive sound system encompassing more than 70 Meyer Sound cinema loudspeakers.
The Hollywood Section of the Society of Motion Picture and Television Engineers has launched a new webinar series aimed at young people interested in behind-the-scenes careers in the entertainment industry. Titled Ask a Hollywood Expert, the series features successful, young professionals, across a range of technical disciplines including post production, visual effects and editorial, talking about how they got their start and what they learned as they advanced in their careers.
Estudios GGM, Mexico’s largest independent production facility, is unveiling three new soundstages as it prepares to resume production activity in June. Ranging from 10,000 to 13,000 square feet, the new stages will be the studio’s largest and give it a total of nine shooting spaces. Construction of one stage is already complete while work on the other two will be finished by November when the studio expects to be supporting a full slate of television and feature productions.
When it came time for cinematographer John Conroy to develop the look for Showtime’s Penny Dreadful: City of Angels spin-off, he had already shot eight episodes of the original Penny Dreadful under his belt.