Shooting Fast for Lincoln Motor Cars
Cinematographer Eric Koretz and director Elliot Rausch recently shot a short for Lincoln Motor Cars titled Get Back and became one of the four teams to capture the first content officially sponsored by Vimeo.
Production & Post-Production
The Colonie Adds Senior Motion Graphics Designer Jennifer Moody
The Colonie, a boutique Chicago editorial and post-production studio, has added senior motion graphic designer Jennifer Moody to its creative team.
Assimilate Extends Scratch Pricing Options
Assimilate is extending its array of pricing options by offering a new annual subscription option for both Scratch and Scratch Lab software.
Accomplice’s Hans Petter Moland Wins Gold Lion at Cannes for No Means No
Women in Norway now have the same protections against unwanted sexual advances enjoyed by women in most other Western countries thanks to an award-winning public service advertising campaign conducted by Amnesty International.
AlphaDogs Releases American Empire
Burbank-based AlphaDogs Post Production has released the documentary American Empire on Amazon instant streaming and DVD. The film is also available on iTunes, Vudu and Xbox. American Empire sets out to trace a common cause of our problems in finance, food, medicine and social justice.
Freefly Systems to begin Shipping MōVI M10 and M5 Camera Rig
Freefly Systems will begin MōVI M10 camera rig will begin shipping to customers starting August 15 for $14,995. The company will also start taking orders for their new sister rig MōVI M5, which supports cameras up to five pounds (2.3kg).
LipSync Post Names Sal Umerji New Head of VFX Production
LipSync Post has appointed Sal Umerji as its new head of visual effects production, effective immediately.
Using Color to Enhance an Important Story
The Kill Team, which won for Best Documentary Feature at the Tribeca Film Festival and earned the Golden Gate Award at the San Francisco Film Festival, tells the story of a group of U.S. soldiers stationed in southern Afghanistan who, motivated by fear and boredom, take to murdering Afghan civilians and then staging those killings to look like good shoots.
Shotgun Software Helps Illumination Mac Guff Manage Despicable Me 2 Production
Paris-based animation studio Illumination Mac Guff used Shotgun software to keep on track for the 3D summer family film and one its most successful, Despicable Me 2.
Trumbull Completes Production on UFOTOG
Douglas Trumbull’s latest project UFOTOG, the world’s first high-frame rate (120 fps), stereoscopic 3D film, has completed production.
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