SIM Digital recently provided production and post-production equipment, services and support for the debut season of Spun Out, a new multi-camera sit-com from CTV and Project 10 Productions.
A director of photography for the past two decades, David Klein, ASC, has shot movies and television shows using numerous film and digital formats. “Every motion-picture film stock has its own look,” he said, “and that’s true of every digital cinema camera as well.”
The Mindy Project brings the misadventures in romance of a young OBGyn, Mindy Laheri (played by show creator Mindy Kaling) and her comical observations on life and love in the big city to television. Cinematographer Marco Fargnoli relies on OConnor 2575’s for support on the Fox Network program.
DP Jendra Jarnagin recently shot a night scene for an independent feature shooting the Sony F55 Digital Cinema Camera at 5000 ISO.
Cinematographer Eric Koretz and director Elliot Rausch recently shot a short for Lincoln Motor Cars titled Get Back and became one of the four teams to capture the first content officially sponsored by Vimeo.
Freefly Systems will begin MōVI M10 camera rig will begin shipping to customers starting August 15 for $14,995. The company will also start taking orders for their new sister rig MōVI M5, which supports cameras up to five pounds (2.3kg).
Douglas Trumbull’s latest project UFOTOG, the world’s first high-frame rate (120 fps), stereoscopic 3D film, has completed production.
Lincoln, Nebraska’s Outpost12 Studios is using new Zylight Z90 compact LED lights on location and IS3c large panel LED lights in its studio. Known in their market for VFX and animation work, the studio is using its new lighting instruments to produce custom interactive work for the Web that creates unique branding experiences for its clients
When an action movie script on a tight budget included such challenges as close-ups of mixed martial arts fighting, a high-speed car chase shot from a low-flying helicopter, and low-light location scenes, director of photography, David E. West, knew the solution was to capture it all using a Canon Cinema EOS C300 digital cinema camera, a Canon EOS 5D Mark II Digital SLR camera, and EF-Series lenses. Having used the EOS C300 camera on a previous assignment, West was enthusiastic about its portability and low-light advantages. He also owned an EOS 5D Mark II camera, and was a fan of Canon lenses both for photography and for shooting reality TV. West decided from the outset that the ambitious visuals needed for Blunt Force, a new film from director Daniel Zirilli, would make this an all-Canon project. Shot on location in Mississippi, the movie tells the story of an ex-soldier imprisoned and forced to be part of an Internet cage-fighting club.
While on location shooting the documentary about traditional silk weavers, Silkies of Madagascar, award-winning National Geographic stills photographer and video director David Evans decided to make the leap to Director of Photography.