Vision Research unveiled the Phantom Flex4K, the next evolution in its digital cinema product line at the 2013 International Broadcasting Convention in Amsterdam.
Mad Max: Fury Road is the fourth installment in writer/director George Miller’s post-apocalyptic action franchise and the first digital film for cinematographer John Seale.
Fraunhofer IIS has unveiled new innovative camera and acquisition technologies for high dynamic range video at the International Broadcasting Convention in Amsterdam. The Institute is introducing two different ways for HDR imaging: a specialized HDR camera and new camera array to provide brilliant HDR images for the most challenging lighting conditions on set.
Band Pro Film & Digital today announced the opening of their newest location, Band Pro South. Based in Atlanta, Georgia, Band Pro South will be overseen by broadcast professional and longtime Atlanta resident, Phillip Ghee.
Band Pro Film & Digital will screen the 4K short film Viewing the Night Sky in Summer in Amsterdam at the 2013 International Broadcasters Convention.
While filming his second commercial spot for the upscale fast-food Southeast-based company, Backyard Burger, Jon Chema faced both a tight budget and the challenge of wrangling a real live untrained cow.
As has been widely reported and even more widely discussed online, yesterday in a post on the Red Digital Cinema website founder Jim Jannard announced that, “I have finished my mission. I will no longer be the face of Red.”
Cinematographer James Mathers often chooses projects that have passion, heart, and a positive message. Such was the case of his latest production, 1000 to 1: The Cory Weissman Story.
Paul Rees, an experienced still photographer for globally respected advertising agencies and magazines, relied on his instincts as he transitioned to digital cinema to document the North American Eagle Project, a joint U.S.-Canadian initiative to challenge the world land speed record (763 mph, or Mach 1.02) for rocket-powered automobiles. Rees’ camera of choice for this task was the Canon EOS C300 digital cinema camera.
Heli is also one of the first films produced by Mexico’s burgeoning independent film industry to be captured with an ArriRaw workflow based on Arri’s Alexa camera and Codex’s Onboard Recorder.