Ymagis Group has announced the implementation of the Employment Protection Plan for Eclair Cinema SAS following its approval by the regional labor authority and validation by the official receiver. This decision follows the placement in receivership of the French subsidiary Eclair Cinema SAS last November. For information, Eclair Cinema SAS represented 5.5 percent of Ymagis Group’s revenue for the first half of 2018 and almost all losses recorded over this same period.
Production & Post-Production
Dolby Laboratories congratulates this year’s Academy Award nominees who have tapped into the audio-visual power of Dolby technologies to draw audiences into their stories. Five of the eight Best Picture nominees this year used both Dolby Vision and Dolby Atmos. And all five films nominated for Sound Mixing and Sound Editing awards this year were presented in Dolby Atmos.
Three of the five Best Animated Film nominations also utilized Dolby Vision and Dolby Atmos.
Red Digital Cinema has added the DSMC2 Touch seven-inch Ultra-Brite LCD Monitor to its line of innovative camera accessories. According to Red, the monitor is a robust, optically bonded touchscreen with Gorilla Glass that provides the most intuitive way to navigate menus, adjust camera parameters, and review .R3D clips directly out of the camera.
The Motion Picture Sound Editors association has announced nominees for the 66th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation and computer entertainment productions.
The New York facility of Eurofins Digital Media Services has been granted a Certification in Dolby Vision Quality Control Services. Eurofins is the first dedicated Dolby Vision quality assurance facility on the East Coast, meeting the growing demand for quality control and testing services in New York City.
In November, the Digital Cinema Initiative posted two new draft documents towards a high dynamic range specification for cinema titled Direct View Display D-Cinema Addendum and High Dynamic Range D-Cinema Addendum. They represent a major improvement over DCI’s previous draft, which I wrote about last September [DCI Has Lost Its Way https://bit.ly/2Omcnoa]. In contrast, the new documents are well written, detailed, explanatory and responsive. But questions remain and cost matters, leaving plenty of room for improvement.
Los Angeles post house Inventure Studios has renovated its Studio C with the installation of a Severtson projection screen. Now all four of its studios are equipped with a Severtson woven acoustically-transparent screen. Seveterson dealer Keith Watanabe supervised the installation.
The Society of Camera Operators has announced the nominees for Camera Operator of the Year in the Film category. They are:
BaseLight Student, FilmLight’s free macOS application, has been enhanced with advances from the core BaseLight v5 software. BaseLight Student v5 will allow those developing their skills as a colorist to have the full range of creative features, based on the same platform as every BaseLight system.
The American Society of Cinematographers celebrates its 100th anniversary today and to mark the occasion, the society released their members’ list of 100 Milestone Films in the art and craft of cinematography of the 20th century. The list is the first of its kind to showcase the best of cinematography as selected by professional cinematographers. The list culminates in a Top 10, with the other 90 titles unranked. The Top 10 films are: