After more than a century, the highly acclaimed 1915 silent thriller Filibus has been fully restored and will be screened at the Eye Filmmuseum in Amsterdam, which is hosting the 10th Women and the Silent Screen Conference this May 25–29. Not only has the museum done a loving restoration of the film but, in the process, they also answered a question that surrounded the movie and added to its success: what was the name of the actress who played Filibus?
Production & Post-Production
Éclair today announced that it has completed a high dynamic range remastering of the Spanish version of Hans Petter Moland’s Cold Pursuit. It is the second feature film color graded and mastered at 300 nits for Onyx Cinema LED screens through its Éclair Color HDR technology.
Post house DigitalFilm Tree CEO Ramy Katrib congratulated CBS and producers Christopher Molnar and Erik Whitmyre on the 10th season of NCIS: Los Angeles. Katrib said that in nearly 250 episodes DFT has averaged 250-400 effects per show. He thanked producers on NCIS: Los Angeles for giving DFT their trust and allowing them to achieve several technology firsts
The Supervisory Board of the Arri Group, at its meeting yesterday, decided to appoint a new member to its executive board of the Arri Group which currently consists of Dr. Joerg Pohlman and Dr. Michael Neuhaeuser. Effective April 1 Markus Zeiler, until now head of the business unit lighting at Arri, will join them on the board. His new area of responsibility within the board will be the management of Arri’s global rental business.
Supervising sound editors Becky Sullivan and Andrew DeCristofaro, who share a 2015 Academy Award nomination for their work on Unbroken, have joined Sony Pictures Post Production Services. The pair has collaborated on numerous films over the years, including this year’s Best Picture Academy Award winner Green Book, with DeCristofaro as supervising sound editor and Sullivan as automated dialogue replacement supervisor. Sony Pictures is building theater-style studios with sound design and mixing capabilities for the two sound artists on the studio lot.
Submissions for proposals of technical papers is open for the Society Motion Picture and Television Engineers 2019 Annual Technical Conference & Exhibition October 21-26, at the Westin Bonaventure Hotel & Suites in Los Angeles. Abstracts must be submitted online no later than April 30.
Deluxe Entertainment Service Group today published a whitepaper that explores the integral role data plays in powering the cloud and automating the flow of content throughout the digital media supply chain. In order to provide a high-quality, consistent and personalized end-user experience that meets the increasing demands of global consumers, Deluxe has integrated the cloud throughout its operations and discusses how full integration is more important than ever in its whitepaper.
Cinematographer Xavier Dolléans chose a Sony Venice camera paired with Cooke Panchro/i Classic lenses to shoot Seasons 3 and 4 of Skam France, the French version of the acclaimed and innovative Norwegian youth series Skam, that follows a group of teenagers through their everyday lives of school, love and leisure time. Dolléans and director David Hourrègue wanted to reflect the darker storylines in the look of the show, while maintaining a vintage aesthetic.
Goldcrest Post, New York has added veteran colorist Marcy Robinson to its roster and unveiled a new, state-of-the-art 4K theatre. The moves are part of a broader strategy to offer film and television productions packaged post services encompassing editorial, picture finishing and sound.
San Francisco-based 1606 Studio, formerly Made-SF, has hired veteran post-production producer Vickie Sornsilp as head of production. Sornsilp, whose background includes senior positions with One Union Recording and Beast Editorial, will oversee editorial and post-production finishing projects for the studio, launched last month by executive producer Jon Ettinger, editor/director Doug Walker and editors Brian Lagerhausen and Connor McDonald.