Rising Sun Pictures

Thor Turns to Rising Sun

Tue, 11/07/2017 - 10:40 -- Nick Dager

Australian visual effects studio Rising Sun Pictures produced more than 170 final visual effects shots for Thor: Ragnarok¸ the new film from Marvel Studios. Working under the supervision of director Taika Waititi, production visual effects supervisor Jake Morrison and production visual effects producer Cyndi Ochs, RSP’s team spent more than 18 months helping to craft some of the film’s most memorable, creative and technically challenging scenes. It was RSP’s first project for Marvel.

Rising Sun Expands VFX Training Program

Tue, 03/07/2017 - 15:08 -- Nick Dager

Responding to demand from aspiring visual effects artists from across Australia and beyond, Rising Sun Pictures is expanding its visual effects educational program, operated in partnership with the University of South Australia. RSP will now offer a Graduate Certificate in Dynamic Effects and Lighting, modeled after its successful Graduate Certificate in Composting and Tracking. It is also adding to its menu of short courses covering 3D modeling, compositing and other subjects.

Rising Sun Nominated for VES Award

Thu, 01/12/2017 - 12:10 -- Nick Dager

Rising Sun Pictures has been nominated for Outstanding Compositing in a Photoreal Feature in the Visual Effects Society’s 15th Annual VES Awards. The nomination comes for the studio’s work on the Quicksilver Extraction sequence from the 20th Century Fox film X-Men: Apocalypse. Nominees include Alana Newell and compositors Jess Burnheim, Andy Peel and Matthew Shaw.

Rising Sun Creates, Destroys King’s Landing

Tue, 07/26/2016 - 12:10 -- Nick Dager

For the finale of season six of HBO’s smash hit Game of Thrones, Rising Sun Pictures faced a formidable challenge: replicate the sprawling city of King’s Landing and its central shrine, the Great Sept of Baelor, then burn them to the ground in a magical, green-hued inferno. New to the Game of Thrones production team, RSP created visual effects for several episodes of the show’s recently concluded season. Most of the work centered on King’s Landing and the Sept as artists produced photo-realistic CG environments, set extensions and architectural enhancements that were blended with location footage to create the luxurious, walled city overlooking the sea.

Mastering Time in X-Men: Apocalypse

Tue, 06/07/2016 - 10:58 -- Nick Dager

X-Men: Apocalypse, the latest entrant in Twentieth Century Fox’s popular superhero franchise, features more time-bending magic from Australia’s Rising Sun Pictures. The visual effects studio contributed to several key sequences in the film, most notably an electrifying scene where Quicksilver (Evan Peters) uses his hyper-speed ability to rescue students from an exploding mansion. Quicksilver’s Rescue builds on a notable scene from the preceding X-Men: Days of Future Past where the character races around a Pentagon cafeteria to prevent security guards from shooting a trio of X-Men. RSP’s impeccable work in making pots, pans, bullets and water drops freeze in mid-air helped the film earn an Academy Award nomination for Best Visual Effects.

Rising Sun Pictures Shares Oscar Nomination for X-Men: Days of Future Past

Thu, 01/15/2015 - 11:39 -- Nick Dager

Rising Sun Pictures visual effects supervisor Tim Crosbie is part of the team nominated for an Academy Award for Best Achievement in Visual Effects for the film X-Men: Days of Future Past. Crosbie supervised the team of RSP artists involved in creating the film’s exuberant Kitchen scene where time appears to stand still as the speedy Quicksilver darts about the Pentagon cafeteria to foil guards attacking a group of mutants. Also named in the nomination are Richard Stammers, Lou Pecora and Cameron Waldbauer.

Making the ANZAC Girls

Tue, 08/19/2014 - 15:04 -- Nick Dager

Based on Peter Rees’ book The Other ANZACs, ANZAC Girls tells the true story of five military nurses from Australia and New Zealand who served with Allied forces during World War I. Witnessing the horrors of war, the women experienced severe hardships while tending to the wounded and formed bonds of friendship that would last a lifetime. As series producer Lisa Scott (who produced the series with Felicity Packard) explains, the series “offers unique insight by showing how the war affected people, other than soldiers on the line.” The first episode premiered on Australian TV earlier this month and got exceptional ratings around Australia and much critical acclaim.

A Conversation with VFX Producer Richard Thwaites

Tue, 12/17/2013 - 16:54 -- Nick Dager

Producers are the unsung heroes of the visual effects industry. Working on the periphery, their contributions aren’t always acknowledged, but their role as project manager, budget overseer, client advocate and cheerleader to the visual effects team is essential to the success of the project. If artists are the gears that drive the visual effects engine, producers are the grease that allows the gears to turn smoothly.

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