Maccs International has announced the integration of CineLab software with Maccs’ online platform DCinemaHub.
Production & Post-Production
Post house Light Iron has appointed Rick Anthony to the newly created role of general manager in its New York facility. The addition comes after Light Iron added a second floor in 2016 to triple its inventory of editorial suites.
The Society of Motion Picture and Television Engineers today announced that Shane Murphy has won the $5,000 grand prize in The Vista Project student filmmaker competition and that Jon Navarro was selected as runner-up. Led by cinema-industry pioneer Bud Mayo, chairman of New Vision Theatres, and by Barbara Lange, SMPTE and Hollywood Professional Association executive director, the judging committee named the winners during CinemaCon week, March 27-30 at Caesars Palace in Las Vegas.
Directed by Andrew Wonder and produced by Something Different and Station Film, the documentary Seed follows three Silicon Valley high school students, five college students from Nairobi and an Uber driver from New York as they hone their pitches and eventually present them to a panel of venture capitalists and industry leaders at AngelHack’s ninth annual Global Demo Day.
The Indian post-production house FutureWorks is currently celebrating a decade in business. Senior colorist Rahul Purav spoke with Digital Cinema Report about the process of color grading and about some of the many films projects the company has worked on over the years.
The Motion Picture Academy’s Academy Color Encoding System is now widely used across the movie industry but perhaps surprisingly, it’s also gaining traction in the gaming world. To learn more, Digital Cinema Report recently spoke with Brian Karis at Cary, North Carolina-based Epic Games. The company is known for its industry-leading Unreal Engine, a ground breaking game engine that can be used by other game developers who do not want to develop their own engine.
Hidden Figures recounts the story of three female African-American mathematicians who played an integral role in John Glenn’s successful launch into space and return. Captured on 35mm film, the movie is largely live action, but features nuanced CG throughout. Crafty Apes delivered 328 VFX shots for the film, working out of its Atlanta facility, with founder Chris LeDoux at the helm, Mark LeDoux overseeing local artists and Tim LeDoux guiding the final look out of the studio’s LA facility.
A celebration of Canadian cinema will take place in Los Angeles April 18-23 with a variety of screenings at The Cinefamily and The Aero. The Los Angeles marathon of screenings will kick-off on the evening of April 18 with Polytechnique (Denis Villeneuve) and continue on, April 19 with screenings of The Saddest Music in the World (Guy Maddin), Meatballs (Ivan Reitman), Strange Brew (Rick Moranis and Dave Thomas) and Incendies (Denis Villeneuve).
Ymagis today reported its consolidated financial results for the 2016 fiscal year, ending December 31, 2016, as approved by the Group’s Board of Directors following its meeting April 4, 2017. In 2016, Ymagis Group maintained its strong growth momentum, reporting revenues up by +13 percent at €178.2 million, primarily due to the acquisition of businesses completed both in 2015 and 2016.
Firefly Cinema has unveiled V6 of its comprehensive color grading software suite which includes: FirePlay (for playback), FireDay (for digital dailies) and FirePost (for color finishing). Used on hundreds of feature films (La La Land, Planetarium, The History of Love, Belle and Sebastien), FireFly Cinema provides an integrated and production-wide approach to managing color workflows on-set, through dailies and post-production.