The Motion Picture Sound Editor will honor Antoine Fuqua with its annual Filmmaker Award. The director of such films as The Equalizer (1 & 2), The Magnificent Seven, Southpaw and Training Day, is being recognized for his outstanding contributions to the art of cinema. He will receive the award at the 66th MPSE Golden Reel Awards ceremony February 17th in Los Angeles.
Production & Post-Production
Newton Thomas ‘Tom’ Sigel, ASC chose a full range of original Cooke Speed Panchros, with a slightly new housing and updated mechanics from Arri Rental UK, to shoot the early years documented in the 20th Century Fox/Regency production of Bohemian Rhapsody. Sigel needed to capture the idealistic energy of Freddie Mercury and his future bandmates when he first came to London in 1970. To accomplish this, he made use of a full vintage set of Cooke Speed Panchros, with a very light net at the back of the lens and a special LUT for the Alexa SXT that was specifically designed for the period. This set-up was used for the entire first act of the film, with Sigel relying mostly on the 40mm lens, with the 25, 32 and 50 as secondary lenses.
Earlier this week Éclair and Samsung held a ribbon cutting ceremony to officially open Éclair’s Paris-Vanves Onyx Cinema LED facility, the first of its kind in Europe. Éclair can now provide professional services specifically tailored for the Onyx Cinema LED – contrast ratio of 1,000,000:1, color grading with true zero nit black, and ÉclairColor DCP mastering – to European filmmakers, producers and distributors.
Technical PostWorks vice president of creative services Ben Murray will moderate a panel discussion on preparing films for distribution at next week’s Doc NYC Pro Conference, held in conjunction with the Doc NYC film festival. Murray will be joined by John Campbell, a partner and head of management at Buffalo 8; producer/director Blair Foster of Jigsaw Productions, and filmmaker Alysa Nahmias, founder of Ajna Films.
Supervising sound editors/re-recording mixers Steve Giammaria and Evan Benjamin from Sound Lounge’s Film + Television division will share their insights into documentary sound at the Doc NYC Pro Conference, held in conjunction with the Doc NYC film festival.
In a tour de force effort, boutique visual effects studio Mod teamed with director Dave Meyers for Sicko Mode, the trippy, new music video from artist Travis Scott, featuring Drake.
The Society of Camera Operators will present Lifetime Achievement Awards to Governors Award recipient, Jane Fonda and President’s Award recipient, Harrison Ford on January 26, 2019 at the Lowes Hollywood hotel. The society is presenting the Lifetime Achievement awards for their extraordinary body of work and collaboration and commitment to the art and craft of camera operating.
Isaac Molina is a senior colorist based in Mexico City, where for the last nine years he has worked at leading post house Oxido. Molina has a rich tapestry of grading experience that includes TV commercials and, as the colorist and DI supervisor, with the grade of more than 30 feature films. More recently, he has worked as a colorist in the first Latin American high dynamic range TV series for Netflix. Digital Cinema Report recently spoke with Molina about his career, the art and craft of color grading and his work on The House of Flowers.
Jonathan Wales, mixing at Formosa NoHo, recently completed the audio mix for the Netflix series, The Haunting of Hill House. The Haunting of Hill House was mixed in Dolby Atmos. For the show, Wales needed to convey the feeling of spaciousness in the house and create unnerving suspense throughout the mix as a family relives their scary past.
The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in high dynamic range and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look of the finished series has been the responsibility of John Crowley, Senior Digital Colorist, working on the Baselight color grading system from FilmLight.