Pixelogic has opened new advanced and innovative post-production content review and audio mixing theatres within its facility in Burbank, California. The main theatre is equipped with a Dolby Vision projection system, and supports Dolby Atmos immersive audio.
MTI Film has completed the 4K restoration of Time Piece, a 1965 short film written, directed and starring the late Jim Henson. The story of a man’s desperate attempt to escape the passage of time, the short received an Academy Award nomination and is a testament to Henson’s under appreciated work as an experimental filmmaker.
When the decision was made – more than a decade ago – to convert all the movie theatres in to world to digital technology it unleashed a spirit of innovation that shows no signs of stopping. Certainly, challenges remain, but the savviest exhibitors have learned to embrace new ideas as the best way to stay ahead in an increasingly competitive business. One of the technology leaders in all of this has been Dolby Laboratories.
Éclair today announced the successful deployment of ÉclairBox content delivery in Denmark through Nordisk Film. The company credited Divo Post Production with supporting the delivery. Plans to further expand theatrical services across Scandinavia have been finalized. The announcement was made during the 2018 edition of the Norwegian International Film Festival Haugesund.
Cineplex, one of Canada’s largest entertainment and media companies, has announced that it will install Unique X theatre management system software across its enterprise. The agreement continues Unique X’s expansion into the North American cinema market.
Dolby and the Wanying Cinema Line Company Limited have announced a partnership to extend the Dolby Cinema experience to more moviegoers in China. The exhibitor, which is wholly owned by China Resources Land Limited, operates movie theatres across China with the brand MixCine. The first location under the agreement is expected to be open at Wanying’s flagship site in Shenzhen with more locations to come in Southeast China in the following two years.
For William Wages, ASC, filmmaking is first and foremost about storytelling. He says his role, as a premier cinematographer is to capture the best performances with the least intrusion. “It’s less about the technology, and more about the story,” he says in a new video produced by Fujifilm. The winner of three ASC Awards, including ASC Career in Television honors in 2012, and two Emmy nominations, Wages is known for his sumptuous landscape and intimate photography in features such as Maya Angelou’s Down in the Delta, Roland Joffe’s The Forgiven, and Steven Spielberg’s TV mini-series Into the West, as well as his development of filmmaking tools that create more efficiency and transparency on set.
Éclair today announced the ÉclairColor certification of its content services unit in Berlin. This is the second ÉclairColor certification of an Éclair facility after Paris-Vanves. Two German releases have already been mastered in ÉclairColor by Éclair’s Berlin teams: Jacob Lass’ So Was Von Da, opening in cinemas across Germany today, and Florian Gallenberger’s Grüner Wird’s Nicht, opening August 30.
Cinemark Theatres is the first exhibitor in Taiwan to deploy Christie’s CP4325-RGB pure laser cinema projector. The projector, which features Christie’s proprietary RealLaser technology, was installed in the flagship Cine X auditorium of Cinemark Theatres Dream Mall, equipped with a 19-meter screen and a capacity of over 350 seats. Dacoms Technology had the installation and will oversee maintenance.
My Breathing on Everest journey kicked off less than a year out of university when my friend and frequent collaborator Meredith Gaito came to me with an idea she knew most other people would call too ambitious or downright crazy. A year and a half later I have been to Nepal twice filming at the base camp of Mount Everest for what has become a deeply personal documentary.