Featured Stories

Managing Today’s Sound Landscape

Thu, 05/11/2017 - 11:47 -- Nick Dager

The landscape of sound for picture is moving at a faster clip than ever before. Cinema sound and television audio – broadcast and streamed – are both racing from 5.1 surround to 7.1 to formats that range from 11.2 in broadcast for residential applications to as many as 64 individual speaker locations for object-based audio platforms like Dolby’s Atmos and Auro Technologies’ Auro-3D.

Harklets Return to CineEurope 2017

Wed, 05/10/2017 - 12:11 -- Nick Dager

Harkness Screens has announced the forthcoming release of its animated sequel starring its storytelling characters, the Harklets. Designed to help educate and inform the movie industry in a simple and fun way, the Harklets return at CineEurope 2017 in their second animated adventure tackling a dirty screen in need or urgent attention.

Roundabout Posts Parrot Heads

Thu, 05/04/2017 - 16:52 -- Nick Dager

Post-production finishing for Parrott Heads, a new feature length documentary about dedicated fans of singer Jimmy Buffett, was completed recently at Roundabout Entertainment. The Burbank facility provided editorial conforming, color grading, sound mixing and DVD authoring services for the film, currently streaming on Amazon, iTunes and elsewhere.

Roland Go:Mixer Available Now

Thu, 04/27/2017 - 12:21 -- Nick Dager

Roland’s Go:Mixer, a compact audio mixer for smartphone video production, is now available. Compatible with iOS and Android smartphones, Go:Mixer connects digitally via an included cable, providing clear stereo sound that’s a marked upgrade over using the phone’s built-in mono mic or analog line input.

Mixing T2 Trainspotting

Wed, 04/26/2017 - 12:30 -- Nick Dager

Acclaimed sound designer and re-recording mixer Niv Adiri has chosen Nugen Audio’s Halo Upmix to create surround 5.1 versions of the music and sound effects on a wide range of cinema projects. Adiri most recently used Halo Upmix on the current film T2 Trainspotting. With Halo Upmix, he was able to work from stereo source tracks to deliver a 5.1 mix that was true to the original sound of the music, but also sounded ideal in a range of surround listening environments.

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