Once principal photography began in Atlanta last summer for Universal Pictures’ and Legendary Pictures’ fantasy comedy Little the post-production workflow also began. The bi-coastal effort by FotoKem’s Atlanta and Burbank facilities supported the production from digital dailies all the way through a full Academy Color Encoding System finish.
Emmy Award-winning cinematographer Frank Prinzi ASC chose Panasonic VariCam 4K cinema cameras to shoot The Enemy Within, a prime-time psychological thriller that recently premiered on NBC. The hour-long show follows the exploits of a former CIA operative serving a life sentence for treason who is freed by the FBI to help track down a dangerous and elusive criminal.
At the world premiere of the Avengers: Endgame on April 22 at the Los Angeles Convention Center. Premiere guests enjoyed a stunning presentation of the film in Dolby Vision and Dolby Atmos sound using QSC loudspeakers, amplifiers, and signal processing featuring Q-SYS in a custom-built movie theater.
Samsung and Harman have installed one of the world’s largest Onyx Cinema LED screens in India’s tech capital Bengaluru at the iconic Swagath Cinemas, which will now be rechristened Swagath Onyx Theatre. The screen measures 14 meters. Globally, there are only two other 14-meter Onyx Cinema LED screens installed to date, in Malaysia and China.
B&B Theatres has opened another MX4D auditorium, bringing the theatre chain’s total to six. “Our continued partnership with MediaMation proves our belief in MX4D,” said Brock Bagby, executive vice president of B&B Theatres. Situated on the Kansas/Missouri state line, Overland Park is the second largest city in Kansas with nearly 200,000 residents. The theatre also has the ability to draw from the nearby Kansas City metropolitan area, which boasts almost 500,000 peoples.
As part of the ongoing expansion of its sound resources, Sony Pictures Post Production Services has upgraded three mix stages on the Sony Pictures lot to support sound mixing for film and television in the immersive Dolby Atmos format. Among them is the 344-seat Cary Grant Theatre, the studio’s largest. Sony Pictures now has seven mix stages that support Dolby Atmos sound and plans to have nine within the next few years. The first project slated for an immersive mix in the upgraded theaters is Sony Pictures’ Spider-Man: Far from Home, which opens July 5.
Each year, Digital Cinema Report presents a Catalyst Award to the best new technology introduced at CinemaCon, the annual convention of the National Association of Theatre Owners. At this year’s show, held April 1-4 at Caesar’s Palace in Las Vegas, motion picture professionals from around the world gathered to discuss the latest issues, trends and technologies in motion picture production, distribution and exhibition. But this CinemaCon was noteworthy as much for the technology that was not on display there as for what was.
For fans that want to watch every Marvel movie in one sitting, Showcase Cinemas in Revere, Massachusetts has it covered. As the exclusive New England location to host the 22-movie Marvel marathon beginning Tuesday, April 23 and concluding Thursday April 25, Showcase Cinema de Lux Revere is doing its best to make the two-day sacrifice a little easier for Marvel fans. Participants will have access to shower stations to clean up, yoga breaks to stretch and relax in between movies. Portable cell phone charging lockers will also be available. In addition, food breaks are scheduled and concessions will be discounted by twenty-two percent.
From the earliest days of feature length films until the 1980s, the movie going experience typically happened in a very large theatre with a really big screen. Faced with rising costs and increasing competition from television, exhibitors of that sad era cut their buildings into multi-screen complexes to increase ticket sales and maximize profits on concessions. Today, faced with a different set of economic realities, exhibitors around the world are increasingly responding by creating movie palaces that rival all but the most spectacular theatres of the turn of the last century. One trend at this year’s CinemaCon, which wrapped up last week, was the continuing rise of premium large format theatres. Another trend was the almost comical trashing of Netflix. PLF theatres and Netflix are both here to stay; we’ve been here before
Fathom Events has entered into a multi-year master distribution agreement with global independent film distributor 1091, formerly known as The Orchard. Under the agreement, 1091 and Fathom will work to curate and distribute compelling content, including sports and action/adventure films, to cinemas across the United States.