CJ4DPlex has announced that Cars 3 will be the first Disney•Pixar film to be released in the 4DX immersive format.
Typically, torn frames appear when a flash or strobe is not properly timed with a camera’s shutter and frame rate. They appear as a flash in the bottom half of one frame followed by a flash in the top half of the next frame. An innovative light source helped Ghost in the Shell cinematographer Jess Hall, BSC avoid the problem and bring a new level of visual sophistication to director Rupert Sanders’ epic feature.
For Nissan’s Return of the Snowman spot, visual effects specialists The Embassy in Vancouver banded together with post house Alter Ego in Toronto. The Embassy is well known for its photo-realistic, hard surface VFX work, from creating the digital Iron Man suits for all three films to building massive drop ship hangers for The Hunger Games trilogy. Having worked on countless commercials with Alter Ego, The Embassy made the decision to become part of the creative process for grading, to improve the efficiency and precision of their VFX work and present a consistent preview to their clients.
Scot Stewart, owner and creative director of Vistar Media Solutions, had four days to shoot Big Time, the new music video from rock band Great White. The production shot in early May throughout Riverside and Yucaipa, California. The video supports the first single off the band’s new album, Full Circle.
BAFTA and multi-award winning production studio Jellyfish Pictures has opened two new virtual visual effects facilities in Oval, London, creating what it believes are the first virtual VFX studios in Europe and marking great advancements in the way VFX practitioners work. The new sites are in addition to Jellyfish Pictures’ established studios in Brixton, South London, and Fitzrovia, Central London, and increase capacity by a further 70 artists, taking the company’s total workforce to nearly 200 employees.
Genelec has upgraded its popular 1032 two-way nearfield monitors with the features and flexibility of Smart Active Monitoring. Offering the wide dynamic range, pristine imaging and on/off axis response for which the Genelec 1000 Series is known, the 1032C adds advanced monitor auto-calibration and networking software, plus across-the-board improvements including a digital input, higher SPL and increased low frequency extension.
Shudder has acquired North American and UK/Ireland rights to Flying Lotus’ psych-out nightmare Kuso. The film, which debuted at the 2017 Sundance Film Festival, will be available on the premium thriller, suspense and horror video streaming service, and play theatrically in New York and Los Angeles from July 21.
Filming big cats in Kenya isn’t easy. Unlike actors, these magnificent animals don’t follow cues or take direction. Catching, focusing and framing your shots is paramount. You really need to see what’s going on. That’s why ACS 2017 Australian Cinematographer of the Year Abraham Joffe turned to the Atomos Shogun monitor recorders with their daylight-viewable high brightness screens for his latest project. Every Flame and Inferno series recorder has a seven-inch display with an incredible 1500 nits of brightness. “When we are out here in the African bush we are often in pretty strong light. Even without a hood I can see what’s going on on the screen,” Joffe said. “Atomos is the best screen on the market in my opinion and it’s a piece of kit that would stay in my bag wherever I go around the world.”
Alcons Audio has extended the Cinemarray cinema line-array range. Aimed at medium-to-larger sized premium cinemas, the Alcons three-way Cinemarray CRA24WX is designed for digital cinema applications where maximum quality sound reproduction and coverage are required.
The Fate of the Furious is the most watched 4DX film of 2017, and is expected to surpass the 1.5 million-attendance mark. The box office success was driven by the best opening week performance in 4DX history, reaching 760,000 moviegoers – 31 percent more than the first week attendance for 2015’s Star Wars: The Force Awakens (580,000) in 2015.