Established in the 1920s, the Lido Cinema in Auckland is one of New Zealand’s oldest and most prestigious cinemas. Originally opened as a single-screen art house cinema, the Lido expanded with a second 44-seat capacity theater known as The Lounge in 2005. The Lido recently decided to upgrade the aging 5.1 sound system in The Lounge.
United Cinema Chain Kino Okko will be the first company to introduce the Dolby Cinema experience to the Russian market at its Cinema Park Metropolis in Moscow. Dolby Atmos immersive audio technology has been successfully deployed at several Russian movie theatres in recent years.
Barco today entered the LED cinema screen market in a big way by purchasing a stake in Unilumin, a Chinese company that manufactures LED components on a major scale.
Randall Dark is one of the pioneers of making movies and television programs in large format digital video. I’ve known him for more than thirty years and known his wife, Kristen Cox for more than twenty. When Randall recently confided in me that he has Alzheimer’s disease, he encouraged me to think more about Kristen’s needs now than of his own. I reached out to her to offer my support and told her I wanted to write a profile of Randall to remind the industry of how important his contributions have been for the broader world of what we now call digital cinema. She agreed and here is part of that profile, told in their own words.
Randall Dark is a pioneer of making movies in large format digital video. Still developing projects today, he was arguably the industry’s most passionate advocate in the effort to convert the television industry to high definition. Since working on the world’s first HDTV production in the ‘80s – the CBC mini-series Chasing Rainbows – he has made countless feature films and documentaries that explore both the wonders of the world around us and the complexities and humanity within all of us. Recently Randall learned that he has Alzheimer’s disease. With his wife Kristen’s support, he is fighting the disease with all the creativity and humor and simple grace that those of us who are blessed to call him friend know so well.
Event Cinema Association executive director Grainne Peat will be celebrating her first year in that role when the association convenes in Amsterdam next month for its annual convention. It has been a busy year for the association and for Peat who has implemented many changes. I recently spoke with her to talk about all that has happened in the past eleven months. Peat says one of her key challenges going forward is to better define what event cinema actually is. But first, we discussed the association’s new website.
The Long Walk is the third feature film by director Mattie Do (Chanthaly, Dearest Sister), who was raised in Los Angeles but relocated to Laos to become the country’s first, and only, female filmmaker. In an interview in Women and Hollywood, Do described her genre-bending film as “an unconventional time-travel thriller set in a forgotten rural village in Laos, about the ethos of a man, plagued by regret and loneliness, and his downward spiral into becoming a serial killer. He also has a very complicit ghostly friend.” Cinematographer Matthew Macar shot the low-budget feature over 32 days in Vientiane, Laos with very little prep time.
CJ 4DPlex, together with B&B Theatres, have launched the world’s first ScreenX Amphitheater in Overland Park, Kansas inside B&B Overland Park 16. The newly arranged auditorium, which marks the second largest ScreenX theater in the world will open with Warner Bros. Pictures’ It Chapter Two on Friday, September 6th.
The Climb, director Michael Angelo Covino’s engaging debut feature, centers on the complex friendship between two men, Michael and Kyle, played by Covino and real-life friend Kyle Martin. For its Foley team from Alchemy Post Sound (working under supervising sound editor/re-recording mixer Ryan Billia), The Climb posed unique creative and technical challenges. Its first act centers on a bike ride that Michael and Kyle take in France prior to Kyle’s wedding. As the two men ascend a long hill, Michael makes a stunning admission regarding his friend’s fiancé. The results are disastrous with the men ultimately becoming involved in a violent confrontation with a passing motorist. Adding to the tension, the whole scene is captured in a single, intricately choreographed Steadicam shot.
The July 19 opening of CJ 4DPlex 4DX with ScreenX at the Grand Cinema Sunshine in Ikebukuro, Tokyo, of Sony Pictures' Spider-Man: Far From Home, extended its run by four weeks due to sold out screenings during prime-time slots and recording attendance rates as high as 99 percent during peak showing times. In China, 4DX with ScreenX attendance numbers also soared, with occupancy rates doubling that of standard 2D formats for Spider-Man: Far From Home.