Creativity

A Fantastic Way of Working

Mon, 06/24/2013 - 10:48 -- Nick Dager

In early 2010, Anna Foerster was one of the first cinematographers to shoot a feature film using a prototype Arri Alexa camera and Codex Recorders. That film, Anonymous, blended court intrigue, scandalous romance and the timeless lust for power, all set in the visually rich period of Shakespeare’s England. Foerster won the German Film Award for best cinematographer for her work on Anonymous. Now Foerster has reteamed with Roland Emmerich on White House Down, a contemporary action thriller about an attack on the U.S. president and the cop who defends him. Foerster and Emmerich chose to work with the Alexa and Codex once again. “It’s a fully developed, fantastic way of working,” says Foerster.

DP John Deeb Get Creative for Matt Pond Music Video

Thu, 06/20/2013 - 12:52 -- Nick Dager

When Florida-based director/cinematographer, John Deeb isn’t shooting spots for high-profile clients such as Hard Rock Hotels or Disney, he likes to expand the limits of his creativity with music videos like a recent one for indie rocker Matt Pond. To shoot Love to Get Used, a song off Pond’s new album, The Lives Inside the Lines in Your Hand, Deeb got to experiment with different techniques not always viable on commercial productions.

JMR Electronics, Douglas Trumbull Push the Limits of HFR Cinema

Thu, 06/20/2013 - 11:49 -- Nick Dager

JMR Electronics recently designed and built a high performance server and storage system for the production of the world’s first high-frame-rate 3D movie. UFOTOG, a 10-minute short that tells the story of a man’s attempt to photograph alien spacecraft, is the work of director, visual effects pioneer and filmmaking visionary Douglas Trumbull.

Managing Multiple Frame Rates on FrackNation

Wed, 06/12/2013 - 12:33 -- Nick Dager

Mixed frame rate media has become a common headache in the post-production profession. With the abundance of affordable cameras now available on the market, and more filmmakers producing their own content using a variety of methods, post-production facilities must not only stay relevant, but also stay flexible to the clients needs when delivering projects. All of this was top of mind when Burbank based AlphaDogs Post Production recently completed post on the feature documentary FrackNation.

Shotgun Version 5.0 Now Available

Tue, 06/11/2013 - 12:41 -- Nick Dager

Shotgun Software has released Shotgun Version 5.0, which encompasses production tracking, scheduling, review and approval, helping modern production pipelines run as efficiently as possible and now includes a new UI and toolset designed specifically for artists and supervisors. Shotgun 5.0 also adds new tools for task tracking, review and approval, collaboration and search, and is still priced at $49 per seat, per month.

HPA Opens Call for Entries for Eighth Annual Awards

Tue, 06/11/2013 - 11:47 -- Nick Dager

The Hollywood Post Alliance announces the opening of the Call for Entries for the Eighth Annual HPA Awards, which will take place on the evening of November 7th at the Skirball Cultural Center in Los Angeles, California. Considered the standard bearer for excellence and innovation, the HPA Awards recognize the achievements of the individuals and companies that have contributed to groundbreaking technologies and creative excellence within the post production industry.

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