Cameras

Panasonic Announces EVA1 Video Contest for U.S. and EU Filmmakers

Mon, 06/04/2018 - 11:41 -- Nick Dager

Panasonic has announced the AU-EVA1 Share Your Vision Video Contest, open to video professionals throughout the United States and European Union countries. To participate, contestants should register at https://eva1contest.hscampaigns.com/ and submit videos shot with the Panasonic EVA1 cinema camera from 25 seconds to five minutes in length from June 1 through August 24, 2018.

Polly Morgan Creates a Raw Look for 6 Balloons

Fri, 05/18/2018 - 13:44 -- Nick Dager

While trying to keep her boyfriend’s surprise birthday party on track, Katie’s day takes a drastic detour after picking her brother, Seth, and his daughter up. Realizing Seth has relapsed in his heroin addiction, Katie drives him around town trying to find a detox center that will admit him. 6 Balloons was written and directed by Marja-Lewis Ryan and shot by cinematographer Polly Morgan, BSC (Spinning Man, The Intervention) with VariCam 35 cameras. The Netflix feature film, which stars Abbi Jacobsen and Dave Franco, had its premiere at this year’s South by Southwest film festival in March and began streaming on Netflix in April.

Yedlin Presents On Acquisition and Pipeline for High-Resolution Exhibition

Thu, 05/03/2018 - 11:44 -- Nick Dager

Cinematographer Steve Yedlin, ASC will present his work on cinema image quality at this month’s Society of Motion Picture and Television Engineers’ Hollywood Section meeting May 16 at the Linwood Dunn Theater. The two-part demonstration, titled On Acquisition and Pipeline for High-Resolution Exhibition, premiered at Camerimage in 2016 and now is widely available online. The SMPTE Hollywood Section event will give attendees the opportunity to view Yedlin’s demonstration in a high-quality theatrical exhibition venue.

Creating the Worlds of Ready Player One

Wed, 04/04/2018 - 11:41 -- Nick Dager

Steven Spielberg’s Ready Player One features two separate worlds. Each features very different realities and each required a different approach to filming. One depicts a fractured, dystopian future, while the other is filled with infinite possibilities. To help create this, Audiomotion, in collaboration with Digital Doman, relied on Vicon optical systems.

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