European exhibitor services specialist CinemaNext has announced that the UK Digital Funding Partnership, the ground-breaking project established by the UK Cinema Association and CinemaNext to allow more than 100 small and medium-sized cinema operators to digitize their sites across the United Kingdom, has reached recoupment.
After a long delay caused by the global pandemic, Kinepolis today finally opened the doors to its newest cinema, which is located in Centrum Schalkwijk in Haarlem, the Netherlands.
Theatrical distribution software developer Maccs, a Vista Group Company, has released TDS X, the latest version of its Core TDS software. The company says that TDS X is faster and more responsive with optimizations across the system that improve the overall user experience and performance in addition to providing new functionality.
Vista Cinema has signed a multi-year deal with SM Cinema, the Philippines largest film exhibitor. The arrangement is the first for Vista in the Philippines and will give SM customers easier access to seat reservations, ticket purchasing and concession sales.
The COVID-19 pandemic, coupled with the social justice movement and a pause in filmmaking, has provided the movie industry and audiences alike with the rare opportunity to catch up to the evolution of the moviegoing experience. The industry is at a crossroads, and what is relevant to audiences has changed dramatically over the past several years; this shifting reality accelerated in 2020 and will undoubtedly influence moviegoer behavior and future storytelling. With the abrupt halt to movie production and the extended closure of cinemas, content creators and studios have been gifted the time and opportunity to pivot and ensure what is shown onscreen is reflective of society.
The New Zealand film industry data analytics company Movio and the Geena Davis Institute on Gender in Media at Mount Saint Mary’s Institue have teamed up to determine if what and who is presented on cinema screens affects who shows up for a film during its theatrical run. Data scientists at both organizations examined the following questions for a white paper entitled I Want to See Me: Why Diverse On-Screen Representation Drives Cinema Audiences.
In 2016, Barco set a number of very ambitious five-year sustainability goals, to be established by 2020. These were reducing the carbon footprint of its operations by 20 percent, reducing the energy footprint of its products by 25 percent, and ensuring that at least 25 percent of new product releases would qualify for ecoscoring as defined in the ISO 14021 standard. And now, the company has announced that the first of these goals has already been reached in fiscal year 2019: one year in advance.
The Cinema Star, the new multiplex located in the Kvartal West multipurpose center on Aminyevskoye Shosse in Moscow, is the first Dolby Atmos cinema to also feature the Christie CP4440-RGB digital cinema projector RealLaser illumination technology.
Dolby Laboratories and MegaboxJoongAng (Megabox) today announced a five-year agreement to equip Megabox theaters in Korea with Dolby technologies. With this deal, Megabox will deploy Dolby’s Auditorium Packages, including servers, processors, speakers, and amplifiers, to Megabox Anseong Starfield and Namyangju Hyundai Premium Outlets Space One, making it the first case of Dolby’s Auditorium Packages being installed in all 5.1/7.1 channel screens within a single multiplex.
CinemaNext France recently equipped the Horizon auditorium at Megarama’s multiplex in the Paris suburb of Villeneuve-la-Garenne with a new 26-metre wide and 12.5-metre high screen, the largest cinema screen installed in a multiplex in France, as well as Dolby Atmos immersive sound in time for the August 26 release of Christopher Nolan's Tenet from Warner Bros.