Traditional workflows are making way for transformative digital workflows that enable greater efficiency, flexibility, and cost-effectiveness. This is very true of digital cinema. Now, the Society of Motion Picture and Television Engineers is offering a virtual course entitled Understanding the Digital Cinema Package for members and non-members. With this course, professionals working in media production, distribution, or mastering can learn how to leverage the SMPTE Digital Cinema Package to enable innovation, automation, and cost savings.
Cardiff-based film and video post-production house Gorilla has chosen an MTI Film Cortex Enterprise mastering and validation system for a new 4K high dynamic range mastering suite at its recently expanded GloWorks facility. Supplied by MTI Film distribution partner Big Pic Media, the Cortex forms part of Gorilla's investment in new 4K HDR technology.
In the last twelve months Cinelab London has worked on a wide range of major motion pictures and TV series, including No Time to Die, Wonder Woman 1984 and Small Axe; commercials for brands like Sainsbury's, Nike, and Burberry; and music videos for global stars like Beyonce, Coldplay, and Dua Lipa. Pixitmedia, a software-defined storage and data management company, enabled the facility to streamline its storage and media management for expansion in delivering rapid turnaround.
Nominated for two Golden Globes, including one for first-time director Regina King, the film One Night in Miami… explores the dialectic that might have ensued between four young, famous Black men in 1964 as they each stood at a personal crossroads within the larger context of the civil rights movement. The film was shot by cinematographer Tami Reiker, ASC.
Arri has introduced Remote Solutions, a toolkit that can be customized to meet near-set and off-set workflows. This remote production ecosystem allows professionals to safely and immediately get back to work without compromising operational and creative control.
Creative Solutions has announced that Teradek has partnered with Frame.io to support Frame.io C2C (camera to cloud), a cloud-based workflow that bridges on-set camera capture with post-production NLE systems. This process is poised to forever transform the way in which production and editorial interact.
In the MovieLabs white paper The Evolution of Media Creation, we outlined a vision for implementing true cloud-native production workflows. In that vision media production moves outside of the security perimeters that protect individual facilities such as post-production and VFX companies and becomes a virtualized security system to protect all of those involved in production workflows. These workflows transcend organizations, and simply stated, protecting them requires a new approach to security.
The Hollywood Professional Association Industry Recovery Task Force will explore how CBS/ITV Entertainment’s Love Island USA moved from Fiji to Las Vegas and kept their exacting production and delivery schedule intact in the midst of the Coronavirus upheaval, late in 2020. HPA’s Virtual Town Hall, the latest in the series produced by the Industry Recovery Task Force, will take place on February 10 from 11:00 a.m to 12:30 p.m. PDT.
Assimilate today announced an update of their Live Assist and Live Looks on-set software, which enables a first in highly efficient, streamlined on-set workflows at unprecedented price/performance value for video assist and digital image technician live grading functions. Also included is newly added support for AJA and Blackmagic routers, as well as integrated NDI output among other highly anticipated features.
MTI Film has released a new update to Cortex, its family of products for managing workflows from the set through post-production. Cortex v5.3.2 includes numerous improvements to performance and user-experience and streamlines common workflow tasks.