Pixel Underground has been providing post-production services to Canadian television producer Peace Point Entertainment Group for more than 15 years, but their latest project together, the food series Inspired with Anna Olson, broke new ground for both companies. Inspired with Anna Olson is Peace Point’s first television series produced in 4K UHD.
Codex has developed a fully integrated recording and workflow system for Canon’s new Cinema EOS C700 camera. The combination of Codex with the EOS C700 camera allows for high-speed 4.5K Raw recording at up to 100fps, 4K Raw at up to 120fps, 4K Apple ProRes at up to 60fps, 2K Apple ProRes at up to 240fps.
“When Woody Allen asked me to do Café Society, he had never done a digital capture before, but I knew that I had to jump completely into this new chance we had,” said Vittorio Storaro. “I wanted to see images on set that would be very close to the final result and afterwards on dailies even closer, almost 90 percent of that way to what we would see at the end.”
Buoyed by rising television productions, FuseFX has expanded its presence in New York. The facility has moved its operations in the city to larger quarters able to accommodate a dynamic team of more than 50 artists.
Shotgun Software today announced the winners of the third annual Pipeline Awards at SIGGRAPH in Anaheim. The Pipeline Awards recognize tools and individuals who exhibit excellence in pipeline tool development and are pushing the industry forward by making laborious processes better and faster for studios of all sizes.
Quantum today announced a new animation and visual effects workflow reference architecture built on the company's Xcellis shared storage system. This robust and exceptionally flexible architecture delivers optimal storage capabilities for animation and editorial operations, thereby streamlining workflows and boosting overall efficiency and productivity.
As demand for higher resolution imaging grows, The Molecule expects to hire more than 100 people as it prepares to move to a new production facility at 29th and Broadway in Manhattan. “In the future, we are expecting our staff to grow to 120,” says marketing manager Audra Coulombe. “There is a lot to consider when building a new production facility in the current environment. Post-production is moving to higher and higher definition. Streaming services like Netflix and Hulu are now sending us footage at 4K and even 6K, and each VR production involves much more footage than a conventional project. So, we’ve designed our new facility to handle ten times our current capacity. We’re doing it right and planning ahead.”
Post-production finishing for the sixth season of HBO’s Emmy Award-winning series Game of Thrones recently wrapped up at Chainsaw, a Sim Group company. The facility handled visual effects integration, editorial conforming, final color grading and deliverables for the show.
Pixspan has released its PixMover software, now supporting 4K workflow speeds. The new GPU-enabled PixMover, when used with a dual-processor server and Nvidia M6000 GPU card, operates two-to-four times faster than with a CPU-only server. The company will be demonstrating this latest version of PixMover at the Innovation Zone during the HPA Tech Retreat UK, July 13-14 in Oxfordshire, England.
Horace and Pete is a 2016 web series created, written, and directed by Louis C.K. A distinctive feature of the series is frequent references to highly topical current events during barroom discussions. This was made possible by having less than a week between the production and release of the episodes. It was also one of the reasons that the VariCam 35s were chosen for the show, according to post-production technical advisor Troy Thompson a longtime C.K. collaborator and colorist at New York’s Running Man.