Traditional workflows are making way for transformative digital workflows that enable greater efficiency, flexibility, and cost-effectiveness. This is very true of digital cinema. Now, the Society of Motion Picture and Television Engineers is offering a virtual course entitled Understanding the Digital Cinema Package for members and non-members. With this course, professionals working in media production, distribution, or mastering can learn how to leverage the SMPTE Digital Cinema Package to enable innovation, automation, and cost savings.
Pace Pictures provided complete post-production services for Tremors: Shrieker Island, the latest installment in the cult horror franchise about giant, worm-like creatures that prey on humans.
Last month, three companies, MetaMedia Entertainment, Velocity Managed Services and Burbank post facility Pixelogic Media, formed a partnership to improve how digital cinema packages, key delivery messages and cinema advertising are produced and distributed over managed internet connections directly to exhibitors’ screens and dynamic digital lobby displays.
MetaMedia, Velocity and Pixelogic have formed MVP, a partnership between the three companies to deliver streamlined workflows and reduced cost in relation to the creation and delivery of content direct to theatres around the world. Harnessing the combined capabilities of each partner, MVP aims to improve how digital cinema packages, key delivery messages and cinema advertising are produced and distributed over managed internet connections directly to exhibitors’ screens and dynamic digital lobby displays.
MTI Film, maker of the Cortex family of set-to-screen workflow software, has just been awarded U.S. Patent 10,349,097 for its Graphical Editing Solution for High Dynamic Range Metadata. The software tool provides a simple way to ensure that HDR metadata is properly aligned with associated HDR video. It saves time and eliminates errors in preparing feature film and television content for delivery in formats including Dolby Vision HDR.
Éclair today announced the successful remastering of Antonin Baudry’s Le Chant du Loup, the first French feature film in 300 nits high dynamic range for Onyx Cinema LED screens. In addition to the Onyx Cinema LED version, Le Chant du Loup is available in ÉclairColor in 15 cinemas across France.
Istanbul-based film and television content services provider Imaj is deploying Éclair’s broadband network and digital content delivery solutions, including its innovative ÉclairPlay content delivery platform, in Turkey. Éclair and Imaj’s new joint service offering has been designed to meet the needs of film producers, distributors and cinema exhibitors in Turkey, who have expressed increasing interest in an alternative full-service digital content distribution and broadband delivery network offering both electronic and physical delivery of content.
The New York facility of Eurofins Digital Media Services has been granted a Certification in Dolby Vision Quality Control Services. Eurofins is the first dedicated Dolby Vision quality assurance facility on the East Coast, meeting the growing demand for quality control and testing services in New York City.
Eurofins Digital Media Services, formerly My Eye Media, has opened an office in New York City’s Chelsea district. The company says it is the first facility in the greater New York area, dedicated solely to master quality control with a focus on 4K/UHD high dynamic range video and immersive audio formats.
Earlier this week Éclair and Samsung held a ribbon cutting ceremony to officially open Éclair’s Paris-Vanves Onyx Cinema LED facility, the first of its kind in Europe. Éclair can now provide professional services specifically tailored for the Onyx Cinema LED – contrast ratio of 1,000,000:1, color grading with true zero nit black, and ÉclairColor DCP mastering – to European filmmakers, producers and distributors.