SmallHD has launched a new 4K 13-inch high-bright monitor. Cine 13 is SmallHD’s most compact, agile, and pixel-dense 13-inch production monitor yet. With its low-profile design, this on-set workhorse can fit into nearly any production scenario. The brilliant daylight visibility and 4K clarity of Cine 13 is designed for creatives who always require critical focus capability.
Teradek has introduced the Bolt 4K LT Max, a 4K high dynamic range wireless video system featuring up to 5,000 feet line-of-sight range in a compact, rugged form factor.
Filmmaker and explorer Michael Muller has made what he believes is a first-of-kind underwater virtual reality project featuring nine episodic short films. The series, entitled Into the Now, offers a revolutionary, stereoscopic virtual-reality experience that explores the most spectacular events in marine life, what Muller calls "the holy grail of diving.”
The CBS mega hit S.W.A.T. has always been fast moving—on air and on set. Shot on multiple stages at Santa Clarita Studios and diverse locations throughout the Los Angeles area, the series averages 100 set-ups per day. Giving life to the adrenalin pumping story lines has always been a creative feat for accomplished cinematographer Francis Kenny, ASC (Justified, Heathers, Bruce Beresford’s Bonny & Clyde, New Jack City), and his crew.
The upcoming indie film release Boon, which was filmed in a remote location in Washington State is a modern Western starring Neal McDonough is a spiritual sequel to Red Stone and was shot using virtual production techniques. This ensured the number of on-site production staff were kept to a minimum.
As we pass the one-year anniversary of the pandemic’s onset in the US, people are suffering from quarantine fatigue and vaccine roll-out frustrations. Even after people manage to get vaccinated, many are left wondering: What’s the point? Why do we have to continue to make the sacrifice? To answer that question, the makers of a new short film entitled Daniel turned for help to a war veteran.
Arri has introduced Remote Solutions, a toolkit that can be customized to meet near-set and off-set workflows. This remote production ecosystem allows professionals to safely and immediately get back to work without compromising operational and creative control.
Claudia Raschke is an award-winning New York City based cinematographer best known for such films as Oscar-nominated and Emmy winning RBG (Magnolia/ Participant/ CNN), Oscar-nominated God is Bigger Than Elvis (HBO), Peabody Award-winning Black Magic (ESPN), Oscar short-listed Mad Hot Ballroom (Paramount), Particle Fever (Bond), Atomic Homefront (HBO), and The Freedom to Marry (Argot Pictures). Her latest film, which screened at this year’s Sundance Film Festival, is My Name is Pauli Murray. Fifteen years before Rosa Parks refused to surrender her bus seat, and a full decade before the U.S. Supreme Court overturned separate-but-equal legislation, Pauli Murray was already knee-deep fighting for social justice. A pioneering attorney, activist and dedicated memoirist, Murray shaped landmark litigation—and consciousness— around race and gender equity. As an African American youth raised in the segregated South—who was also wrestling with broader notions of gender identity—Murray understood, intrinsically, what it was to exist beyond previously accepted categories and cultural norms. The film was made by the same team that made RBG including directors Julie Cohen and Betsy West, producer Talleah Bridges McMahon and editor Cinque Northern. My conversation with Raschke, via email, began with that team.
The Hollywood Professional Association Industry Recovery Task Force will explore how CBS/ITV Entertainment’s Love Island USA moved from Fiji to Las Vegas and kept their exacting production and delivery schedule intact in the midst of the Coronavirus upheaval, late in 2020. HPA’s Virtual Town Hall, the latest in the series produced by the Industry Recovery Task Force, will take place on February 10 from 11:00 a.m to 12:30 p.m. PDT.
Few know underwater cinematography and how to light the great blue sea better than Pete Romano ASC. His unique specialty has made him sought after for most major films where’s there’s any underwater action. His 40-year underwater track record is unmatched. IMDB tries but at 159 credits for film and television they just skim the surface, especially considering the multitude of commercials, music videos and documentaries to count.