Currently in worldwide release from Columbia Pictures, director Will Gluck’s Peter Rabbit 2: The Runaway is the charming sequel to the 2018 hit about a bunny who’s a loveable rogue. Much of the creative team from the first film reunited for the new movie, including its award-winning sound team led by re-recording mixer Kevin O’Connell, supervising sound editor Robert Mackenzie and re-recording mixer/supervising Andy Wright.
“We are a little team of three here, so, we all wear many hats,” says Mirza Tahirovic, co-owner of Studio Chelia, a professional audio post-production facility in Sarajevo, Bosnia. “I’m a composer, sound editor and recording mixer, but I also do ADR recordings and other corrections when necessary.”
While it has been widely understood that, because of the pandemic, 2020 was a terrible year for the cinema business, a new report from the European Audiovisual Observatory documents just how bad it really was. The theatrical market collapsed in 2020 with cinema attendance in the EU and the UK plummeting by 70.2 percent to an estimated 300 million tickets, down from more than one billion admissions in 2019 (the highest level since 2004). Gross box office earnings dropped correspondingly from Euro 7.20 billion to Euro 2.13 billion (US 2.4 billion), down by 70.4 percent from 2019, as the average ticket price in the EU remained stable at Euro 7.1 (USD 8.1).
Currently short-listed for an Association of Independent Commercial Producers Post Award, Banh Ultimatum is a campy, two-minute spot disguised as a trailer for a 1980s vintage, action movie. The film was conceived and directed by freelance creative Jim Heekin and promotes Boulder, Colorado restaurant Daikon, which specializes in Vietnamese-style sandwiches. The editorial, visual effects, sound design and post-production services were completed at the post house 11 Dollar Bill.
When writer/director Christian Rousseau envisioned the look of No Loss // No Gain, he knew that the two worlds the film would portray would need to be photographed differently, but the idea of using completely different lenses from two different manufacturers was not part of the initial plan — until cinematographers John Sedlack and Kate Steinhebel had to switch which unit each would photograph.
The Stardome Observatory and Planetarium in Auckland, New Zealand, recently upgraded its cinema and live performance venue with a complete Harman Professional networked surround sound system incorporating JBL Professional, Crown, BSS and Soundcraft technologies.
A trained pianist and saxophonist who studied music production at Berklee College of Music in Boston, Phil McGowan, CAS, knows a thing or two about the perfect piece of music. After having dabbled in writing and composing music, McGowan soon found that his true passion was in mixing and engineering, and he moved across the country to focus on score mixing. Today, McGowan can be found mixing, recording and engineering from his studio – McGowan Soundworks, where he works on highly popular TV shows, films and video games, such as Call of Duty Black Ops: Cold War.
In the early 1990s, a vast expanse of farmland in central Zhejiang, China, was procured by the Hengdian Group. The goal was to build an expansive film studio and later adding attractions to turn it in a theme park that recreated thousands of years of Chinese history and culture. Today, Hengdian World Studios is known as the largest film studio in the world, spanning over 370 hectares. Hengdian World Studios is always looking to continue to innovate and expand for the 20 million tourists which visit each year. In its latest venture, visitors are plunged into a so-called Flying Theatre, installed inside the Qin Palace set.
Arsenal FX Color provided post-production finishing services for Ferguson Rises, director Mobolaji Olambiwonnu’s inspiring documentary about Ferguson, Missouri which in 2014 became a flashpoint for the civil rights movement after a white police officer was acquitted of criminal charges in the killing of Michael J. Brown, an unarmed black man, sparking days of protest and rage. Says Olambiwonnu, I wanted to provide a counternarrative to the events that took place, one based not on loss, but on hope and resilience.”
The CBS mega hit S.W.A.T. has always been fast moving—on air and on set. Shot on multiple stages at Santa Clarita Studios and diverse locations throughout the Los Angeles area, the series averages 100 set-ups per day. Giving life to the adrenalin pumping story lines has always been a creative feat for accomplished cinematographer Francis Kenny, ASC (Justified, Heathers, Bruce Beresford’s Bonny & Clyde, New Jack City), and his crew.