FilmLight has finalized its 2023 color awards jury and appointed renowned cinematographer, Lawrence Sher, ASC, as this year’s president. Due to popular demand, the awards deadline has also been extended, with submissions now closing to the global colorist community on August 7.
In October 1948, Jesse Brown became the first African American to complete the U.S. Navy’s flight training program and received his Naval Aviator Badge. The feature Devotion, directed by J.D. Dillard and based on the bestselling book by Adam Makos, recounts the true story of Brown’s distinguished service, focusing on the year 1950, at the onset of the Korean War, when he and his fellow pilots in Fighter Squadron 32 deployed aboard the aircraft carrier USS Leyte, first to the Mediterranean Sea and then to the East Sea, off the coast of North Korea.
Nice Shoes has hired post-production veteran Phil Harrelson as managing director/DI and dailies. Harrelson will head the facility’s digital intermediate services, which provides color grading, editorial finishing and delivery services for film and television. He will also oversee the launch of a new dailies service for film and television productions.
Nominated for two Golden Globes, including one for first-time director Regina King, the film One Night in Miami… explores the dialectic that might have ensued between four young, famous Black men in 1964 as they each stood at a personal crossroads within the larger context of the civil rights movement. The film was shot by cinematographer Tami Reiker, ASC.
Sometimes the story of how a film was made is almost as compelling as the story the film itself tells. That was certainly the case with There is No Evil, this year’s Golden Bear winner at the 70th annual Berlinale, the 2020 Berlin Film Festival. The film, from Iranian director Mohammed Rasoulof, faced serious and unique challenges getting onto the big screen at a film festival. First, there was the fact that Rasoulof is unable to leave Iran.
Yvan Lucas is a veteran digital intermediate colorist with a unique international story. His career spans over 30 years, has involved working in 10 different labs, and has included creative collaborations with a long list of iconic cinematographers such as Robert Richardson, Darius Khondji and Rodrigo Prieto. Lucas credits the work he did with Khondji and director Jean-Pierre Jeunet – especially on the films Delicatessen and The City of Lost Children – for launching his international career and leading him to Los Angeles.
Once principal photography began in Atlanta last summer for Universal Pictures’ and Legendary Pictures’ fantasy comedy Little the post-production workflow also began. The bi-coastal effort by FotoKem’s Atlanta and Burbank facilities supported the production from digital dailies all the way through a full Academy Color Encoding System finish.
The new feature film Mid90s, which marks the directorial debut of Jonah Hill, tells the coming-of-age story of Stevie, a 13-year-old Los Angeles boy who seeks escape from troubles at home in the company of the friends he meets in a local skate shop. Post-production finishing for the film was completed at Technicolor PostWorks New York where colorist Alex Bickel worked directly with Hill and cinematographer Christopher Blauvelt to recreate the sun-washed look of 1990s Southern California and the taut emotional landscape of Stevie’s world
Cinematic Media, a full-service post-production finishing facility focused exclusively on television and cinema content, has launched in Mexico City. Located on the lot at Estudios GGM, the new facility offers dailies, look development, editorial finishing, color grading and other services, and aims to capitalize on booming entertainment media production in Mexico and throughout Central and South America. In its first project, Cinematic Media provided finishing services for the second season of the Netflix series Ingobernable.
Tower 3, a new documentary short from Irish filmmaker and artist Marcus Robinson, commemorates the massive construction project behind the latest addition to New York’s World Trade Center site, an 80-story structure that is now the city’s fifth largest building. Commissioned by Silverstein Properties for ribbon-cutting ceremonies marking the building’s completion, the five-minute film was produced by Robinson with technical and creative assistance from Technicolor PostWorks New York.