The Hollywood Professional Association Awards Committee has announced the winners of the 2017 Engineering Excellence Awards. Winners were determined after a judging session held June 17 after presentations to a panel of industry experts. The awards will be presented November 16 at the 12th annual HPA Awards gala at the Skirball Cultural Center in Los Angeles, California.
The Hollywood Professional Association has announced that Larry Chernoff has been named 2017 recipient of the prized HPA Lifetime Achievement Award. Chernoff will receive the award during the HPA Awards gala on November 16 at the Skirball Cultural Center in Los Angeles, California. The HPA Lifetime Achievement Award is given to an individual who is recognized for service and commitment to the professional media content industry. The mission of the award is to give recognition to individuals who have, with great service, dedicated their careers to the betterment of the industry. The Lifetime Achievement Award is given at the discretion of the HPA Board and Awards Committee and is not given every year.
The Hollywood Professional Association has opened its call for entries in creative categories for the 12th annual HPA Awards. These awards are considered standard-bearing honors for groundbreaking work and artistic excellence, recognizing creative artistry in color grading, editing, sound, and visual effects in feature film, television, and commercials.
The American Film Institute announced today that celebrated cinematographer Frederick Elmes (AFI Class of 1972) will receive the 2017 Franklin J. Schaffner Alumni Medal. This honor recognizes the extraordinary creative talents of an AFI alumnus or alumna who embodies the qualities of filmmaker Franklin J. Schaffner: talent, taste, dedication and commitment to quality storytelling in film and television.
The Hollywood Professional Association has opened the call for entries for its Engineering Excellence Award. Submissions for the engineering awards will be accepted from April 23 to May 26. Now in its 12th year, the HPA Engineering Excellence Award is considered one of the most important technology honors in the industry, spotlighting companies and individuals who draw upon technical and creative ingenuity to develop breakthrough technologies.
CinemaCon 2017 demonstrated, once and for all, that this is truly the dawn of the digital cinema era. The installation of digital projection systems in virtually every movie theatre in the world was the beginning of something, not the conclusion, because it opened the door to a wide range of possibilities. The tradeshow floors in Caesar’s Palace demonstrated this fact more than ever before. For the third consecutive year, a host of new companies crowded the exhibit halls. On display were products and services designed not simply to improve the operation of a movie theatre, but, in some cases, to expand the concept of what a movie theatre is. And, for the third year in a row, Digital Cinema Report is presenting the Catalyst Award to those products that we consider to be the best new technology on display at CinemaCon 2017.
The Society of Motion Picture and Television Engineers today announced that Shane Murphy has won the $5,000 grand prize in The Vista Project student filmmaker competition and that Jon Navarro was selected as runner-up. Led by cinema-industry pioneer Bud Mayo, chairman of New Vision Theatres, and by Barbara Lange, SMPTE and Hollywood Professional Association executive director, the judging committee named the winners during CinemaCon week, March 27-30 at Caesars Palace in Las Vegas.
Cinema-industry veteran Curt Behlmer, senior vice president, content solutions and industry relations, Dolby Laboratories, has been selected as the 2017 recipient of the Ken Mason Inter-Society Award. The award honors an individual who has made outstanding long-term contributions leading to the overall improvement of the motion picture experience. Behlmer will receive the award at a ceremony on March 28 at CinemaCon in Las Vegas.
Director Jon Favreau’s The Jungle Book won this year’s Oscar for Best Visual Effects. A Walt Disney Picture, the movie is unique because the only live action character, the boy Mowgli, was shot on bluescreen while everything else was computer-generated. The visual effects team included key talent from Technicolor and its subsidiary, the Moving Picture Company. In part three of our five-part series, Rob Legato lead VFX supervisor, and second unit director on The Jungle Book explains how creating a movie that was totally dependent on VFX demanded a completely different approach to production, and opened the door to a greatly expanded role for VFX in real-world movie-making.
The University of Michigan Library recently acquired a comprehensive collection of Robert Altman's prestigious filmmaking awards.