With the film and television industry rebounding from the pandemic, now is a great time to begin a career in visual effects. Production activity, in Australia and worldwide, is expanding quickly as studios and streaming services rush to meet pent up consumer demand for new content. That, in turn, has caused a labor shortage, especially for professionals with specialized training, such as visual effects artists. Studios that produce VFX for film and TV can’t hire qualified talent fast enough.
As a junior look development artist at Rising Sun Pictures, Bridget Dinning is part of a team responsible for the aesthetic aspects of visual effects. Her job requires highly developed technical skills and a discerning artistic eye to ensure that 3D characters, objects, environments, and other assets are consistent in terms of color, lighting, and style.
As a senior data wrangler at Rising Sun Pictures, Brittany Herriman helps keep the studio’s production pipeline running in high gear. Her role is to manage the vast amounts of data exchanged each day between RSP and motion pictures studios and other production partners. Media arriving at the studio must be accessible to artists working in various aspects of visual effects production. Finished work needs to be delivered on time and on spec to stakeholders around the globe.
Buoyed by a boom in motion picture and series production, and commitments from multiple international film productions and streaming series Rising Sun Pictures has expanded by taking charge of the building next to its main studio located in Pulteney Street in Adelaide. The new 5,167 square-foot space, which was acquired to house additional staff, includes a cinema-style screening room, sound proofed meeting and review facilities, and a workspace for up to 80 artists.
One of the benefits of the visual effects training program at Rising Sun Pictures is that classes are taught within a working visual effects studio, one that has brought to life extraordinary visuals for such box offices hits as Ford v Ferrari, Spider-Man: Far from Home and Captain Marvel. Students enrolled in these courses receive a first-rate education in visual effects and witness, first-hand, how those skills are put to use by top-level professional artists weaving cinematic magic for the blockbusters of tomorrow.
Flicks, a company of Vista Group International and leading New Zealand video on demand platform Neon, today announced a renewed 12-month partnership. The partnership is a content driven solution which utilizes Flicks’ writing talent and position in the market to promote Neon’s range of top-drawer TV series in a natural and appealing way.
A new event cinema company – Art Screen Events – has been launched in Tasmania and its first presentation is the Tony, Grammy and Olivier Award-winning musical Kinky Boots, which will be screened later this month. Katrine Elliott, founder of Art Screen Events, is thrilled to be launching this exceptional theatrical event on the big screen in her old stomping ground of Tasmania’s North West Coast. With more than 23 years of experience in the film events industry, Elliott founded Art Screen Events to pursue her dream of sourcing and curating unique films and filmed events specifically for the Tasmanian audience.
Melbourne, Australia-based Village Entertainment has announced that its Victorian cinema locations will begin re-opening November 12. The theatres have been closed for eight months due to the pandemic.
Cooke Optics has appointed Hon Ming Lai to the role of director of sales Asia, Australasia, Africa, Middle East, effective immediately. Reporting to Thomas Greiser, director of global sales, Hon Ming will be based in Hong Kong.
Showbiz Cinemas is pleased to announce that the Ballarat Showgrounds in Wendouree, Australia will soon be home to the first local drive-in cinema operation since the closure of the Southern Drive-In Theatre in 1991. The retro initiative will operate each weekend for at least six-months from November 13.