Sony Digital Cinema and Apollo Cinemas have announced an agreement for the deployment of 83 CineAlta 4K digital cinema projectors a third of which will be able to deliver 3D content. This move makes Apollo Cinemas the first in Europe to move to Sony Digital Cinema virtual print fee. Rob Arthur managing director of Apollo Cinemas says “This agreement puts Apollo among the most innovative cinema operators in the world and will establish the UK's first fully digital circuit and in CineAlta 4K.
View All Content
In recent weeks digital cinema service company XDC has announced a deal with Polish exhibitor Multikino and another with exhibitor Euroscoop in the Netherlands to install new digital systems in multiple theatres. In the first announcement XDC says that it has signed a Letter of Intent for the deployment of digital cinema systems in 174 of Multikino's cinema screens in Poland. The Letter of Intent signed between Multikino and XDC includes the roll out of DCI-compliant projection systems co-financed by the Virtual Print Fee model represented by XDC.
Arriflex has introduced the ArriLaser 2 what the company is calling the next generation of a film recorder that has established itself as an integral component of digital intermediates workflows all over the world. Supporting a 16-bit image path and recording speeds that double those of previous models the ArriLaser 2 will transform the DI capabilities of any facility where it is installed.
One of the highlights of last month’s Cinema Expo in Amsterdam was the 3D premiere of Ice Age 3: Dawn of the Dinosaurs. The screening was shown on a Barco twin projector setup with Dolby 3D for large screens. The Dolby 3D large screen solution combined with Barco's digital cinema twin-projector allows exhibitors to project 3D onto standard non-silver screens ranging from 12.5 to 21 meters surpassing the previous size limit of 12 meters. The RAI auditorium where the movie premiered has a 16.5-meter wide screen.
The Big Sky Documentary Film Festival the premier venue for nonfiction film in the American West is seeking submissions for its sixth annual event. The deadline is September 4. From February 12-21 the festival will screen 100 films including world and U.S. premieres classics rare and experimental works on Montana's largest screen at the historic Wilma Theater in downtown Missoula Montana. In addition to ten days of screenings the event will feature many public and VIP events including panel discussions galas receptions and networking round-tables.
Cinedigm Digital Cinema has announced that thousands of fans turned out to theatres around the country to view the July 7th Michael Jackson Memorial Service via a live feed direct from the Staples Center. A total of 47 Cinedigm-certified theatres carried the broadcast with ten of those coming online within hours of its commencement due to the last minute nature of the event.
Da Vinci Systems has announced that its Resolve v.6.2 software for R-series color grading systems for the first time enables Resolve to color grade native digital motion picture files — including debayered Red RAW files — and to grade between two remote systems. Available worldwide new features in Resolve 6.2 also include enhanced support for 3D color grading projects.
Dolby Laboratories has announced that its newest cinema server the Dolby Screen Server DSS200 is available for orders. The DSS200 is an all-in-one platform to store decode and deliver pristine movies to the digital cinema projector. Based on Dolby’s existing FIPS-certified media block and DCI-compliant server the DSS200 offers improved storage serviceability and interoperability. A storage subsystem moves feature content around the network effortlessly.
Film & Kino the Norwegian interest organization for cinemas has announced the world’s first non-commercial complete national digital roll out with agreements with Twentieth Century Fox United International Pictures (the local distributor for Paramount Pictures and Universal Pictures in Norway) Walt Disney Studios Motion Pictures International and Warner Bros. Pictures International. According to Film & Kino this complete digital roll out will transform all of Norway’s cinemas big and small to modern DCI-compliant digital cinema houses.
The Downtown Film Festival-Los Angeles and Brookfield Properties are pleased to announce a Paul Newman Film Retrospective on the evening of August 13th starting at 6:00 pm at 7+FIG located in the heart of Downtown L.A. The tribute will include free-to-the-public screenings of two of Newman's most critically acclaimed films Butch Cassidy and the Sundance Kid and Hud as well as special events that will take place throughout the evening.
SmartJog has announced that French theatre chain Europalaces the owner of Gaumont and Pathe cinemas has signed an agreement for the purchase and deployment of its high capacity SmartJog Digital Cinema Central Library Servers. The first phase of deployment was recently completed to 33 sites in France with planned Phase 2 to start shortly. While SmartJog has been deploying its libraries since last year to theatres in France Europalaces is the largest chain to commit to a substantial rollout in Europe.
The National Academy of Television Arts & Sciences and the Sports Video Group have presented the Global Media Visionary Award to 3ality Digital for its live 3D production of the 2009 FedEx BCS Championship Game which took place last January in Miami Florida. 3ality Digital was presented with the honor alongside Sony Fox Sports and Cinedigm Digital Cinema all of whom were partners on the project.
According to new Cinema Advertising Council report total cinema advertising industry revenues of CAC members – which account for more than 82 percent of U.S. movie screens – grew by 5.8 percent to $571 421 000 in 2008 as compared to a total of $539 946 000 in 2007. The announcement of the report – which was independently tabulated by Miller Kaplan Arase & Company – was made today by Dave Kupiec president and chairman of the CAC. Cinema advertising grew despite a year that saw spending in other traditional media decrease significantly.
UK-based digital signage company Beaver Solutions has won the AV Award 2008 for Digital Signage Project of the Year. The award was given for the innovative deployment of digital signage throughout three multi-million pound Showcase Cinema De Lux venues. Showcase Cinemas approached Scala and Beaver Solutions to provide digital signage throughout their concept cinemas in Derby Bristol and Leicester with the aim to create a paperless cinema experience. The idea was to create a high quality immersive cinema experience with functional and efficient methods of running their signage.
Cinemeccanica and Barco have announced another digital cinema deployment deal in France. Both companies have signed a contract with Cinéville for the installation of thirty Barco 2K digital cinema projectors in five multiplexes. Located in the West of France Cinéville is a fully owned subsidiary of Soredic. For their digital conversion financed by Ymagis they turned to Barco Value Added Partner Cinemeccanica. This summer thirty Barco digital cinema projectors will be installed in Cinéville's theaters in Hénin-Beaumont Rennes Laval La Roche-sur-yon and Quimper.
Cinesite has been awarded a major visual effects contract for the Twentieth Century Fox production Marmaduke based on the 1954 newspaper comic strip created and illustrated by Brad Anderson. The film is scheduled for release in 2012. Cinesite is also expanding its production department capacity by approximately 25 percent particularly in the 3D and character animation areas. The company will add personnel and equipment as well as increase square footage.
Chicago-based Filmworkers Club has upgraded two of its facilities with three da Vinci Splice post-production systems which enable the facilities' existing da Vinci 2K Plus systems to be used for non-linear in-context color grading. Installing two Splices at our Chicago facility and one at our Dallas facility has allowed our colorists to grade commercials in-context and in real time while also extending the life of our 2K Plus investments says Reid Brody vice president of Filmworkers Club. We no longer need to change reels to get to the right shot.
The IVC Digital Film Center in Los Angeles has expanded its 2K / 4K film scanning remastering and archival services with the new Spirit 4K DataCine and Bones system from Digital Film Technology of Germany. IVC has digital intermediate digital cinema and HD mastering facilities and has been providing the mainstream and independent film and commercial industry with services for more than 20 years.
Imax Corporation and Big Cinemas a division of Adlabs Films a Reliance ADA Group company and India's largest entertainment conglomerate have announced an agreement to install Imax's new digital projection system in Big Cinemas' flagship Imax theatre in the heart of Mumbai. The installation is scheduled to be completed in July and will mark the first digital Imax location in India. The new Imax digital projection system will replace the Imax Dome system that is currently operating in the Big Cinemas location at Wadala Mumbai.
Palace Cinemas the leading exhibitor in the Czech Republic Slovakia and Hungary and XDC the leading Pan-European digital cinema service company have agreed on the deployment of digital cinema systems in 170 of Palace Cinemas' screens in Central Europe. The agreement between Palace Cinemas and XDC includes the roll out of DCI-compliant projection systems co-financed by the Virtual Print Fee model. Rollout is scheduled to begin in the second half of the year.