View All Content

New Projectors Claim to Show All Aspect Ratios

Mon, 12/08/2008 - 19:00 -- Nick Dager

ISCO has entered into an original equipment manufacturer partnership with Wolf Cinema. Their joint equipment design combined products and technologies have led to what the companies are calling an exclusive industry first: the ability of Wolf Cinema projectors to show every single movie in its original aspect ratio from 1.33:1 to 2.67:1. It is unclear when the new projectors might come to market.

Is 3D Here to Stay?

Thu, 11/20/2008 - 19:00 -- Nick Dager

By Michael Karagosian Is 3D here to stay? By now that should be a dated question. There are a lot of reasons why 3D has gained momentum in cinema and not all of them have to do with motion pictures. Stereoscopic viewing dates back nearly 200 years and has a history with film nearly as old as the motion picture itself. Plenty has been written about the several fashionable periods for 3D movies.  And plenty more has been said that either elevates the technology as new art for story-telling or simply rules it out as nothing more than fuel for fads.

The Legend Lives

Wed, 11/19/2008 - 19:00 -- Nick Dager

The Who: Live at Kilburn:1977 Plays at Theatres Across the U.S. Last month the legendary rock concert movie The Who: Live At Kilburn: 1977 played in more than 75 select theatres across the U.S. including New York Chicago Las Vegas and Houston among others. Lead-singer and co-founder Roger Daltrey of The Who appeared at the Los Angeles theatrical premiere on November 10th and participated in a question and answer session with Spitfire Pictures’ Nigel Sinclair at the much-anticipated event. The concert was presented by D&E Entertainment.

Promoting 3D

Wed, 11/19/2008 - 19:00 -- Nick Dager

As I’ve written here many times I‘m a strong believer in the idea that digital stereoscopic 3D is going to have a profound and positive impact on motion picture production and exhibition. But even I concede that the major reason that some recent 3D movies have flourished has a lot to do with the novelty factor. How else to explain the fact that both Meet the Robinsons and Journey to the Center of the Earth were box office bonanzas?

The Logline

Wed, 11/19/2008 - 19:00 -- Nick Dager

An Ongoing Series of Articles on Screenwriting by an Award-Winning Filmmaker By Donald Vasicek The logline must show what your movie is about. You have about a minimum of five or six words and a maximum of three five to six word sentences to show it in the logline. The shorter the better. If you are serious about writing selling and getting your screenplays produced then you must think in terms of writing lean and mean. Lean and mean is the same thing as the shorter the better. This attitude will help you write to industry standards and help you hone your craft as a screenwriter.

Not a Bad Start

Wed, 11/19/2008 - 19:00 -- Nick Dager

Ascent 142’s First DI Project is Quantum of Solace Quantum of Solace the latest James Bond movie which was released in U.S. theaters last month was the first digital intermediates project for London-based Ascent 142. Stephen Nakamura vice president of features for Company 3 an Ascent Media business graded the film at Ascent 142 on a da Vinci Resolve R-350. Ascent 142 is the result of the merger between Ascent Media's One Post St. Anne's Post Stream and Wardour Street's Media Management services facilities.

Think Small

Wed, 11/19/2008 - 19:00 -- Nick Dager

QSC Introduces Two New Cinema Loudspeaker Systems Built expressly to meet the needs of professional motion picture playback in smaller theatres QSC’s new SC-2150 loudspeaker is one of two new members of the DCS (Digital Cinema Speaker) series. Offering high-power handling excellent sensitivity and extended bass response in a very compact enclosure the SC-2150 is a three-way full-range or bi-amplified screen channel loudspeaker comprised of two main units: A mid-high frequency system and a low frequency enclosure.

Shooting Sandhogs

Wed, 11/19/2008 - 19:00 -- Nick Dager

New Documentary Chronicles the Largest Public Works project in the Western Hemisphere Manhattan-based filmmaker Eddie Rosenstein a founder of Eyepop Productions is the creator director and co-director of photography of The Greatest Tunnel Ever Built profiling New York City’s legendary urban tunnel workers known as Sandhogs. Currently the Sandhogs are building the city’s third water tunnel scheduled to go online in 2013 to help alleviate New York City’s serious long-term water problem.

A Conversation with Don McAlpine

Wed, 11/19/2008 - 19:00 -- Nick Dager

Winner of the American Society of Cinematographers International Achievement Award Donald McAlpine will receive the 2009 American Society of Cinematographers International Achievement Award. The tribute is presented annually to a cinematographer who has made significant and enduring contributions to the global art of filmmaking. He will be feted during the 23rd Annual ASC Outstanding Achievement Awards in Los Angeles on February 15 at the Century Plaza Hotel.

Making a Splash

Wed, 11/19/2008 - 19:00 -- Nick Dager

Sea Monsters: A Prehistoric Adventure Hits $30 Million at Breakneck Speed Sea Monsters: A Prehistoric Adventure has become one of the fastest giant-screen films to hit the $30 million mark since its release on October 5 2007 and is one of the highest grossing original giant-screen films of 2008. The announcement was made by Mark Katz president Giant Screen Film and Distribution for National Geographic Cinema Ventures. “We’re thrilled with the enthusiastic response Sea Monsters: A Prehistoric Adventure has received from audiences around the world ” says Katz.

Saving Every Minute

Wed, 11/19/2008 - 19:00 -- Nick Dager

Sony Unveils High-Def Camera and Recording System for Professional Video Applications 
 
 In an effort to help filmmakers save money per recording minute Sony plans to make available in February a new full high-definition compact point-of-view camera and solid-state recorder combination the HXR-MC1. Its video compression will afford its users longer recording time per GB as well as a low cost of media per minute.

Dolby 3D Digital Cinema Licenses Doremi’s Digital Cinema Server

Wed, 11/19/2008 - 19:00 -- Nick Dager

Doremi Cinema has announced that its DCP-2000 JPEG2000 Digital Cinema Server has been approved as a licensee of Dolby 3D Digital Cinema giving exhibitors even more options when screening 3D content. As an early pioneer in digital cinema Doremi has been very committed to developing flexible playback solutions for theatre owners says Michael Archer vice president of Doremi Digital Cinema. We are fortunate to partner with technology companies like Dolby whose 3D technology further propels the incredible popularity and growth of digital cinema.

JVC Sensio are Co-Developing 3D Technology for the Home

Wed, 11/19/2008 - 19:00 -- Nick Dager

JVC has announced an agreement with Sensio Technologies to join forces and offer what the manufacturers are calling “the very first high-end 3D solution available on the consumer market.” The entirely new product is designed to allow consumers to watch 3D at home by combining two of JVC's D-ILA projectors and a media server integrating the Sensio 3D decoding technology.

Peace Arch Entertainment to Receive Government Funding

Wed, 11/19/2008 - 19:00 -- Nick Dager

Peace Arch Entertainment Group an integrated global entertainment company has announced that Telefilm Canada has made Peace Arch Releasing eligible for the Canadian Feature Film Marketing Fund. The federal culture agency’s official recognition of Peace Arch’s theatrical distribution arm will permit the company to seek financial support for the domestic release of Canadian-produced films.

S3 Entertainment Group Yessian Music/Dragon Licks Create Michigan Music Licensing


Wed, 11/19/2008 - 19:00 -- Nick Dager

S3 Entertainment Group of Ferndale Michigan has teamed up with Yessian Music/Dragon Licks Detroit to form Michigan Music Licensing. S3 managing partner Jeffrey Spilman and Yessian president Michael Yessian jointly made the announcement.

Michigan Music Licensing will provide clients with a one-stop solution to license enhance edit mix or rearrange songs for feature film and television productions. The company will now offer productions the highest tax incentive in the country an average of 40 percent when utilizing their Michigan-based music and licensing.

Schneider Introduces Century HD Lens Add-ons for Sony PMW-EX3


Wed, 11/19/2008 - 19:00 -- Nick Dager

Schneider Optics has introduced a line of Century HD lens add-ons for Sony's new PMW-EX3 camcorder. These attachments are designed to expand the capabilities of the Fujinon 14x lens supplied with the camera. Operators can increase the field of view with no loss of ability to zoom instantly shift the focal range to telephoto when needed or enjoy the ultra wide angle of view and remarkable barrel distortion of the widest fisheye.

LaserPacific Forms New Business Unit for Digital Mastering

Wed, 11/19/2008 - 19:00 -- Nick Dager

LaserPacific Media Corporation has announced the formation of a new team and business unit to focus on digital motion picture mastering and re-mastering. With this expanded capability LaserPacific CEO Brian Burr also announced the appointment of Ron Burdett as general manager of the mastering unit and Lou Levinson as the supervising colorist - mastering among others. Burr says the company has added some of the industry's most capable and accomplished operations and creative talent to its team.

ZON Lusomundo and XDC to Deploy 180 Digital Screens in Portugal

Wed, 11/19/2008 - 19:00 -- Nick Dager

Digital cinema service company XDC and ZON Lusomundo the largest cinema chain in Portugal have signed an exclusive agreement for the deployment of digital cinema systems in 180 of ZON Lusomundo's cinema screens in Portugal. The agreement includes the roll out of DCI-compliant projection systems co-financed by the Virtual Print Fee model. The rollout is scheduled to begin in January with an initial commitment of 100 screens throughout the rest of the year.

Pages

Subscribe to View All Content