Showtime Cinemas, Taiwan, is automating their content management using Arts Alliance Media’s Screenwriter theatre management system. Local integrator Dacoms Technology is handling the installation.
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Todd Douglas Miller, the filmmaker behind the critically acclaimed Apollo 11 moon-landing documentary, will present the keynote at the 2019 National Association of Broadcaster Show’s Future of Cinema Conference, produced in partnership with the Society of Motion Picture and Television Engineers.
Rising Sun Pictures, working in tandem with Weta Digital, the lead visual effects studio, created critical shots for two key sequences in the film, including a furious battle between soldiers from Earth and fearsome cyborg warriors known as Berserkers.
Éclair today announced the launch of ÉclairSend, its new, pay-as-you-go online large file transfer and transcoding service developed with film and audiovisual industry professionals. The browser-based ÉclairSend platform enables producers, distributors, filmmakers, broadcasters and non-industry professionals anywhere in the world to easily manage their files and assets, convert videos and deliver any type of content, without size restriction.
Christopher Ray, colorist at Picture Shop, joined director Albert Hugues’s epic adventure last year on Alpha, setting the looks on-set with FilmLight Daylight. His collaborative work with Technicolor senior colorist Maxine Gervais relied heavily on creativity and on the Daylight-Baselight Base Linked Grade exchange. Digital Cinema Report recently spoke with Ray about the experience.
Éclair today announced the successful remastering of Antonin Baudry’s Le Chant du Loup, the first French feature film in 300 nits high dynamic range for Onyx Cinema LED screens. In addition to the Onyx Cinema LED version, Le Chant du Loup is available in ÉclairColor in 15 cinemas across France.
Kinoton Korea recently outfitted CGV Yongsan with an array of premium Harman Professional Solutions cinema audio technology to ensure immersive sound quality across all of the multiplex’s theaters. As South Korea’s largest cinema chain operator, CJ CGV has a long history of introducing revolutionary innovations in the cinema industry in its home country and abroad.
National CineMedia and Marcus Theatres have entered into a long-term cinema advertising affiliate partnership agreement for Movie Tavern by Marcus Theatres, with 22 dine-in theatre locations and 208 screens in the nine states of Arkansas, Colorado, Georgia, Kentucky, Louisiana, New York, Pennsylvania, Texas, and Virginia.
DTS, a wholly owned subsidiary of Xperi Corporation and CJ 4DPlex have announced a strategic alliance to bring DTS:X immersive audio technology to ScreenX theatres worldwide. Beginning in 2019, DTS will work with ScreenX and exhibitors to implement DTS:X technology into ScreenX locations.
Huayi Brothers Cinemas has deployed Christie’s next-generation RealLaser cinema projectors at its flagship multiplex in Shanghai.
As acquisition and consolidation activity takes hold of the cinema exhibition sector, 31 percent of new screen growth still comes from building new cinemas and screens, according to new research from business information provider IHS Markit. In fact, when the record-breaking acquisition of 7,400 screens from Regal by Cineworld is not included in the total, that percentage share rises to 77 percent.
Severtson Screens will exhibit options for its folded SēVision 3D GX line of cinema projection screens during CinemaCon 2019 at Caesars Palace in Las Vegas April 1-4.
The Motion Pictures Sound Editors presented the 66th MPSE Annual Golden Reel Awards at a black-tie ceremony at the Bonaventure Hotel in Los Angeles last Saturday night. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.
Over the 50 years chronicled in director Adam McKay’s Vice, cinematographer Greig Fraser had the challenges of photographing actors playing characters twice their age — with intense prosthetics, makeup and hair — while also making a potentially dull series of office-based scenes into a visually interesting story for audiences. To accomplish this feat, Fraser relied on Kodak 200T and 500T film and Cooke Optics’ Anamorphic/i prime lenses.
Dolby has reached a milestone of more than 500 installed Dolby Atmos screens across India. From Indian multiplexes – including 16 all Dolby Atmos multiplexes – to independent and single screen exhibitors, Atmos screens are found in 143 cities and 22 states and Union Territories in collaboration with Carnival Cinemas, Cinepolis, Inox Cinemas, PVR Cinemas, SPI Cinemas and other independent exhibitors.
The International Union of Cinemas (UNIC) has called for films selected in competition at leading film festivals to receive a full theatrical release. Following the decision from the Berlinale Film Festival to include the Spanish original film Elisa y Marcela in its 2019 official selection, the association released the following statement:
The Hollywood Section of SMPTE will host a panel discussion this month on real-time visualization tools that are revolutionizing the way film and television productions are planned. The meeting takes place Thursday, February 21, at Sim in Los Angeles.
French company CGR Cinemas and Vox Cinemas are partnering to bring a new premium screen concept to the Middle East, Africa and Asia. Vox Cinemas’ parent company is Majid Al Futtaim, the leading shopping mall, communities, retail and leisure pioneer across the region. Their new format is called ICE Theatre, for immersive cinema experience.
Sony Electronics is unveiling Sony Digital Cinema, the company’s version of an experiential premium large-format movie theatre auditorium. The first Sony Digital Cinema, which will open this spring at Galaxy Theatre’s deluxe Boulevard Mall site, will be the largest auditorium in the Las Vegas market, further enhancing Galaxy’s distinction as the Best Movie Theater in Las Vegas, according to Las Vegas Weekly and Las Vegas Review-Journal.
Captain Marvel, which opens March 8, will be the third movie from Marvel Studios to be converted into the ScreenX format. It is the latest collaboration between The Walt Disney Studios and CJ 4DPlex and follows the globally successful ScreenX release of Black Panther and Ant-Man and The Wasp. Captain Marvel stars Brie Larson in the title role and is directed by Anna Boden and Ryan Fleck.