Leading event cinema distributor Abramorama has partnered with Experience Hendrix and Sony Legacy Recordings to release Jimi Hendrix: Electric Church in select theaters around the world. The film opens at the ArcLight Hollywood Cinerama Dome January 31with a special Q&A with director John McDermott, legendary record producer and engineer Eddie Kramer, and Janie Hendrix, the late artist’s sister who is the CEO of Experience Hendrix.
View All Content
More than one hundred dog owners and their pets from all over Taiwan recently converged on Songshan Cultural and Creative Park for a charity premiere of the Hollywood film, A Dog’s Way Home. The film chronicles the heart-warming adventure of Bella, a dog who embarks on an epic 400-mile journey home after she is separated from her beloved human.
Qube Cinema has published a case study highlighting the deployment of Qube Wire by Tugg, a pioneer in developing the Cinema On Demand model bridging the gap between filmmakers and audiences. According to the company, Tugg has the ability to book titles into more than 85 percent of commercial movie theatre screens in the US, from the largest circuits to independent art houses. One noteworthy aspect of the Tugg platform is that it also provides access to venues that potentially wouldn’t ordinarily play a film, such as churches, museums and libraries.
Arts Alliance Media is providing their Screenwriter Theatre Management System and software support to the Sundance Film Festival for the third year running at six festival screening locations across Park City, Salt Lake City and the Sundance Mountain Resort in Utah, from January 24 to February 3.
Self-service ticket kiosks have wide acceptance in movie theatres, but Brisbane-based TouchMate saw the potential in combining the widespread use of video walls in cinema foyers with kiosk-style features. To bring the concept to market, the company joined forces with touch sensor supplier Zytronic. TouchMate director David Ellsworth said, “Our system is an evolution of the current technology. Traditionally, the cinema might spend more than $50,000 on a video wall then install eight self-service kiosks that might cost an extra $50,000-plus. If you merge the two technologies you halve the capital costs and costs of maintenance. You save space and money.”
Dolby Laboratories congratulates this year’s Academy Award nominees who have tapped into the audio-visual power of Dolby technologies to draw audiences into their stories. Five of the eight Best Picture nominees this year used both Dolby Vision and Dolby Atmos. And all five films nominated for Sound Mixing and Sound Editing awards this year were presented in Dolby Atmos.
Three of the five Best Animated Film nominations also utilized Dolby Vision and Dolby Atmos.
Red Digital Cinema has added the DSMC2 Touch seven-inch Ultra-Brite LCD Monitor to its line of innovative camera accessories. According to Red, the monitor is a robust, optically bonded touchscreen with Gorilla Glass that provides the most intuitive way to navigate menus, adjust camera parameters, and review .R3D clips directly out of the camera.
The Motion Picture Sound Editors association has announced nominees for the 66th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation and computer entertainment productions.
Vieshow Cinemas Hualien Paradiso in Hualien is the first cinema complex in Taiwan to be fully equipped with RGB pure laser projection systems. Five auditoriums are powered by Christie’s 4K CP4325-RGB and 2K CP2315-RGB models.
CJ 4DPlex closed out a successful 2018 with record-breaking box office attendance for its immersive cinema format, ScreenX, the company said. It grossed more than $40 million in the worldwide box office and attracted more than four million attendees for the year.
The final roster of speakers has been set for the first Digital Cinema Summit. These top digital cinema technology authorities from around the world will address a range of issues facing professionals in all phases of the motion picture industry. The half-day event takes place February 6 at the Okura Hotel in Amsterdam the Netherlands. Nick Dager, Editor & Publisher of Digital Cinema Report created the Summit in conjunction with Integrated Systems Europe. The theme is Transforming the Moviegoing Experience; its purpose is to give digital cinema technology center stage.
Warner Bros. Pictures announced today a multi-picture deal with the Korean cinema technology company CJ 4DPlex that will see up to six new films released globally in 2019 in the immersive 270-degree ScreenX format. The agreement extends the relationship between the two companies that previously included five films in 2018.
The New York facility of Eurofins Digital Media Services has been granted a Certification in Dolby Vision Quality Control Services. Eurofins is the first dedicated Dolby Vision quality assurance facility on the East Coast, meeting the growing demand for quality control and testing services in New York City.
The concert film BTS World Tour, Love Yourself, in Seoul, will be released in CJ 4DPlex’s multi-screen ScreenX format on January 26 for a two-week run. The film was shot at the Olympic Stadium in Seoul last August and captures the opening of the current tour. The tour has already drawn thousands of fans spanning the world from North America to Europe and Asia, and has proved to be the most sought-after tour of 2018.
In November, the Digital Cinema Initiative posted two new draft documents towards a high dynamic range specification for cinema titled Direct View Display D-Cinema Addendum and High Dynamic Range D-Cinema Addendum. They represent a major improvement over DCI’s previous draft, which I wrote about last September [DCI Has Lost Its Way https://bit.ly/2Omcnoa]. In contrast, the new documents are well written, detailed, explanatory and responsive. But questions remain and cost matters, leaving plenty of room for improvement.
For the space of a few hours, the Presidential Heliport Garden turned into a vast open-air movie theatre where 3,000 people were able to see Alfonso Cuarón’s Roma free of charge on a screen measuring 15 metres wide by 7 metres high with Christie RGB laser projection and Dolby 7.1 sound. The screening was organized by Mexico’s Ministry of Culture.
Los Angeles post house Inventure Studios has renovated its Studio C with the installation of a Severtson projection screen. Now all four of its studios are equipped with a Severtson woven acoustically-transparent screen. Seveterson dealer Keith Watanabe supervised the installation.
Éclair today announced the appointment of Andreas Peltret as its new country manager for Germany effective immediately. He is responsible for managing Éclair's content services in Germany, including theatrical delivery, digital distribution, preservation, post-production, restoration, as well as versioning & accessibility through its Berlin-based Éclair Studios (Christa Kistner Synchronproduktion) and Studio 7 Synchron und Untertitel in Karlsruhe, and exhibitor services with Cine-Logistics. Peltret reports directly to Éclair senior vice president Pascal Mogavero.
Abramorama is partnering with MPL/Capitol/UMe to premiere Paul McCartney’s The Bruce McMouse Show in select theaters around the world on January 21. The Bruce McMouse Show is a previously never-before seen film that tells the story of how Paul McCartney and Wings came to meet the inimitable impresario Bruce McMouse. Part concert film, part animated feature, The Bruce McMouse Show features footage from Wings’ 1972 European tour from Red Rose Speedway, interspersed with animated scenes that introduce a family of mice living under the stage.
The Society of Camera Operators has announced the nominees for Camera Operator of the Year in the Film category. They are: