Screen actors convey emotion in several ways: their voices, their eyes and the subtle color changes of their facial skin. But what if – as in the case of Gary Oldman’s Oscar-winning performance in Darkest Hour – much of their face is covered in silicone? That was one of the key questions Peter Doyle, supervising colorist at Technicolor, addressed when he collaborated on the film’s palette.
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The Video Advertising Bureau has appointed Lauren Leff as vice president, marketing & communications effective immediately. In this newly created role, Leff will oversee the organization’s internal and external communications supporting the VAB’s advocacy and dedication to providing advertisers and their agencies with the most current and actionable media insights on the expanding world of premium, multi-screen video content.
MoviePass today announced a partnership with the customer experience specialist TaskUs. In addition to partnering with TaskUs, MoviePass has also hired former TaskUs senior manager of client services, Jake Petersen, as the company’s vice president of customer experience.
GPL Technologies has hired Felix Fissel to lead its VFXnow unit as vice president of global operations. Fissel, an IT specialist with deep experience in the visual effects industry, will oversee VFXnow operations in Los Angeles, New York, and Vancouver. He will also lead business development and seek to expand markets for the unit, a hardware-as-a-service provider to visual effects studios, game developers, editing houses and other creative services companies.
Fandango says it sold more than thirty percent of all online tickets purchased for Black Panther, making it the largest shares of opening weekend for any movie in the company's 18-year history.
The Society of Motion Picture and Television Engineers has issued a call for technical manuscript proposals for the SMPTE 2018 Annual Technical Conference & Exhibition, which will be held October 23-25 at a new venue, the Westin Bonaventure Hotel & Suites in downtown Los Angeles. Authors must submit their proposals by May 28.
National CineMedia is pioneering interactive augmented reality gaming in theaters this spring with the launch of Noovie ARcade, a companion app to NCM’s Noovie pre-show and Lobby Entertainment Network. Noovie ARcade is available in the iOS and Android app stores. NCM expects it to be rolled out nationwide this spring on over 20,600 screens in 1,700 theatres across the country including AMC, Cinemark, Regal Entertainment Group, and 49 other regional and local theater chains.
Reliance Industries Limited, through a subsidiary, has agreed to subscribe to a five percent equity stake in Eros International Media Limited at a price of fifteen dollars per share, which represents an 18 percent premium over the stock’s last closing price. The transaction is subject to customary regulatory and other approvals. Furthermore, RIL and Eros announced that they have agreed to partner in India to jointly produce and consolidate content from across India.
Cinema software firm Vista Group International has bought back 7.9 per cent of its Chinese entity for $7.7 million, leaving it with 47.5 per cent of the business and allowing it to treat the division as a controlled entity within the group
Helios and Matheson Analytics has increased its total ownership of the outstanding shares of MoviePass’ common stock (excluding shares underlying MoviePass options and warrants) to approximately 78 percent. The increase in ownership stems from cash advances provided by HMNY to MoviePass, from time to time, from December 19, 2017 through February 15, 2018.
Volfoni today announced that it has voluntarily withdrawn its opposition against the granting of RealD’s patent no. EP2067066 in Europe. Volfoni made this strategic business decision due to the fact, the company says, there is no infringement between Volfoni’s current generation of products and RealD’s patent.
Éclair has appointed Dan Clark as its commercial director in the United Kingdom. Clark started his career in 2001 with Kodak Motion Picture as feature and short film manager before becoming post-production and digital cinema manager, and then technical manager.
CJ4DPlex’s immersive cinema technology 4DX with ScreenX is among the contenders for the top prize in the Media and Visual Communication – Entertainment category at this year’s Edison Awards. The annual awards, which recognize the most innovative new products in the world, will be held on April 11th in New York City.
Harkness Screens has been confirmed as an Official Supplier to the 68th Berlin International Film Festival (Berlinale) February 15-25.
RealD announced today that the European Patent Office’s Opposition Division has upheld the validity of one of the company’s key patents for light-doubling 3D cinema projection systems. Volfoni and MasterImage had both challenged the EPO’s grant of RealD’s European patent, which covers optical architectures in light-doubling 3D cinema systems.
Panasonic has announced the immediately available of a free firmware 1.12 upgrade for the new AU-EVA1 5.7K handheld cinema camera. This upgrade expands lens compatibility for a number of popular Sigma ART lenses.
CinemaNext has signed a distribution deal with Spanish seating supplier Ezcaray International recognizing CinemaNext as an official distributor in 17 European countries as well as in the US, Russia, Egypt, Kazakhstan and Morocco. CinemaNext is currently the exclusive reseller of Ezcaray’s full range of seating products for cinema in Germany.
The International Union of Cinemas (UNIC), the body representing European cinema trade associations and key operators, today released its provisional update on admissions and box office revenues across Europe for 2017.
Barco Escape has suspended operations effective immediately, Digital Cinema Report has learned exclusively. Barco Escape was installed in thirty-one theatres around the world and there were several studios ready to commit to projects when the decision was made.
For the historical vignettes in the upcoming CNN six-hour, six-part miniseries Pope: The Most Powerful Man in History, cinematographer Dane Lawing wanted each era to have its own look and a distinctly cinematic feel. To achieve this, he relied exclusively on Cooke S4/i prime lenses.