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Axle Video Releases Axle AI

Thu, 04/20/2017 - 11:44 -- Nick Dager

Axle Video has released axle ai, which it calls “a breakthrough media analysis and search platform.” Post-production teams can use axle ai to save a tremendous amount of time that would otherwise be spent manually tagging their media, and can benefit from the ability to find media that may not have been managed at all, often simply with cryptic multi-digit filenames from camera media.

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FuseFX Launches VR Spinoff

Tue, 04/18/2017 - 12:20 -- Nick Dager

FuseFX, which produces visual effects for such shows as Agents of S.H.I.E.L.D., American Horror Story, Luke Cage and Criminal Minds, has launched a spinoff venture to tackle projects in the rapidly expanding field of virtual reality. FuseVR will create visual effects assets for virtual reality projects, including 3D sets, digital environments and CG characters. The effort will be led by Bud Myrick as VR supervisor and John Heller as VR creative director.

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Color Scientist Jerome Dewhurst Joins Roundabout Entertainment

Tue, 04/18/2017 - 12:09 -- Nick Dager

Jerome Dewhurst has joined Roundabout Entertainment’s technical staff as chief color scientist. Dewhurst will oversee and manage the color pipeline for the facility’s growing digital intermediate and color correction operations, and set best practices for color company-wide. He will also lead research efforts to develop new software, technologies and services related to color management.

Sony Chooses Avere FXT Edge Filers for Visual Effects

Tue, 04/18/2017 - 12:02 -- Nick Dager

Sony Pictures Imageworks has deployed Avere Systems’ FXT Edge filer 5600 clusters to support the studio’s ongoing render farm expansion and to ensure non-disruptive scalability. Imageworks uses Avere technology to help it deliver award-winning visual effects and animation while staying on budget and meeting demanding production timelines

Something Different’s Monster Debut

Fri, 04/14/2017 - 11:16 -- Nick Dager

Death is not a good guy, he’ll take your soul for all eternity, but even he’s shocked by the kind of stuff that some satellite and phone companies pull on their customers. A new campaign conceived by independent creative marketing agency Something Different for Charter Communications to promote their Spectrum brand casts the black-cloaked merchant of death and other familiar demons, monsters and villains as regular Joes fed up with the really nasty evil practices at their telecommunications providers.

Autocine Opens Europe’s Biggest Drive-In

Thu, 04/13/2017 - 13:14 -- Nick Dager

Even though it has space for 350 cars and covers 25,000 square meters and is very near to Madrid’s central Paseo de la Castellana, Autocine Madrid Race is now Europe’s largest drive-in theatre with a screen that measures 250 square meters. With a bar and food trucks reminiscent of U.S. drive-ins from the 1950s, Autocine Madrid Race opened in February – perhaps appropriately – with a screening of the musical Grease.

Ymagis, CineTech to Launch CinemaNext North America

Wed, 04/12/2017 - 12:41 -- Nick Dager

Ymagis Group announced today that it has agreed with Dallas-based CinTech to form a new, full-service exhibitor services company in North America. Under the terms of the agreement and subject to the fulfillment of conditions precedent, a new company, CinemaNext North America, will be created with Ymagis Group acquiring a 75 percent stake and CinTech the remaining 25 percent. CinemaNext North America will be managed by industry veteran Stan Hays. Both parties intend to start operations during the second quarter of the year

The CinemaCon 2017 Catalyst Awards

Wed, 04/12/2017 - 11:36 -- Nick Dager

CinemaCon 2017 demonstrated, once and for all, that this is truly the dawn of the digital cinema era. The installation of digital projection systems in virtually every movie theatre in the world was the beginning of something, not the conclusion, because it opened the door to a wide range of possibilities. The tradeshow floors in Caesar’s Palace demonstrated this fact more than ever before. For the third consecutive year, a host of new companies crowded the exhibit halls. On display were products and services designed not simply to improve the operation of a movie theatre, but, in some cases, to expand the concept of what a movie theatre is. And, for the third year in a row, Digital Cinema Report is presenting the Catalyst Award to those products that we consider to be the best new technology on display at CinemaCon 2017.

Vista Project Student Filmmaker Winners Named

Tue, 04/11/2017 - 14:46 -- Nick Dager

The Society of Motion Picture and Television Engineers today announced that Shane Murphy has won the $5,000 grand prize in The Vista Project student filmmaker competition and that Jon Navarro was selected as runner-up. Led by cinema-industry pioneer Bud Mayo, chairman of New Vision Theatres, and by Barbara Lange, SMPTE and Hollywood Professional Association executive director, the judging committee named the winners during CinemaCon week, March 27-30 at Caesars Palace in Las Vegas.

Something Different, Station Film Team up for Documentary Seed

Tue, 04/11/2017 - 14:40 -- Nick Dager

Directed by Andrew Wonder and produced by Something Different and Station Film, the documentary Seed follows three Silicon Valley high school students, five college students from Nairobi and an Uber driver from New York as they hone their pitches and eventually present them to a panel of venture capitalists and industry leaders at AngelHack’s ninth annual Global Demo Day.

Star Wars Event Using Barco Projection

Tue, 04/11/2017 - 12:42 -- Nick Dager

Barco is collaborating with Lucasfilm and ReedPOP on the Star Wars Celebration event, being held in Orlando, Florida at the Orange County Convention Center on April 13-16. During the four day event, devoted Star Wars fans will experience the latest in laser projection technology as they gather at the Galaxy Stage to attend high-profile guest panels, including Mark Hamill, Anthony Daniels, Hayden Christensen and more, and watch a special tribute to 40 years of Star Wars.

ACES Gets in the Games

Mon, 04/10/2017 - 12:01 -- Sarah Priestnall

The Motion Picture Academy’s Academy Color Encoding System is now widely used across the movie industry but perhaps surprisingly, it’s also gaining traction in the gaming world. To learn more, Digital Cinema Report recently spoke with Brian Karis at Cary, North Carolina-based Epic Games. The company is known for its industry-leading Unreal Engine, a ground breaking game engine that can be used by other game developers who do not want to develop their own engine.

Global Team Delivers for Hidden Figures

Thu, 04/06/2017 - 15:59 -- Nick Dager

Hidden Figures recounts the story of three female African-American mathematicians who played an integral role in John Glenn’s successful launch into space and return. Captured on 35mm film, the movie is largely live action, but features nuanced CG throughout. Crafty Apes delivered 328 VFX shots for the film, working out of its Atlanta facility, with founder Chris LeDoux at the helm, Mark LeDoux overseeing local artists and Tim LeDoux guiding the final look out of the studio’s LA facility.

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