Hybrid post-production facility Cognition has completed construction of a 4K digital intermediate theatre as part of its ongoing multi-million dollar expansion.
Clint Eastwood’s biographical drama Sully was color graded at Technicolor LA by colorist Maxine Gervais. Produced by Malpaso Productions, the film tells the true story of pilot Chesley Sully Sullenberger, portrayed by Tom Hanks, and applauds him as a hero after he safely landed US Airways Flight 1549 in the Hudson River in New York back in 2009, saving 155 lives.
Roundabout Entertainment recently collaborated with Paramount Pictures and Park Circus on a luminous, 4K-restoration of Franco Zeffirelli’s 1968 classic Romeo and Juliet. The restored film is currently enjoying a new theatrical run as part of Shakespeare Lives, a worldwide program of special events commemorating the 400th anniversary of the Bard’s death. The project was made possible through funding from the British Council and the British Film Institute.
Son of Saul, László Nemes’ Golden Globe winner, is set in the horrors of Auschwitz in 1944. The movie was shot on 35mm film, which underlined its stark and understated look. To capture the emotions that underpin the movie, Nemes set about what seems today like a revolutionary analog to digital workflow: he not only shot the feature on film, but he finished and reviewed it on film, too. Son of Saul is a very raw story. The harrowing story, also nominated for best foreign language Oscar, got its subtle grading atmosphere from one of the FilmLight Baselight suites at Budapest facility Magyar Filmlabor (Hungarian Filmlab). Having achieved the visual style that Nemes and the movie’s DP Mátyás Erdély wanted in the film print, colorist László Kovács set about recreating this in Baselight.
Baba Joon means papa as a term of endearment expressing respect for the father of the family in a traditional Iranian home. A movie named Baba Joon was selected as best film at the most recent Ofir Awards, the Israeli version of the Academy Awards. The film portrays the human struggle many face when having to choose between tradition and personal freedom, dealing with the challenges that the generational gap can cause. Baba Joon is the feature-length directorial debut of screenwriter director Yuval Delshad, an Israeli and himself, the son of Iranian immigrants. Shot with a Red Epic, Baba Joon was also the first feature completed on Tel Aviv-based Edit Studio's Mistika.
As part of its ongoing effort to grow its resources for motion picture finishing, Post Factory NY, a Sim Group company, has hired Colin Davis as digital intermediate producer. Davis, who arrives from a similar position with Company 3, New York, will oversee feature film and documentary projects undergoing editorial conforming, color grading and other finishing services. He will also be involved in developing the facility’s workflow procedures and service offering. In his first project for Post Factory NY, Davis oversaw final color grading and deliverables for the upcoming Lionsgate release American Ultra.
WorleyWorks, New York has added a Mistika Precision Color Grading Panel from SGO to its expanding grading department in response to demand for one-stop color and finishing services. SGO's local partner, AArmadillo, handled the sale and installation
Final post-production work for 20th Century Fox’s and Reel FX Animation Studios’ The Book of Life, a Golden Globe nominee for Best Animated Feature Film, was completed at Modern VideoFilm.
Grupo Secuoya, one of Spain's major production companies, has installed a Mistika DI 4K system with DCP creation capabilities from SGO, to enhance their post-production department. Grupo Secuoya provides communication services for production companies, TV channels and many other industries.
The Room, the boutique finishing facility located within Technicolor-PostWorks, New York, recently completed two months of post-production finishing on The Giver, the new film from director Phillip Noyce and The Weinstein Company. In a project involving numerous creative and technical challenges, the facility handled editorial conforming and color grading. The latter included applying the finishing touch to an onscreen world that undergoes a gradual transition from black & white to color.