Celebrating its 50-year anniversary, Fox Studios Australia based specialist editorial facilities provider Spectrum Films has selected Mistika to drive its expansion of high-end color grading, finishing and digital intermediates using SGO's proven technology at the helm. This is the first real-time 4K-capable Mistika system in Australia, and includes advanced DI grading as well as Digital Cinema Package tools enabling encrypted or un-encrypted DCP creation directly from camera raw and other media files directly off the timeline.
In Annapurna Pictures’ Her, director Spike Jonze tells a story, set in the slight future, of Theodore, a complex, soulful man who becomes intrigued with a new, advanced operating system that promises to be an intuitive and unique entity in its own right. Starring Joaquin Phoenix, Amy Adams and Rooney Mara, and featuring the voice of Scarlett Johansson, the film has attracted extraordinary critical praise as well as Academy Award nominations for Best Picture, Best Original Screenplay, Best Production Design, Best Score and Best Original Song.
One of Spain's most prominent and established post-production companies, Free Your Mind, has invested in a second Mistika DI and finishing 2K system to further reinforce the company's current infrastructure to maximize on commercial and film production strengths.
Qube Cinema has sold its digital cinema servers and DCP mastering software to Cinecolor post-production facilities in five Latin American countries. Each of the Cinecolor post houses – in Argentina, Chile, Brazil, Mexico and Columbia – now has a Qube XP-D server in its screening room for QC of its DCPs. Cinecolor Argentina and Columbia also use QubeMaster Pro for mastering DCPs. The DCP mastering and QC equipment enable Cinecolor to meet the growing demand for digital cinema post-production services in Latin America.
Versatile Distribution Services today announced exclusive 4K and 2K turnkey workstations that feature Assimilate’s Scratch digital intermediate software running on HP Z820 workstations in North America and Latin America. The Scratch systems enable digital cinema and broadcast artists to generate dailies, conform, color-correct, and complete the finishing of features, documentaries, videos, and episodic TV within a real-time, integrated, user-friendly workflow.
Technicolor-PostWorks New York provided post-production services for three films screening this month at Camerimage, the world’s leading international film festival celebrating cinematographers and the craft of cinematography.
As motion picture, television and commercial production continues to transition to ever-higher resolution digital video, Canon has introduced the DP-V3010 4K Reference Display.
Light Iron provided on-set color, color workflow, and final color for the weekend box office hit Ender’s Game. The company has released an in-depth video on its Ender’s Game workflow, highlighting the collaboration and innovation that fueled this multiyear project.
Technicolor-PostWorks New York provided post-production services to five films that screened at this month’s Toronto International Film Festival. They included three narrative films, John Turturro’s Fading Gigolo, David Frankel’s One Chance, and Ned Benson’s The Disappearance of Eleanor Rigby: Him and Her, as well as Alex Gibney’s documentary The Armstrong Lie, and The Weinstein Company’s concert film 12.12.12: The Concert for Sandy Relief.
UK production house Onsight has expanded its stereoscopic 3D capabilities by adding to its digital intermediate color grading and stereo 3D resources through the additional upgrade of its existing Mistika suites from SGO.