Veteran colorist Trent Johnson has joined MTI Film. Johnson brings more than 25 years of experience and credits spanning features, animation, episodic television and restoration. His recent credits include Columbia Pictures’ The Emoji Movie, Screen Gems’ Proud Mary and the upcoming MGM comedy Overboard.
Production & Post-Production
Ymagis Group today reported its consolidated financial results for the fourth quarter of 2017 and its full year revenue for 2017 December 31, 2017. Driven by its technological services activities and recent acquisitions, Ymagis Group continued its growth momentum with revenue up by +0.8 percent in 2017 despite the structural decline in virtual print fees activities. During Q4, business stood at its highest historical level as revenue reached €54.1M (+3.5 percent).
Panavision has introduced the Millenium DXL2 8K camera, which the company says is the heart of a complete imaging ecosystem designed from filmmakers’ perspectives. The new camera incorporates Panavision’s optics and camera architecture, the Red Monstro 8K VV sensor, and Light Iron color2 science (LiColor2).
Arri today unveiled the Alexa LF camera, which is based on a large-format 4K version of the Alexa sensor. The new camera is part of a system that also includes, Arri Signature Prime lenses, LPL lens mount, and PL-to-LPL adapter. It is also compatible with existing lenses, accessories, and workflows.
Sony’s next-generation CineAlta motion picture camera Venice begins shipping to customers this month. As previously announced, version 1.0 features in Venice will include support for full-frame 24x36mm recording.
Digital cinema technology is defined by a collection of documents developed by many different organizations. No one organization defines it all, and in one case, the organization no longer exists. To address that situation, industry veteran Michael Karagosian has launched the website Cinepedia. His goal is to provide a single source of information about cinema technology. Among his many accomplishments Karagosian represented the technology interests of the National Association of Theatre Owners for eleven years during the digital cinema transition and is co-chair of the ASC Technology Subcommittee on Next Generation Cinema Display. I recently spoke with him about Cinepedia.
In a pivotal moment in Lucasfilm’s Star Wars: The Last Jedi, the CGI character Maz Kanata, played by Oscar-winner Lupita Nyong’o, shows up just in time to give the Rebels a vital piece of information. Although Maz’s appearance is brief, the complex shoot involved creating a temporary, studio-grade motion capture stage inside the famed Pinewood Studios. To complete this task, Lucasfilm turned to Audiomotion and its Vicon system.
What began as an indie mobile game in 2014, Five Nights At Freddy’s has grown into a multimedia franchise with multiple games, novel adaptations and a feature film currently in progress. The series is produced by Kiev, Ukraine-based GoldenLane Studio. One particularly challenging scene for GoldenLane co-founder Roman Maltsev was playing two characters named Zoe and Ellis that kiss.
H. Loren Nielsen has joined Xperi Corporation as vice president, content relations and strategy. Nielsen will serve as the studio liaison for DTS:X object-based immersive sound technology from DTS, a wholly owned Xperi subsidiary.
Signiant has received the Committed to Security mark from the Digital Production Partnership, demonstrating its ongoing commitment to best cybersecurity practices for both production and broadcast environments.