The Climb, director Michael Angelo Covino’s engaging debut feature, centers on the complex friendship between two men, Michael and Kyle, played by Covino and real-life friend Kyle Martin. For its Foley team from Alchemy Post Sound (working under supervising sound editor/re-recording mixer Ryan Billia), The Climb posed unique creative and technical challenges. Its first act centers on a bike ride that Michael and Kyle take in France prior to Kyle’s wedding. As the two men ascend a long hill, Michael makes a stunning admission regarding his friend’s fiancé. The results are disastrous with the men ultimately becoming involved in a violent confrontation with a passing motorist. Adding to the tension, the whole scene is captured in a single, intricately choreographed Steadicam shot.
Production & Post-Production
Christie is proudly supporting the Toronto International Film Festival as the Official Digital Projection Partner for the 19th consecutive year. The event runs September 5-15 and, for the first time, all major festival sites, including The Visa Screening Room at the Princess of Wales Theatre, Elgin Theatre, Roy Thomson Hall, Ryerson Theatre, and the Winter Garden Theatre, will be equipped with Christie 4K projection.
MTI Film’s workflow software Cortex v5.2 has been officially certified to support Dolby Vision Content Mapping v4. Cortex can be used to apply Dolby Vision Content Mapping algorithms (v2 and v4) in preparing Dolby Vision interoperable master format packages, and when importing, exporting or modifying Dolby Vision XML and MXF files.
The goal of the filmmakers behind the Showtime series On Becoming a God in Central Florida was to create a softer look to tell the 1992 story of Krystal Stubbs (Kirsten Dunst), a minimum-wage water park employee who lies, schemes and cons her way up the ranks of Founders American Merchandise (FAM) — the cultish, flag waving, multi-billion dollar pyramid scheme that drove her family to ruin.
The production of the feature film Brittany Runs a Marathon presented several challenges. The directorial debut of Paul Downs Colaizzo, the film was shot by cinematographer Séamus Tierney, who came to the project late. That was just one of the reasons he was grateful to have the Panavision family of services to back him up, including camera support and Light Iron post-production.
The Hollywood Section of SMPTE will explore the advent of wide color gamut and its impact on motion picture and television production at its monthly meeting September 25 at the Academy of Motion Picture Arts and Sciences, Los Angeles.
THX has released a new Deep Note trailer to commemorate the company’s 35th anniversary. In addition to the visual celebration and surprises, the trailer offers a deeper immersive audio experience with THX Spatial Audio three-dimensional sound over headphones or earbuds.
For the past 30 years, award-winning re-recording mixer Joe Barnett has worked on a wide variety of high-profile projects including American History X, Austin Powers: The Spy Who Shagged Me, Crazy Heart, When in Rome, Chronicle, 2 Guns, Luke Cage, Daredevil and The OA. Among Barnett’s most recent credits is the Netflix hit Iron Fist. Barnett says Nugen Audio is integrated into every one of his surround projects.
The Hollywood Professional Association has announced that Robert Legato, the legendary visual effects supervisor and renowned creative, will receive the organization’s Lifetime Achievement Award at the HPA Awards during a gala evening at the Skirball Center in Los Angeles on November 21st. Now in its 14th year, the HPA Awards recognize creative artistry, innovation and engineering excellence in the media content industry. The Lifetime Achievement Award honors the recipients’ dedication to the betterment of the industry.
New York Women in Film & Television has named Jamie Zelermyer as its new board of directors president. Zelermyer has served on the NYWIFT board for four years, most recently as vice president of special events through which she oversaw the production of the 2017 and 2018 NYWIFT Muse Awards. She has been a New York-based producer and production executive for over 20 years and is currently producing Independent Feature Project’s signature program, IFP Week.