Sound Lounge has promoted Becca Falborn to executive producer. In her new role, Falborn will manage the studio’s busy advertising division and supervise its team of producers. She will also lead client relations and sales. Additionally, she will manage Sound Lounge Everywhere, the company’s remote sound services offering, which currently operates in Boston and Boulder.
Production & Post-Production
Films at 59, one of the UK’s leading post houses, has installed a Pixit Media PixStor scalable storage platform to support its 4K high-end grading and finishing work. Founded in 1990, Films at 59 is an award-winning pre- and post-production house, with sites in Bristol and Cardiff and collaborative working relationships worldwide. Delivering across all genres, the company is renowned for its achievements in high-end broadcast, particularly in factual entertainment and natural history.
Cinematic Media, Mexico City’s largest, full-service post-production facility focused on television and cinema content, is teaming with two-time Academy Award-nominated supervising sound editor Martín Hernández to bring Hollywood-caliber sound services to Mexico. Hernández, sound supervisor for such films as The Revenant, Birdman and Pan’s Labyrinth, is overseeing construction of a new sound division at Cinematic Media. When complete, it will feature six sound editorial and mixing stages, each with Avid Pro Tools systems, and each certified for Dolby Atmos sound production. Construction will be finished in July.
Light Iron, a Panavision company, has announced that Jeremy Sawyer is returning to its Los Angeles facility as a senior colorist. Sawyer brings more than 20 years of color finishing experience to his role. He joins Light Iron’s talent roster as the facility manages a growing list of feature and episodic projects.
Imagination Park Technologies has acquired a patent portfolio from XMG Studio Inc., which was a pioneer in augmented reality gaming and location based games in 2009-2011 and was the developer of the successful Ghostbusters Paranormal Blast game in partnership with Sony.
Domenic Rom, a longtime fixture of New York’s post-production industry, has joined Goldcrest Post as managing director. Rom will oversee operations, drive sales and pursue growth strategies for Goldcrest, one of the largest independent providers of post services for film and television on the East Coast. He previously served as president and general manager of Deluxe TV Post Production Services.
The Hollywood Professional Association has opened its call for entries in creative categories for the HPA Awards. The Awards, now in their 14th year, are considered important recognition for groundbreaking work and artistic excellence, acknowledging creative artistry in color grading, editing, sound, and visual effects in feature film, episodic, and commercials. The 14th HPA Awards gala will be returning to the Skirball Cultural Center in Los Angeles, California on the evening of Thursday, November 21, 2019.
Alkemy X has hired Rebecca Manning as compositing supervisor for its visual effects division. Manning brings 16 years of experience and more than 40 major feature film and television credits, including Ghostbusters, The Jungle Book, X-Men: Days of Future Past and Avatar. Manning will be based out of Alkemy X’s New York studio and will lead its compositing team on projects including the television series The Marvelous Mrs. Maisel, Fear of the Walking Dead, Mr. Mercedes and Blindspot.
The Ymagis Group’s today reported an increase in revenue of 7.2 percent in the first quarter of 2019 following four consecutive quarters in decline. Thanks to robust equipment sales and its geographical expansion, CinemaNext recorded a 45 percent increase in revenue at €17.0 million, which more than offset the scheduled reduction in virtual print fee revenue.
Production sound mixer Adam P. Lawrence has had a lifelong love for audio/visual storytelling. For the last decade, Lawrence has turned that passion into a career, mixing audio on countless film and television productions. As with any field production, radio frequency interruptions rank highly on the list of worst-case scenarios among audio professionals.