Making a film for the first time is a challenge enough in itself, but post-production can sometimes be even more daunting. Aspiring filmmaker Michael Thibault said, “Strangely, all the things we were warned about – actors, scheduling, permits, etc – weren’t a problem at all. But when it came to post-production, it was a complete nightmare until we brought the show to AlphaDogs. We tried to get by cheap and skip using a professional post house, only to find out these freelance colorists and audio mixers have no clue as to what they are doing.”
Production & Post-Production
FilmLight has named Andy Minuth as its color workflow specialist. Minuth, originally from Germany, was most recently lead colorist at 1000Volt Post Production in Istanbul. There he was responsible for the grade of commercials as well as feature films.
The Society of Motion Picture and Television Engineers today announced the publication of the Report of the Study Group on Flow Management in Professional Media Networks. The new, 52-page report investigates current and future technologies for media content flow management in professional media networks, explores user requirements, examines potential transmission methods for management commands, provides an overview of existing standards and specifications now available to the professional media industry, and offers a series of recommendations to the industry including some for future work.
AlphaDogs has completed work on a series of corporate videos introducing services for the new Southern California Regional Spine Center to Kaiser Permanente members and physicians. Produced and directed by Bill and Douglas Sarine of Beachglass Films, Kaiser will be using the videos across many distribution channels to deliver a great introduction to their new initiative.
The sound of Blade Runner 2049 is striking. Even non-soundfolk are likely to recognize the crucial role it plays throughout the expansive follow-up to Ridley Scott’s 1982 sci-fi cult classic. Artfully sweeping from immersive to hyper-focused to nearly silent, the film’s stellar sound propels the viewer through a dystopian world feeling at once futuristic yet jarringly human. Leading the sound team was supervising sound editor Mark Mangini: winner of the 2016 Best Sound Editing Academy Award for Mad Max: Fury Road, and renowned audio post veteran with over 100 film credits across several decades.
Barbara Lange, executive director of the Society of Motion Picture and Television Engineers, was honored last month by her alma mater, Washington & Jefferson College, with its 2017 Alumni Award for Achievement during its annual President's Homecoming Dinner.
The Society of Camera Operators has named DJI’s Ronin 2 as this year’s recipient of its Technical Achievement Award. The award is given to a manufacturer or technology that has demonstrated superior engineering, advancement of camera operation, and substantial facilitation of the craft. This year’s recipient is DJI’s Ronin 2.
Shanra J. Kehl’s The Morning After features eight intercut vignettes shot in eight locations in 11 days, telling the story of the moment when you wake up next to someone... the next morning. Kehl served as director/writer/producer and cinematographer on the film. She shot with shot with Cooke S4/I lenses.
The Motion Picture Sound Editors announced today that it will present sound designer and sound recordist John Paul Fasal with its 2018 MPSE Career Achievement Award. A 30-year veteran of the sound industry, Fasal has contributed to more than 150 motion pictures and is best known for his groundbreaking work in field recording. Among his many credits are Top Gun, Master and Commander: The Far Side of the World, Interstellar, The Dark Knight, American Sniper and this year’s box office hit Dunkirk. Fasal will receive his award at the MPSE Golden Reel Awards ceremony, February 18, 2018 in Los Angeles.
Netflix and the Australian Broadcast Corporation have partnered to produce a new comedy series, The Letdown. Produced and written by Sarah Scheller and Alison Bell, the pilot and six half hour episodes follows Audrey, played by Bell, as she navigates the chaos of motherhood while still trying to balance a career-focused husband, a self-absorbed mother, and a care-free best friend. The series also stars Duncan Fellows, Sacha Horler, Noni Hazelhurst and Celeste Barber. Cinematographer Judd Overton shot the series with Panasonic VariCam LT cameras.