Sound designer and music producer Shreyas Srinivas first started out as a guitar player and later switched to music production. As a producer, he began doing a lot of work in post production, including sound design, sync sound and re-recording for a range of indie projects, short films and TV shows as well as a variety of Bollywood films. His latest project was Discharge, a short film about post-traumatic stress disorder
Production & Post-Production
Oscar winner Simon Hayes has become the first production sound mixer to use DPA’s new d:screet Core 6000 Series subminiature microphones on a major feature film. The currently untitled movie, which is due for release in 2019, is a musical comedy directed by Danny Boyle and written by Richard Curtis (Love Actually, Notting Hill). Although details of the plot are sketchy, it is set in the 1960s and 1970s and stars Lily James, Kate McKinnon, Ed Sheeran and Himesh Patel.
Éclair today announced the appointment of Marie-Laure Barrau to the newly created position of sales director for its activities in France and Belgium effective immediately. She is responsible for managing the sales teams across Éclair’s business divisions (Digital Applications, Digital Distribution, Theatrical Delivery, Preservation, Post-Production, Restoration and Versioning & Accessibility) in both countries.
Former Sony Pictures Entertainment senior executive Jonathan Gordon has joined SoundFi as executive vice president, head of global operations and business development. Gordon will be part of SoundFi’s senior management team and will work closely with founder/CEO Chris Anastas, president – entertainment division Tracy Falco, and COO/CFO Bill Kehoe. He will be responsible for leading global strategy as well as relations with studios, exhibitors, and other vital partners and industry stakeholders, as the company prepares for its next stage of growth.
To give the film First Man a strong sense of authenticity, director Damien Chazelle approached NASA to see if there was any archive footage from the Apollo era. The answer was they did but the footage was all in an obsolete format.
83 Days, a shattering narrative short about racial injustice, which was shot with Panasonic cinema cameras, has been named an Official Selection of the 2018 Tampa Bay Underground Film Festival. The film has already received several best of festival nominations, including Best Short Film, Best Drama Film, Best Short Film Director and Best Short Screenplay.
Technicolor PostWorks New York provided finishing services for The Dawn Wall, the riveting, new documentary from Red Bull House Media about free-climbers Tommy Caldwell and Kevin Jorgeson’s historic attempt to conquer El Capitan in Yosemite National Park. Colorist Keith Jenson worked with co-directors Josh Lowell and Peter Mortimer and cinematographer Brett Lowell in finalizing the look of the documentary, which takes audiences along for the climb as Caldwell and Jorgeson test themselves against a sheer, 3,000-foot rock face known as the Dawn Wall.
Eurofins Digital Media Services, formerly My Eye Media, has opened an office in New York City’s Chelsea district. The company says it is the first facility in the greater New York area, dedicated solely to master quality control with a focus on 4K/UHD high dynamic range video and immersive audio formats.
The Motion Picture Sound Editors have named supervising sound editor Stephen H. Flick as recipient of the association’s 2018 MPSE Career Achievement Award.
The makers of the Screen Gems feature film The Possession of Hannah Grace are claiming an interesting cinema technology first: the project was shot in Boston using Sony A7S II mirrorless digital cameras combined with large format Hawk 65 anamorphic lenses from Vantage, an unlikely combination featuring lenses designed for large digital sensors combined with a full-frame camera with a DSLR form factor and a price tag under $3,000. Nevertheless, the filmmakers say it made for a high-quality, cost-effective production workflow.