Production & Post-Production

Rick Ash, Ron Eng Join Periscope Post & Audio

Fri, 07/26/2019 - 11:48 -- Nick Dager

Award-winning sound pros Rick Ash and Ron Eng have joined the sound team at Periscope Post & Audio, Hollywood. Ash and Eng will be the lead sound talent at Periscope Post & Audio’s Hollywood facility, which launched last month. The sound department features a theatrical mix stage with an Avid S6 digital console, Pro Tools and Dolby Atmos capability, as well as three additional mix stages also featuring Avid S6 consoles, Pro Tools and Dolby Atmos.

DTLA Film Festival Seeking 360º/VR/MR Films

Fri, 07/26/2019 - 11:38 -- Nick Dager

Now preparing for its 11th edition, the DTLA Film Festival, downtown Los Angeles’ largest film-TV event, has announced a call for entries for 360º/VR/MR films for a new sidebar of immersive content, running concurrent with the rest of the festival, October 23-27. Submissions for all genres of immersive films are now open through August 16 and are free to all filmmakers. Films can be submitted through the festival's Film Freeway account.

Addressing Yesterday’s Workflow Challenges

Wed, 07/24/2019 - 14:08 -- Sarah Priestnall

Yesterday, the new British musical comedy directed by Danny Boyle, which was released last month following its debut at the Tribeca Film Festival, used as many as twelve cameras for some scenes. This presented some serious workflow challenges. To address them, cinematographer Christopher Ross BSC, who had previously worked with Boyle on the TV series Trust was joined by Mission digital imaging technician Thomas Patrick who had worked with him for the first time on Trust in 2017.

MTI Film Awarded U.S. Patent for Graphical Editing Solution for HDR Metadata

Thu, 07/18/2019 - 10:21 -- Nick Dager

MTI Film, maker of the Cortex family of set-to-screen workflow software, has just been awarded U.S. Patent 10,349,097 for its Graphical Editing Solution for High Dynamic Range Metadata. The software tool provides a simple way to ensure that HDR metadata is properly aligned with associated HDR video. It saves time and eliminates errors in preparing feature film and television content for delivery in formats including Dolby Vision HDR.

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