The Chinese action film The Bravest was released at 48 frames per second on Pixelworks’ TrueCut platform. This is the fourth film to be released in high frame rate in China using the TrueCut platform, and a look into the cinematic opportunities to come for filmmakers using this video platform.
Production & Post-Production
Dubai post-production facility Hockwood Digital has installed VIP recliners from Atom Seating. They chose the model Helium in AU series.
The Netflix Post Technology Alliance has selected Adobe After Effects as one of the initial products in the new visual effects category. The Alliance is a program committed to serving the evolving needs of the post-production community through innovation and support.
The IBC2019 International Honor for Excellence will go to Andy Serkis, the director, producer and actor who is today best known for his performance capture roles. These include Gollum, Supreme Leader Snoke, King Kong and Caesar in the Planet of the Apes series.
Award-winning VFX and animation studio Jellyfish Pictures has appointed Matthew Bristowe director of operations. Benefiting from both a creative and commercial background in some of the biggest VFX studios in the world, Bristowe’s hire solidifies Jellyfish Pictures’ continued expansion.
Award-winning sound pros Rick Ash and Ron Eng have joined the sound team at Periscope Post & Audio, Hollywood. Ash and Eng will be the lead sound talent at Periscope Post & Audio’s Hollywood facility, which launched last month. The sound department features a theatrical mix stage with an Avid S6 digital console, Pro Tools and Dolby Atmos capability, as well as three additional mix stages also featuring Avid S6 consoles, Pro Tools and Dolby Atmos.
Now preparing for its 11th edition, the DTLA Film Festival, downtown Los Angeles’ largest film-TV event, has announced a call for entries for 360º/VR/MR films for a new sidebar of immersive content, running concurrent with the rest of the festival, October 23-27. Submissions for all genres of immersive films are now open through August 16 and are free to all filmmakers. Films can be submitted through the festival's Film Freeway account.
Yesterday, the new British musical comedy directed by Danny Boyle, which was released last month following its debut at the Tribeca Film Festival, used as many as twelve cameras for some scenes. This presented some serious workflow challenges. To address them, cinematographer Christopher Ross BSC, who had previously worked with Boyle on the TV series Trust was joined by Mission digital imaging technician Thomas Patrick who had worked with him for the first time on Trust in 2017.
Jordan Levy, veteran commercial director of photography, shot FCA U.S.’s new The Summer of Jeep campaign starring Jeremy Renner, with Cooke Anamorphic/i lenses. The campaign was directed by Levy’s friend and long-time collaborator Jeff Tomsic, with whom he has worked for a decade. It began airing in the States on July 10.
MTI Film, maker of the Cortex family of set-to-screen workflow software, has just been awarded U.S. Patent 10,349,097 for its Graphical Editing Solution for High Dynamic Range Metadata. The software tool provides a simple way to ensure that HDR metadata is properly aligned with associated HDR video. It saves time and eliminates errors in preparing feature film and television content for delivery in formats including Dolby Vision HDR.