Ymagis Group’s CinemaNext and Éclair are showcasing ÉclairColor’s high dynamic range technology at CineEurope from June 19-21 in Barcelona (Spain) at the Cinesa cinema complex, located in the Diagonal Mar Shopping Mall.
Production & Post-Production
Panasonic has announced free firmware upgrades for the VariCam 35, HS, LT, and Pure cinema cameras that include several new features and added functions.
The Hollywood Section of SMPTE and the Visual Effects Society Los Angeles Section will conduct a joint meeting June 22 to examine the rapidly evolving field of augmented reality. AR is creating new ways for people to experience the world. At this joint meeting of the SMPTE Hollywood Section and VES Los Angeles, a panel of experts will provide an overview of the AR landscape and the technologies driving it. They will also share insights into emerging business opportunities and offer advice on what it takes to get involved in this exciting new field.
Éclair today announced the launch of its UHD 4K Blu-ray authoring services with the French release of Damien Chazelle’s La La Land.
Dolby Laboratories today announced that Warner Bros. Pictures’ Horse Soldiers is the 100th Dolby Cinema title. "Reaching the 100th announced title for Dolby Cinema is a tremendous accomplishment that couldn’t have been achieved without the support from the directors and filmmakers who want to use the best technology for their storytelling,” said Doug Darrow, senior vice president, cinema business group, Dolby Laboratories. “In 2017 we announced 44 Dolby Cinema titles, more than any other premium format, which is a testament to the ongoing commitment from Hollywood and studios around the world to deliver the best experience to the cinema.”
Los Angeles-based The Africa Channel is currently using WCPMedia Services’ cloud-based media management platform in marketing content to broadcasters, streaming services and other distribution outlets worldwide.
Typically, torn frames appear when a flash or strobe is not properly timed with a camera’s shutter and frame rate. They appear as a flash in the bottom half of one frame followed by a flash in the top half of the next frame. An innovative light source helped Ghost in the Shell cinematographer Jess Hall, BSC avoid the problem and bring a new level of visual sophistication to director Rupert Sanders’ epic feature.
For Nissan’s Return of the Snowman spot, visual effects specialists The Embassy in Vancouver banded together with post house Alter Ego in Toronto. The Embassy is well known for its photo-realistic, hard surface VFX work, from creating the digital Iron Man suits for all three films to building massive drop ship hangers for The Hunger Games trilogy. Having worked on countless commercials with Alter Ego, The Embassy made the decision to become part of the creative process for grading, to improve the efficiency and precision of their VFX work and present a consistent preview to their clients.
GreenSlate has hired William Baker to serve as the company’s vice president of sales and new business development working out of their Los Angeles office. Baker brings more than seventeen years experience leading startup, high-growth and established companies in film, television and commercial production to his new role.
Scot Stewart, owner and creative director of Vistar Media Solutions, had four days to shoot Big Time, the new music video from rock band Great White. The production shot in early May throughout Riverside and Yucaipa, California. The video supports the first single off the band’s new album, Full Circle.