The Hollywood Section of the Society of Motion Picture and Television Engineers will review emerging storage and workflow systems for 4K post-production at its monthly meeting September 19 in Hollywood.
Production & Post-Production
The American Society of Cinematographers has broken ground on the construction of the new ASC Arri Educational Center. The contemporary building, located behind the historic ASC Clubhouse in Hollywood, will serve as a hub for the organization’s ongoing efforts to educate the next generation of filmmakers on the art and craft of cinematography. The structure also will be home to all print and digital publications staff. The ASC Arri Educational Center offers a modern, inspired space with offices and meeting rooms, and is slated for completion by 2019.
The rustle of a newspaper, the sounds of the bus engine far away, the steps of the stalker in the pitch-black night. Writer/director Roxanne Benjamin used only the soundscape to make her short film Final Stop and to create an astonishingly realistic and thrilling cinematic atmosphere. Benjamin made Final Stop for Sennheiser to showcase some of the company’s latest audio technology. It was recorded in immersive 3D audio, using just a Smartphone and recording most of the audio with Sennheiser’s Ambeo Smart Headset, which was developed with A/D conversion specialist Apogee.
Pixelogic has opened new advanced and innovative post-production content review and audio mixing theatres within its facility in Burbank, California. The main theatre is equipped with a Dolby Vision projection system, and supports Dolby Atmos immersive audio.
MTI Film has completed the 4K restoration of Time Piece, a 1965 short film written, directed and starring the late Jim Henson. The story of a man’s desperate attempt to escape the passage of time, the short received an Academy Award nomination and is a testament to Henson’s under appreciated work as an experimental filmmaker.
Deluxe has launched the Content & Key Manager to replace their existing Cinema Portal platform. The Content & Key Manager has been integrated as a service within Deluxe One – the company's flagship cloud-based platform that unifies each stage of the content supply chain, creating an end-to-end ability to manage assets and requirements from creation to delivery.
For William Wages, ASC, filmmaking is first and foremost about storytelling. He says his role, as a premier cinematographer is to capture the best performances with the least intrusion. “It’s less about the technology, and more about the story,” he says in a new video produced by Fujifilm. The winner of three ASC Awards, including ASC Career in Television honors in 2012, and two Emmy nominations, Wages is known for his sumptuous landscape and intimate photography in features such as Maya Angelou’s Down in the Delta, Roland Joffe’s The Forgiven, and Steven Spielberg’s TV mini-series Into the West, as well as his development of filmmaking tools that create more efficiency and transparency on set.
Éclair today announced the ÉclairColor certification of its content services unit in Berlin. This is the second ÉclairColor certification of an Éclair facility after Paris-Vanves. Two German releases have already been mastered in ÉclairColor by Éclair’s Berlin teams: Jacob Lass’ So Was Von Da, opening in cinemas across Germany today, and Florian Gallenberger’s Grüner Wird’s Nicht, opening August 30.
Continuing to add resources for motion picture and television sound, Sony Pictures Post Production Services today announced the opening of three theater-style studios inside the Stage 6 facility on the Sony Pictures Studios lot in Culver City.
My Breathing on Everest journey kicked off less than a year out of university when my friend and frequent collaborator Meredith Gaito came to me with an idea she knew most other people would call too ambitious or downright crazy. A year and a half later I have been to Nepal twice filming at the base camp of Mount Everest for what has become a deeply personal documentary.