Ghost VFX artists received a 2021 Emmy for Outstanding Visual Effects in a Single Episode for the Star Trek: Discovery installment Su’Kal. Led by supervising producer / lead VFX supervisor Jason Michael Zimmerman, the Emmy-winning Ghost team included VFX supervisor Ivan Kondrup Jensen and VFX producer Kristen Prahl. Also taking home Emmys were VFX supervisor Ante Dekovic, VFX producer Aleksandra Kochoska, lead VFX artist Charles Collyer, and on set VFX supervisor Alexander Wood.
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Adobe has introduced Auto Tone, a new technology for applying intelligent color corrections with a single click. Now in Premiere Pro Beta, Auto Tone adjustments are reflected in the Basic Correction sliders at the top of the Lumetri panel, allowing users to easily fine-tune results and fast track their color correction.
Feature film and episodic imaging scientist Matthew Tomlinson and media workflow specialist Lucas Andrei will discuss color science and its application to traditional visual effects pipelines in the next edition of Post Break, the free webinar series from Post New York Alliance. The session is slated for Thursday, October 14th at 4:00 p.m. EDT.
The Cherokee Nation Film Office and Oklahoma State University-Tulsa are partnering to build educational opportunities and support Oklahoma’s rapidly expanding film industry. OSU-Tulsa is currently expanding its public, noncredit workshops for screenwriting, filmmaking, and production skills with a for-credit film program in development that will create a new, state-of-the-art, hands-on learning experience at OSU-Tulsa.
Santikos has selected Cinionic, the Barco, CGS, and ALPD cinema joint venture, as its exclusive technology partner for the next three years. Under the new agreement, Cinionic will power the San Antonio, Texas based circuit with laser cinema systems and Barco Alchemy media servers. The exclusive partnership builds on Santikos’ long-standing relationship with Cinionic.
Arena Cinemas, Switzerland, has converted 58 screens across all its locations to GDC’s Cinema Automation 2.0 technology. The installations and further developments in the whole complex cinema ecosystem were managed by leading systems integrator Imaculix, based in Zurich, Switzerland.
The Hollywood Professional Association Awards Committee has announced the nominees for the 2021 HPA Awards creative categories. The awards honor outstanding achievement and artistic excellence by both individuals and teams. Returning to an in–person event this year, the winners of the creative category honors will be presented in a live gala November 18 at the historic Hollywood Legion Theater. In keeping with health and safety protocols, the HPA Awards gala will require proof of vaccination to attend.
Arts Alliance Media today announced that Grand Cinemas will introduce a MediaMation immersive MX4D Motion EFX Theatre to their forthcoming projects in Kuwait and Saudi Arabia which are due to open in 2022. The announcement follows the news earlier this week that AAM is now the sole cinema reseller of MX4D products globally.
What happens if you compare the streaming giants’ top movies with their ratings on major movie rating sites? The Bad Movie Index, created by Draken Film, the Swedish streaming service for quality cinema, was created to inspire people to broaden their film taste with what the service believes is the first-ever moving subscription price.
In its latest project for Marvel Studios, Rising Sun Pictures delivered nearly 300 visual effects shots for Shang-Chi and the Legend of the Ten Rings. RSP’s work centered on the creation of a vast, computer-generated environment representing a village called Ta Lo and its jungle environs. In the process the company developed a novel technique for facial replacement using artificial intelligence.