THX, Cinionic and Nordisk Film Cinema, today announced their collaboration to launch the first THX Ultimate Cinema in Europe, to be deployed at the Nordisk Film crown jewel, the historic Imperial Theatre in Copenhagen. THX Ultimate Cinema powered by Cinionic Giant Screen provides movie exhibitors with a branded and differentiated premium large format offering which includes laser projection from Cinionic, an immersive audio system, as well as acoustic and performance specifications and an auditorium experience that has been calibrated by THX.
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In the last twelve months Cinelab London has worked on a wide range of major motion pictures and TV series, including No Time to Die, Wonder Woman 1984 and Small Axe; commercials for brands like Sainsbury's, Nike, and Burberry; and music videos for global stars like Beyonce, Coldplay, and Dua Lipa. Pixitmedia, a software-defined storage and data management company, enabled the facility to streamline its storage and media management for expansion in delivering rapid turnaround.
The Society of Camera Operators has announced the nominees for the 2021 Camera Operator of the Year Awards and Creative Vision Celebration for the Film and Television categories. Nominees for the Camera Operator of the Year Film & Television categories will be awarded live during the virtual show, which will take place April 11 from 5:00 p.m. to 6:30 p.m. PDT.
The European Audiovisual Observatory, part of the Council of Europe in Strasbourg, has just released an updated edition of the report: The Circulation of European Films in non-national markets – Key figures 2019. The study, authored by Patrizia Simone, film analyst in the Observatory’s department for market information, looks at the volume and theatrical performance of European films in non-national markets, that is, theatrical film exports.
Award-winning post-production facility Electric Theatre Collective has invested in a 31-inch 4K Sony Trimaster BVM-HX310 professional master monitor for the grading suite at its London studios. The monitor was provided by accredited Sony dealer Big Pic Media.
The winner of the 44th Portland International Film Festival’s Future/future competition is Identifying Features, directed by Fernanda Valadez. The film, an intriguing and confident first feature following a mother’s journey to find out what happened to her son along the Mexican border, was awarded the honor as well as a $1,000 prize.
New York Women in Film & Television culminates its month-long recognition of Women’s History with a weekend of screenings celebrating female creators in film, television, and media. NYWIFT will screen IFC Films’ critically acclaimed Farewell Amor March 26-27 as part of its annual Support Women Artists Now Day celebration in partnership with SAG-AFTRA, FF2 Media, Women in the Arts & Media Coalition, HerFlix, In Creative Company, The Gotham, African American Women in Cinema, and Women Make Movies, followed by a talkback with filmmaker Ekwa Msangi on Saturday, March 27 at 12 p.m. EDT. Then the 41st Annual NYWIFT Muse Awards celebrating women of vision and achievement will have its educational broadcast on CUNY TV on Sunday, March 28 at 8 p.m. EdT.
RSB Cinemas has become the first Dutch exhibitor to adopt a fully cloud-based theatre management system. The independent group has selected CineXpert’s e-TMS for its six cinemas across the Netherlands.
All box office regions have reported some notable positive news in recent days as recovery continues to be seen in different pockets around the world, according to the latest research from London firm Gower Street Analytics. However, the report continued, arguably the most important was the re-opening of Los Angeles. Coming just a couple of weeks on from the re-opening of another key Domestic market, New York City, the re-opening of Los Angeles (and a number of other counties) boosted California’s market share of open theatres from 13 percent a week ago to 45 percent this past weekend.
Goldcrest Post recently performed a feat of post-production magic for one of the most unusual film releases of the year. Grizzly II: The Revenge, a thriller about a giant bear that attacks fans at a rock concert, was shot in 1983 by the late Hungarian director André Szöts. Starring Steve Inwood, and including appearances by George Clooney, Laura Dern, Louise Fletcher and Charlie Sheen, the film was intended to be a sequel to Grizzly, a modestly budgeted independent film that became the top grossing independent film of all time upon its release in 1976, but it was left unfinished. That changed late last year when executive producer Suzanne C. Nagy retrieved the nearly 40-year-old original elements from storage and sought Goldcrest’s help in getting the film ready for its long-delayed release.