Color Grading

Cinematic Media Opens in Mexico City

Tue, 11/27/2018 - 14:02 -- Nick Dager

Cinematic Media, a full-service post-production finishing facility focused exclusively on television and cinema content, has launched in Mexico City. Located on the lot at Estudios GGM, the new facility offers dailies, look development, editorial finishing, color grading and other services, and aims to capitalize on booming entertainment media production in Mexico and throughout Central and South America. In its first project, Cinematic Media provided finishing services for the second season of the Netflix series Ingobernable.

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DaVinci Resolve
Colorfront On-Set Dailies system

The Americans Wraps at Technicolor PostWorks

Tue, 10/30/2018 - 09:35 -- Nick Dager

The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in high dynamic range and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look of the finished series has been the responsibility of John Crowley, Senior Digital Colorist, working on the Baselight color grading system from FilmLight.

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FilmLight BaseLight

Éclair, Samsung Partner to Bring Onyx Cinema LED Technology to European Filmmakers

Mon, 09/24/2018 - 11:47 -- Nick Dager

Éclair today announced that, starting in November, it will install a Samsung Onyx Cinema LED screen in its facilities in Paris-Vanves. This will make Éclair one of the first to provide professional services specifically tailored for the Onyx Cinema LED – contrast ratio of 1,000,000:1, color grading with true zero nit black, and ÉclairColor DCP mastering – to European filmmakers, producers and distributors.

DCI Has Lost Its Way

Fri, 09/14/2018 - 12:11 -- Michael Karagosian

The way it’s supposed to work, a cinema should be able to acquire DCI Compliant equipment with the assurance that first release movies would not be withheld for reason of having the wrong gear. With the recent release of its DCI Memorandum Regarding Direct View Displays, it is no longer clear where DCI is heading.

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DCI

Černjul ACES Crazy Rich Asians

Thu, 08/30/2018 - 10:36 -- Nick Dager

Crazy Rich Asians is one of the summer’s biggest success stories. Shot by cinematographer Vanja Černjul, ASC, HFC (The Perfection, The Deuce, Marco Polo) with VariCam Pure cinema cameras, the film is based on the best-selling novel by Kevin Kwan, and tells the story of an Asian American woman who meets her boyfriend's family, only to find out they are one of the richest families in Singapore. The Warner Bros film was directed by Jon M. Chu (Now You See Me 2, G.I. Joe: Retaliation) and features an all-Asian cast, including Constance Wu, Henry Golding, Ken Jeong, Michelle Yeoh, and many others. It is the first Hollywood studio film to feature Asians in leading roles since director Wayne Wang’s 1993 film, The Joy Luck Club.

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Panasonic VariCam Pure cinema camera

MTI Film Restores Henson’s Time Piece

Thu, 08/23/2018 - 12:02 -- Nick Dager

MTI Film has completed the 4K restoration of Time Piece, a 1965 short film written, directed and starring the late Jim Henson. The story of a man’s desperate attempt to escape the passage of time, the short received an Academy Award nomination and is a testament to Henson’s under appreciated work as an experimental filmmaker.

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MTI Film
Lasergraphics Director high-speed scanner
DRS Nova

Éclair Certifies Its Berlin Content Services Facility

Thu, 08/16/2018 - 11:40 -- Nick Dager

Éclair today announced the ÉclairColor certification of its content services unit in Berlin. This is the second ÉclairColor certification of an Éclair facility after Paris-Vanves. Two German releases have already been mastered in ÉclairColor by Éclair’s Berlin teams: Jacob Lass’ So Was Von Da, opening in cinemas across Germany today, and Florian Gallenberger’s Grüner Wird’s Nicht, opening August 30.

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EclairColor

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