Lenses

Directed by John Crowley, We Live in Time explores love, loss, and the fragility of life, painting an intimate portrait of the relationship between principal characters Almut (Florence Pugh) and Tobias (Andrew Garfield). With the support of Panavision London and Panalux London, cinematographer Stuart Bentley, BSC crafted a visual approach that enhances the story’s raw emotion while remaining unobtrusive.

“This story highlights main characters from three different generations,” says director Richard Lagravenese of his new feature A Family Affair. Now streaming on Netflix, the movie follows Zara Ford (played by Joey King), who works thanklessly as the assistant to self-absorbed movie star Chris Cole (Zac Efron) — who, in turn, ends up falling for Zara’s widowed mother, Brooke Harwood (Nicole Kidman), with comic consequences for all.

Directed by Pamela Adlon, Babes is a heartfelt, contemporary comedy set in New York City. At its core, the movie is about the deep love and strong friendship between Eden (played by co-writer and producer Ilana Glazer) and Dawn (Michelle Buteau). The feature blends humor with deep emotional resonance as the two friends navigate family life and motherhood. With its timeless visual style, the film captures the charm of classic cinema while grounding its narrative in the present day. The project's distinct look was crafted through the close collaboration of cinematographer Jeffrey Kim and Light Iron colorist Keith Jenson.

Created by showrunner Abe Sylvia, the Apple TV+ comedic drama Palm Royale navigates the tale of one woman's ambitious journey to make it among the upper crust, through extravagant settings that evoke the golden era of Life magazine. Cinematographer David Lanzenberg was behind the camera for the first two episodes, working with director Tate Taylor, and then passed the baton to fellow director of photography Todd McMullen, who shot the remaining eight episodes. With support from Panavision Woodland Hills, the cinematographers opted to pair Panaspeed large-format spherical primes with the Millennium DXL2 camera. Here, the collaborators highlight how the series’ visual language was distinctly enhanced by the choices made by the art, wardrobe, and hair & make-up departments.