Production & Post-Production

Seeing Red

Mon, 05/22/2023 - 10:49 -- Nick Dager

Director David Cronenberg’s 1988 horror film Dead Ringers, about twin OBGYNs whose penchant for tricking others threatens to shatter their own psyches, has received a sibling of its own with the six-episode Amazon miniseries of the same name. Starring Rachel Weisz as twins Beverly and Elliot Mantle, the show tracks a similar descent into madness, but one that’s carefully distinguished as a complement to its predecessor. All throughout the series, the color red plays a key role.

Period Film Chronicles Nuclear Age

Wed, 05/17/2023 - 11:34 -- Nick Dager

Rocket Boys presents a fictionalized account of the era-defining story of physicist Homi J. Bhabha — Nobel Prize nominee and the father of India’s nuclear program — and Vikram Sarabhai — physicist, astronomer, and the brains behind India’s first national space agency. The show focuses on these two pioneers and how they worked to establish the newly independent India as a world power, through nuclear power and a presence in space.

Making the Noir Film Proof Sheet

Wed, 05/17/2023 - 11:18 -- Nick Dager

For Proof Sheet, cinematographer Jonathan Pope and director Richard Kilroy discussed references and inspirations for a film set in 1999 Los Angeles and the challenges of hiding 2023 Los Angeles. Taking place between Christmas and New Year’s Eve, the noir film Proof Sheet tells the story of a beautiful woman in trouble and an incriminating roll of film that sends a photo-lab worker on an investigation into a dark world of sex, secrets, and murder.

Disguise, Film Soho Launch Cannes’ First Global Virtual Production Summit

Mon, 05/15/2023 - 10:37 -- Nick Dager

Disguise has announced the Cannes Film Festival’s first Virtual Production Summit. Created in partnership with Film Soho, Marché du Film and Cannes Next, the summit will feature talks, demonstrations, and workshops on the future of entertainment with studio heads and filmmakers at Netflix, Paramount, Framestore, Nordisk Film and more.

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