Production & Post-Production

The Outrun to Open 77th Edinburgh International Film Festival

Mon, 05/13/2024 - 09:52 -- Nick Dager

The relaunched Edinburgh International Film Festival has announced that this year’s 77th edition of the festival will open with Nora Fingscheidt's adaptation of Amy Liptrot’s best-selling memoir, The Outrun. The festival has also announced that its shorts competition will be titled The Thelma Schoonmaker Prize for Short Filmmaking Excellence with the legendary film editor in attendance.

Crafting a Visual Language for Grief

Mon, 05/06/2024 - 09:29 -- Nick Dager

Now streaming on Netflix, Good Grief marks the feature-film directorial debut of Daniel Levy, well known as the co-creator and costar of the series Schitt’s Creek. Offering an uplifting perspective on dealing with the permanence of losing a loved one, Good Grief follows Marc (played by Levy), who was content living in the shadow of his larger-than-life husband, Oliver (Luke Evans). But when Oliver unexpectedly dies, Marc’s world shatters, sending him and his two best friends, Sophie (Ruth Negga) and Thomas (Himesh Patel), on a soul-searching trip to Paris that reveals some hard truths they each needed to face. Cinematographer Ole Bratt Birkeland, BSC and gaffer Chris Dowling made each of their decisions with the aim of embracing these realities. Panavision London supplied the production’s camera and lens package, and Panalux London provided lighting services. The filmmakers also worked with Light Iron for dailies and finishing services, including visual effects and final color. Light Iron’s VFX contributions included 3D tracking, reflection maps, motion vector mapping, rotoscoping, paint, and multi-layered compositing; in the final grade, Birkeland reteamed with supervising colorist Ian Vertovec. Supported throughout production and post, the filmmakers were free to skillfully explore the bright spots of bereavement. Here, Birkeland and Dowling discuss their approach to crafting the film’s visual language.

Slamdance Film Festival Moving to LA in 2025

Wed, 05/01/2024 - 10:38 -- Nick Dager

Slamdance, the artist-led by filmmakers for filmmaker organization, today announced that its annual film festival will move to Los Angeles, starting in February 2025. The move to Los Angeles, the heart of the entertainment industry, will allow for the continued growth of Slamdance’s year-round mission to provide an accessible and dynamic community for truly independent, visionary filmmakers and creators.

Culver Post Installs Samsung LED Cinema Screens

Mon, 04/29/2024 - 08:26 -- Nick Dager

Nestled in the heart of Los Angeles, Culver Post is a recent addition to Amazon’s portfolio of production and entertainment businesses. In partnership with industry pioneers 424 Post and Harbor, Samsung provided Culver Post with a 34-foot, 8K IWA LED screen and Digital Cinema Initiative-certified 4K Samsung Onyx LED screen to create a true cinema-style environment for theatrical color grading and immersive sound mixing.

Your Monster to Open the Lower East Side Film Festival

Mon, 04/29/2024 - 08:15 -- Nick Dager

The New York premiere of Caroline Lindy's romantic comedy, Your Monster, is set for opening night of the 14th annual Lower East Side Film Festival at Village East Cinema on Thursday, May 2. The film stars Melissa Barrera (Scream), who will be in attendance at the premiere, along with cast members Edmund Donovan (Tell Me Lies), Brian McCarthy (Paterson, The Americans), Taylor Trensch (Evil), and Kayla Foster (The Deuce, Call Jane) and crew members Caroline Lindy, Shannon Reilly, Scotty Anderson (Succession, Ma Rainey's Black Bottom), and Maribeth Fox (A Quiet Place, Bottoms).

Creating a Cinema Verité Look

Mon, 04/29/2024 - 08:11 -- Nick Dager

The first feature film from writer-director Shaun Seneviratne, Ben and Suzanne: A Reunion in 4 Parts depicts the struggle between love and duty as Ben (Sathya Sridharan) steps out on a limb to rekindle his relationship with Suzanne (Anastasia Olowin), who can’t escape the calls of her work. Seeking to make a film that felt grittier than the manicured qualities typically associated with romantic comedies, Seneviratne decided to employ non-actors in every role except the leads. Complementing the decisions Seneviratne made in prep and on set with cinematographer Molly Scotti, Light Iron colorist Keith Jenson helped fine-tune the visual language in the final color grade, which took place at Light Iron New York ahead of the movie’s world premiere at the 2024 SXSW Film Festival. Here, Seneviratne and Jenson share their perspectives on their memorable collaboration.

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